New art cars images on Photobucket

Grand Theft Auto IV Limited Edition Xbox 360 to be out soon

YasirS — Fri, 2 Nov 2012 08:32:00 MDT

Grand Theft Auto IV Limited Edition Xbox 360 to be out soon - grand-theft-auto-iv-limited-edition.jpg

Grand Theft Auto IV Limited Edition Xbox 360 to be out soongrand theft auto iv limited edition xbox 360The Grand Theft Auto IV release next month is just about the most anticipated gaming event of the year and Microsoft is all set to add to the joy by launching a special limited edition Grand Theft Auto IV Xbox 360 The celebratory do features an Xbox 360 Elites system on the inside with custom GTA box art on the sides as well as an awesomely faceplate Cool accessories include a wireless controller with keyboard headset and a remote apart from other goodies which are neatly housed in a separate briefcase And since there are only going to be 500 of these out in the market we suggest you bribe the neighborhood stores clerk to secure you a copygrand theft auto iv limited edition xbox 360 1Source: SlashgearPosted by CafeCafe at 4:39 PM LoadingDiggIt Delicious Blinklist Yahoo Furl Technorati Simpy Spurl Reddit0 comments:Post a CommentLinks to this postCreate a LinkNewer Post Older Post HomeSubscribe to: Post Comments (Atom)Related PostsWWII - 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Save the World Living Room Escape Locked Forever 5 Locked Forever 6 Locked In Lost Memory Meat Mansion Melting Mindz Mental Merry X'mas Mezzo Winter Edition Mini Escape Mini Escape 3 Minigame Killer Queen Mission Stage 1-2-3 Mission Stage 2 Mission Stage 3 Mobai Room 2 Motas Murder Escape MuseLock Music Bounce MWU Mystery House The Horror Mansion Mystery Mansion 101 Mystery Mansion 102 N'Joy 10th Planet Naughty Cafeteria Naughty Classroom Naughty Gym Class Naughty Hospital Naughty Supermarket Nekonote Escape 02 Nekonote Escape 03 Neolla 2 Nezumi Nezumi 2 Nigepico 12 Nightmares Episode 1 Nightmares Episode 2 Nightmares Episode 3 Nightmares Episode 4 Nightmares of Leia Ray Noella Not An Escape Game O Quarto One Room of a Cottage Ostrov Escape The Island Otakara Game Paint Escape Pegasus Room Escape Pillage the Village Pino Grow Pirate Cat Adventure PlanetDefender Plastic Smile Plasticine Room Pocket Escape Poco2 Escape 3 Polleke's Room Escape 2 Ponpon House 2 Odekake Pricilla Gone Missing Princess Natasha No Vacancy Prism Core Professor XYZ Episode 5 Protector Protector: Reclaiming the Throne Pumomo Punikin Escape Puzzled 2 Rabit Room Escape Railway to Heaven Rapunzel Escape Restaurant Escape Return to the THK58 Revenge for Sonia Rhino Room Escape River IQ Test Game Rodin Gate Room Bath Room Escape 2 Room Fake Room Room Room W R Royal Pain Ruins of Pantheon Rulumomo Garden 3 Salt Sack Escape Game Samorost 1 Samorost 2 Save Pooky Game Second Room Secret Path of the Forest Seven Bears Seven Lucky Gods Shadow Of The Killer SHIFT 2 Shimaka Raderu Silversphere Snake Room Escape Sniper Escape Some Game With a Long Name I Forgot Already Something Amiss Chapter 1 Sphere Core Spoerg Olivia Adventure Spillet Square Rooms Nightmare SSSG Super Sneaky Spy Guy: 10 Rooms Stanza Cinese Steppenwolf Steve Stevenson Leaves Town Stone Age Sam Stone Room Escape Storage Escape Strange Room Strawberry Tomato Stuck Inside Stuck Inside 2 Submachine 2 Submachine 3 Submachine 4 Submachine FLF Submachine Zero Super Sneaky Spy Guy - Illusions Switch T2B Escape2 Teddy Beans Terminal House The Alpha Room The apartment The Ballad of Ketinetto The Ballad of Ketinetto part 2 The Basic Escape Game The Common Room The Enrichment Center The Escape Game 2 The Fog Fall The GH Plot The Gramophone Escape The Horror Mansion - Escape from the 213th Gestroom The Horror Mansion - Escape from the Japanese Room The Invisible Beard of Contemplation 2 The Journey The Kitchen Escape The Legend Room The Mothership The Mystery House - The Second Stage The Never Ending Level Game The Other Side Of The Door The Scarlet Room The Several Journeys of Reemus The Visitor Thickly Three Cats Christmas Three Cats Laboratory Escape 2 Tidy Room Escape Tipping Point Tipping Point chapter 3 Titei TLFMER 4 Tofu Turkey Tork Totem Destroyer Trapped Part 1 Trapped Part 2 Travel Sick Treasure Search of Silver Truelove 2 Tucoga's Room Tucoga's Room 2 Twelve Dragon's Room - Twelve Signs 3 Twinkle Twoon Exit with apa Ukrainian Room Unlock Voice Wanpa Quest Another 2 Warashi Parlor Warbears Adventures WarBears Mission 1 WarBears Mission 2 WarBears Mission 3 Watermelon Room Escape We Are From The Future White Chamber Wildboar Room Escape Wizard Taro EP3 You are Lucky You Have To Burn The Rope Yu A's Room Yuria's Hotel Yuria's Room 2 Yuria's Room 3 Zashiki WarashiThe Grand Theft Auto IV release next month is just about the most anticipated gaming event of the year and Microsoft is all set to add to the joy by launching a special limited edition Grand Theft Auto IV Xbox 360 The celebratory do features an Xbox 360 Elites system on the inside with custom GTA box art on the sides as well as an awesomely faceplate Cool accessories include a wireless controller with keyboard headset and a remote apart from other goodies which are neatly housed in a separate briefcase And since there are only going to be 500 of these out in the market we suggest you bribe the neighborhood stores clerk to secure you a copy

Art amp Concept Car

findstuff22 — Wed, 24 Mar 2010 16:20:00 MDT

Art amp Concept Car - Honda_PUYO_Concept_Car.jpg

Crazy cool new idea for a cardo you like it

Concept Car

Fly-n-hi — Mon, 11 May 2009 21:56:00 MDT

Concept Car - ConceptCar.jpg

SDC11760

Mr_COA — Thu, 21 Jun 2012 10:57:00 MDT

SDC11760 - SDC11760.jpg

SDC11765

Mr_COA — Thu, 21 Jun 2012 10:57:00 MDT

SDC11765 - SDC11765.jpg

SDC11773

Mr_COA — Thu, 21 Jun 2012 10:56:00 MDT

SDC11773 - SDC11773.jpg

IMG_7864.jpg

Hookedup12 — Tue, 12 Jun 2012 08:27:00 MDT

IMG_7864.jpg

Art Car

tdogpics — Tue, 19 Jun 2012 12:19:00 MDT

Art Car - IMG_20120616_141916.jpg

06162012 Art car at Juneteenth celebration on Fillmore Street

Art And Joseph Whitaker

PuddyGirl — Mon, 11 Jun 2012 17:47:00 MDT

Art And Joseph Whitaker - JosephAndArtWhitaker2.png

Concept Art

s1l3nt_fox — Fri, 8 May 2009 14:20:00 MDT

Concept Art - car-001.jpg

SDC11774

Mr_COA — Thu, 21 Jun 2012 10:51:00 MDT

SDC11774 - SDC11774.jpg

At Kensington Market-TorontoOntOn SaturdayJune 162012

mypictures6 — Mon, 18 Jun 2012 10:36:00 MDT

At Kensington Market-TorontoOntOn SaturdayJune 162012 - AtKensingtonMarket-TorontoOntOnSaturdayJune162012007.jpg

At 4:57pmWe walking down on this street and saw this Car art displayI Thought this was real cute By Lisa Gallant

car art

X8sparticus8X — Sat, 9 May 2009 18:07:00 MDT

car art - 02f9c7d6.jpg

Ford GT Test Car at Tokyo R246

pluxtheduck — Thu, 14 Jun 2012 09:49:00 MDT

Ford GT Test Car at Tokyo R246 - FordGTatTokyo-TwoWheels.jpg

Pushing out on the curbs

Ford GT Test Car at Tokyo R246

pluxtheduck — Thu, 14 Jun 2012 07:04:00 MDT

Ford GT Test Car at Tokyo R246 - FordGtatTokyo-Fire1.jpg

Flame out

Ford GT Test Car at Cape Ring

pluxtheduck — Thu, 14 Jun 2012 07:04:00 MDT

Ford GT Test Car at Cape Ring - FordGTatCapeRing-Roundthering.jpg

Round the ring

Ford GT Test Car at Tokyo R246

pluxtheduck — Thu, 14 Jun 2012 09:47:00 MDT

Ford GT Test Car at Tokyo R246 - FordGTatTokyo-Fire2.jpg

Flame out at the last corner at Tokyo R246

Ford GT Test Car at Cape Ring

pluxtheduck — Thu, 14 Jun 2012 07:04:00 MDT

Ford GT Test Car at Cape Ring - FordGTatCapeRing-Flameout.jpg

Twin flame out

art car

Bwisme — Sun, 21 Jun 2009 13:20:00 MDT

art car - nicebuggy.jpg

Shuttle car

spoiledrotten_02 — Sun, 10 May 2009 16:40:00 MDT

Shuttle car - cars041.jpg

Art_Car_Parade.jpg

Mickeymouse07079 — Sun, 10 Jan 2010 19:04:00 MST

Art_Car_Parade.jpg

car art info logo concept

andonoff — Tue, 12 May 2009 18:27:00 MDT

car art info logo concept - carartinfobutton.jpg

ME-412 crysler

Crazyboy117 — Sun, 1 Nov 2009 07:34:00 MST

ME-412 crysler - carsketch26.jpg

concept car

anime

pedrovidal — Wed, 8 May 2013 12:26:00 MDT

anime - c6b5766f.jpg

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Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP

foxmusic — Mon, 11 May 2009 01:21:00 MDT

Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP - JAZZ-LpMilesDavisKindOfBlue.jpg

Kind of Blue isn't merely an artistic highlight for Miles Davis it's an album that towers above its peers a record generally considered as the definitive jazz album a universally acknowledged standard of excellence Why does Kind of Blue posses such a mystique Perhaps because this music never flaunts its genius It lures listeners in with the slow luxurious bassline and gentle piano chords of So What From that moment on the record never really changes pace -- each tune has a similar relaxed feel as the music flows easily Yet Kind of Blue is more than easy listening It's the pinnacle of modal jazz -- tonality and solos build from the overall key not chord changes giving the music a subtly shifting quality All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance They return because this is an exceptional band -- Miles Coltrane Bill Evans Cannonball Adderley Paul Chambers Jimmy Cobb -- one of the greatest in history playing at the peak of its power As Evans said in the original liner notes for the record the band did not play through any of these pieces prior to recording Davis laid out the themes before the tape rolled and then the band improvised The end results were wondrous and still crackle with vitality Kind of Blue works on many different levels It can be played as background music yet it amply rewards close listening It is advanced music that is extraordinarily enjoyable It may be a stretch to say that if you don't like Kind of Blue you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collectionnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-'40s to the early '90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn't there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle's Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine's big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker's spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter's band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker's group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band's relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter's progress was impeded by an addiction to heroin that plagued him in the early '50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing 'Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut 'Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin' Workin' Relaxin' and Steamin' making Davis' first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L'Ascenseur pour l'Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis' career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet's next recording the two-LP set Miles Davis in Person (Friday Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis' next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis' next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis' next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis' electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis' first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis' former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early '70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You're Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late '50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music's essential quality of boundless invention using all available means

car

space90 — Wed, 20 Jun 2012 07:20:00 MDT

car - watermeloncar.jpg

anime

pedrovidal — Wed, 16 Jan 2013 15:21:00 MST

anime - f59d5388.jpg

anime

pedrovidal — Wed, 8 May 2013 12:25:00 MDT

anime - d2d938f5.gif

80864069.jpg

pedrovidal — Wed, 8 May 2013 12:25:00 MDT

80864069.jpg

New yard art

Montucky2 — Wed, 12 Sep 2012 20:22:00 MDT

New yard art - photobucket-900-1347502951289.jpg

Uh ohhow did this get in my car today Picture it with wild flowers all around it next spring

anime

pedrovidal — Mon, 25 Feb 2013 09:22:00 MST

anime - 94314eb2.png

anime

pedrovidal — Wed, 16 Jan 2013 15:21:00 MST

anime - 00f0f3c2.jpg

Attached 2 car garage

txsuszq — Wed, 6 Jun 2012 14:45:00 MDT

Attached 2 car garage - IMG_0316.jpg

Note door art niche

a0e30bf6.png

pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

a0e30bf6.png

Yellow car sketch clipart 15 cm long

PuzzlEd_pics — Fri, 13 May 2011 03:01:00 MDT

Yellow car sketch clipart 15 cm long - Yellowcarsketchclipart15cmlong.gif

This clipart drawing has been created using MS Photodraw You are welcome to download it and use it for non-commercial private and educational purposes but it may not be re-distributed or included as part of a collection without my written consent nThis is a large-sized image You can reduce the size for your use as you like

Miles Davis quotCollectors' Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove

foxmusic — Mon, 11 May 2009 01:21:00 MDT

Miles Davis quotCollectors' Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove - JAZZ-LpMilesDavisCollectorsItem-1.jpg

This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There's No You It's classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-'40s to the early '90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn't there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle's Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine's big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker's spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter's band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker's group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band's relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter's progress was impeded by an addiction to heroin that plagued him in the early '50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing 'Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut 'Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin' Workin' Relaxin' and Steamin' making Davis' first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L'Ascenseur pour l'Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis' career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet's next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis' next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis' next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis' next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis' electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis' first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis' former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early '70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You're Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late '50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music's essential quality of boundless invention using all available means

anime

pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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2000 Hit Big Volfogg by genredleader

ZGMF-X666S — Sun, 10 May 2009 21:52:00 MDT

2000 Hit Big Volfogg by genredleader - 2000_Hit_Big_Volfogg_by_genredleade.jpg

Poor poor Sasuke He thought the very idea of a 50 foot ninja that transforms into a police car and combines with a helicopter and motorcycle was stupid He just wasn't 1337 enough to get it And now Volfogg has taught him his first and sadly final lesson RESPECT the Ninja Police Car He just spent 4 lifetime's worth of hit points in one go Poor poor stupid Sasuke He thought that as a master kid ninja he could beat a 50 foot robot but sadly He just didn't get that said robot is also a ninja And a much better one it seems Oh well SHRUGS I suppose that fox kid might be next if he doesn't fall in line which he probably won't Though if he did I'm sure Volfogg could teach him all sorts of neat tricks like the super secret System Change Jutsuu IMAGENS NARUTO TURNING INTO A GAUDY ORANGE CAR THAT HONKS ANNOYINGLY AT PEOPLE XD nOkay okay Explaination time XD If you're a regular visitor here you might recognize this from that art meme I did a while back Indeed there was a quick doodle of an SD Big Volfogg stepping on a stick figure only crudely identified by another stick figure as Sasuke no XD thought it was too funny an idea to let go of and told me I should use it for my 2000 hits picture and considering I wasn't really sure what to do for 2000 (another Samus :) I decided to go along with it However as you may notice this picture is about 50 hits or so too late Having few working references aside from the super tiny W sprite as soon as Christmas was over AND I got paid again I ordered Volume 3 of GaoGaiGar (Ninja Robots) since the previous volumes only just BARELY introduced Volfogg and didn't show much of him And while Gundober and Gunglue have been in the show from the start they aren't known as the Gun Machines yet Just the motorcycle that Guy rides around on and the helicopter the guy with the mohawk rides around on And without a model or other reference I really needed that DVD but alas Rightstuff says it's on back order so I had no choice but to plow ahead with little more than a few grainy YouTube videos for help So Serious GaiGar fans please excuse me if Big Volfogg isn't completely right I did the best I could with what I had nAnd remember kids RESPECT the Ninja Police Car

Box Car

PhilTheTank09 — Mon, 2 Nov 2009 11:47:00 MST

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anime

pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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1968 Camaro SS

dpohl — Sun, 17 Jun 2012 14:02:00 MDT

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Johnny Lightning Car Culture Art Cars from the photographs of Lindy Lewis

Stock Photo

Jersey_Devil_Diecast — Sat, 16 Jun 2012 10:41:00 MDT

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pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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anime

pedrovidal — Wed, 16 Jan 2013 15:21:00 MST

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1968 Camaro SS

dpohl — Sun, 17 Jun 2012 14:02:00 MDT

1968 Camaro SS - SANY0117.jpg

Johnny Lightning Car Culture Art Cars from the photographs of Lindy Lewis

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pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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anime

pedrovidal — Wed, 18 Jul 2012 17:10:00 MDT

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anime

pedrovidal — Wed, 29 May 2013 07:18:00 MDT

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http:www101bananascomgardenmoonhtml

Butterbean1982 — Sun, 10 May 2009 21:41:00 MDT

http:www101bananascomgardenmoonhtml - marilyn.jpg

The Purpose of the Moon nby Tom Robbins n 1979 by Tom Robbins n1 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe n Marilyn Monroe was so touched that she gave up everythingher career her swimming pool her wiggle her telephone her suicide everythingand moved to the south of France to be with Vincent van Gogh n Did they live happily ever after No no one ever does But they pretended to live happily ever after And since all things become what we pretend they are fake happiness is as good as the real stuff n n2 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe When she unwrapped the package and found the ear Marilyn Monroe dished up her famous cat-that-swallowed-the-banana smile n Marilyn Monroe put the ear in a rosewood box on her dressing table Every now and again she would remove the ear from the box pet it blow on it scratch it and giggle Once she hooked the ear on a silver chain and wore it to a party She always intended to write the ear's original owner a pretty thank-you note but she never quite got around to it n Was Vincent van Gogh a fool n Maybe Marilyn Monroe was the fool After all Vincent van Gogh made a grand gesture and Marilyn Monroe received it frivolously n n3 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe Some weeks later the package was returned to Vincent van Gogh It was marked ADDRESSEE DECEASED n Vincent van Gogh checked into the matter and found that it was true In his research he learned that Joe DiMaggio had ordered that fresh red roses be placed on Marilyn Monroe's grave every three days forever Not for Joe DiMaggio's lifetime mind you not for the duration of Hollywood its films and its cemeteries but forever n Vincent van Gogh leaned against the dizzy crown of an epileptic sunflower Said he After the end of the world Joe DiMaggio is going to have some money coming back n n4 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe Whereupon Marilyn Monroe cut off one of her ears and sent it to Vincent van Gogh n Vincent van Gogh cut off his little toe and sent it to Marilyn Monroe Marilyn Monroe sent one of her little toes in return Next Vincent van Gogh cut off an eyelid and posted it In the return mail he received an eyelid from Marilyn Monroe Their friendship was growing warm n They exchanged ring fingers tongues belly buttons and nipples One day Vincent van Gogh cut out his heart and rushed it to Hollywoodbut by then Marilyn Monroe had become bored with the whole affair and run off to Tijuana with Warren Beatty n Vincent van Gogh was shattered Yet he should not have been so surprised That is often the pattern love follows n n5 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe Not long afterward Marilyn Monroe flew to Paris drove a rented car to the south of France and called on Vincent van Gogh n Following proper introduction Marilyn Monroe produced a package of Hostess Twinkies Because Hostess Twinkies always travel in pairs because like the coyote the gorilla the killer whale and the whooping crane Hostess Twinkies mate for life there was a Twinkie each for them to share n When the snack was done Marilyn Monroe reached into her sewing basket drew out a needle and a spool of green thread and proceeded to stitch Vincent van Gogh's ear right back where it belonged n There she said licking a smear of Twinkie cream from the corner of her mouth There you naughty boy And the next time you want to clip off a piece of yourself as a token of affection you might keep in mind the old Jewish custom It's less messy more socially acceptable Remember to ear is human but to foreskin is divine n n6 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe n The severed ear reminded Marilyn Monroe of a crescent moon and for hours she contemplated it by moonlight n She telephoned Vincent van Gogh Does the moon have a purpose she asked n Vincent van Gogh considered her question He decided it was silly n Albert Camus wrote that the only serious question is whether to kill yourself or not n Tom Robbins wrote that the only serious question is whether time has a beginning and an end n Camus clearly got up on the wrong side of bed and Robbins must have forgotten to set the alarm n There is only one serious question And that is: Who knows how to make love stay n Answer me that and I will tell you whether or not to kill yourself n Answer me that and I will ease your mind about the beginning and the end of time n Answer me that and I will reveal to you the purpose of the moon n n7 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe Paul Gauguin was aghast That was in very bad taste Vincent Gauguin said Years from now after you are dead and gone you will be better remembered for cutting off your ear than for the beauty and truth of your art n From beneath his bandages Vincent van Gogh looked at Paul Gauguin and smiled Don't worry he said Art takes care of itself And what the world thinks of me when I am dead and gone is none of my concern What matters is life What matters is love Yeah n The next day Paul Gauguin cut off his wife and sent himself to Tahiti n Poor Gauguin signed Vincent van Gogh He understood only half of what I said n n8 n Vincent van Gogh cut off his ear and sent it to Marilyn Monroe Immediately he had second thoughts and fell into a deep depression n Oh why was I so presumptuous he asked An ear is much too intimate And what if she doesn't fancy ears I might better have sent violets or phosphor I should have sent potatoes tooth paste or brush strokes of significant width That ear will offend her I know it Oh they ought to call me Vincent van Gauche I've blown it again n In the midst of all his fretting a note arrived from America Dear Mister it began Thank you so much for the silk purse Vincent van Gogh relaxed He grinned from ear toOops n n9 n Vincent van Gogh cut off his ear He wanted to send it to Marilyn Monroe but he didn't know how to go about it n He couldn't afford to deliver it in person They had no mutual friends And were he to send it to her movie studio a stout woman in a tweed suit would be certain to throw it away n Dare he trust it to Railway Express To United Parcel Service To Brink's n Vincent van Gogh's ear was his love Unable to send it through normal channels he went out into the wheat field and sent it by crow

anime

pedrovidal — Wed, 29 May 2013 07:18:00 MDT

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anime

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anime

pedrovidal — Wed, 16 Jan 2013 15:21:00 MST

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Blue utepickup truck sketch clipart lg 15 cm long

PuzzlEd_pics — Fri, 13 May 2011 19:06:00 MDT

Blue utepickup truck sketch clipart lg 15 cm long - Blueute_pickuptrucksketchclipartlg15cmlong.gif

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pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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anime

pedrovidal — Wed, 16 Jan 2013 15:21:00 MST

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pedrovidal — Wed, 16 Jan 2013 15:21:00 MST

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pedrovidal — Mon, 25 Feb 2013 09:22:00 MST

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BMW 330ci

Brodieart — Sat, 28 Nov 2009 08:20:00 MST

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jmsimms54 — Fri, 22 Jun 2012 06:45:00 MDT

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anime

pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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pedrovidal — Sun, 24 Feb 2013 14:22:00 MST

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anime

pedrovidal — Thu, 19 Jul 2012 07:43:00 MDT

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pedrovidal — Wed, 8 May 2013 12:35:00 MDT

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pedrovidal — Wed, 29 May 2013 07:18:00 MDT

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Hitori Takahashi

Amberjade-rin — Sun, 26 Sep 2010 22:28:00 MDT

Hitori Takahashi - anime_girl_fav4236.jpg

Personality: Hitori was traumatized by something that happened in her past leading her to never trusting people and hating to recieve help considering it as a weakness She's anti-social and only talks when she has to After travelling with Inuyasha and the others they draw her out of her shell and she becomes more friendly and enjoys their company She becomes protective of her new friends and would do anything for them Hitori is naturally a nice girl who loves to laugh and is full of sarcastic comments Story: Hitori lives in modern day Tokyo with Master Botan an old friend of her grandfather who took her in after her mother left and her stepfather died (Her real father died in a car accident when she was just a baby) Master Botan owns the Midori Shrine an old shrine that protects ancient swords known as the Ningikyo Blades Master Botan teaches students the art of swordsmanship Hitori is his best student being undefeated in his classes Master Botan often says he has nothing more to teach her The reason Hitori is so good at using swords is that she gets a lot of practice in Feudal Japan The building that holds the Ningikyo Blades also contains a wall that's painted with a huge golden pentacle (which is the Midori Shrine's ancient symbol) and Hitori found that when she was fifteen she could travel through this symbol to Feudal Japan Here she found Rikito the owner of Midori Shrine in Feudal Japan He explains that he is a Shrine Keeper a person entrusted by Lady Midoriko to look after her sacred swords (the Ningikyo Blades) and train Shrine Maidens Shrine Maidens are descendants of Lady Midoriko who have enherited her spiritual power and the duty to destroy the Shikon Jewel Hitori is one such Shrine Maiden She uses the Ningikyo Blades in Feudal Japan to defeat demons and collect jewel shards She then meets Inuyasha and the others and begins travelling with them Hitori puts a jewel shard in each of her legs in order to defeat a demon with superior speed She falls in love with Koga

Not an Art Car

victrolla729 — Thu, 21 Jun 2012 13:34:00 MDT

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jmsimms54 — Fri, 22 Jun 2012 06:45:00 MDT

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Blue car sketch clipart 12 cm long

PuzzlEd_pics — Fri, 13 May 2011 03:01:00 MDT

Blue car sketch clipart 12 cm long - Bluecarsketchclipart12cmlong.gif

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lisanmoose1 — Tue, 19 Jun 2012 21:23:00 MDT

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anime

pedrovidal — Thu, 19 Jul 2012 07:42:00 MDT

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anime

pedrovidal — Wed, 18 Jul 2012 17:10:00 MDT

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pedrovidal — Wed, 18 Jul 2012 17:10:00 MDT

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Monster Reborn Yugioh Altered Car

Zetamkii — Sun, 19 Sep 2010 00:25:00 MDT

Monster Reborn Yugioh Altered Car - RebornFull.jpg

Altered art Extended paint yugioh car

ghostbusters ecto 1

norichere — Mon, 26 Apr 2010 23:58:00 MDT

ghostbusters ecto 1 - 57vette_ecto1.jpg

Hotrodders Art Contest Hotrodders Hot Rod Art Car Toons Car Illustrations Hi Def Wallpapers Mustangs Bulllit Mustang Ghostbusters James Bond Batman Ecto 1 goDragRacing

anime

pedrovidal — Thu, 19 Jul 2012 08:00:00 MDT

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pedrovidal — Wed, 18 Jul 2012 17:10:00 MDT

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white car sketch clipart 15 cm long

PuzzlEd_pics — Fri, 13 May 2011 03:01:00 MDT

white car sketch clipart 15 cm long - whitecarsketchclipart15cmlong.gif

anime

pedrovidal — Wed, 18 Jul 2012 17:09:00 MDT

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pedrovidal — Wed, 18 Jul 2012 17:10:00 MDT

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