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            <title>eric steve pete</title>
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            <pubDate>Sat, 9 May 2009 14:43:49 MDT</pubDate>
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            <title>Eric Pete and Bishop as we sail away from Roatan</title>
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            <pubDate>Tue, 12 May 2009 09:30:28 MDT</pubDate>
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            <pubDate>Sun, 19 Jul 2009 20:44:32 MDT</pubDate>
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            <pubDate>Fri, 21 Aug 2009 18:30:08 MDT</pubDate>
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            <pubDate>Mon, 11 May 2009 15:30:16 MDT</pubDate>
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            <title>Elvis Costello and the Attractions quotEvery Day I Play the Bootquot Vinyl Record</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot; title=&quot;ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot; alt=&quot;ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Elvis Costello and the Attractions quotEvery Day I Play the Bootquot Vinyl Record - ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&lt;/p&gt;&lt;p&gt;When Elvis Costello&apos;s first record was released in 1977 his bristling cynicism and anger linked him with the punk and new wave explosion A cursory listen to My Aim Is True proves that the main connection that Costello had with the punks was his unbridled passion He tore through rock&apos;s back pages taking whatever he wanted as well as borrowing from country Tin Pan Alley pop reggae and many other musical genres Over his career that musical eclecticism has distinguished Costello&apos;s records as much as his fiercely literate lyrics Because he supports his lyrics with his richly diverse music Costello is one of the most innovative influential and best songwriters since Bob DylanThe son of British bandleader Ross McManus Costello born Declan McManus worked as a computer programmer during the early &apos;70s performing under the name DP Costello in various folk clubs In 1976 he became the leader of countryrock group Flip City During this time he recorded several demo tapes of his original material with the intention of landing a record contract A copy of these tapes made its way to Jake Riviera one of the heads of the fledgling independent record label Stiff Riviera signed Costello to Stiff as a solo artist in 1977 the singersongwriter adopted the name Elvis Costello at this time taking his first name from Elvis Presley and his last name from his mother&apos;s maiden nameWith former Brinsley Schwarz bassist Nick Lowe producing Costello began recording his debut album with the American band Clover providing support Less Than Zero the first single released from these sessions appeared in April of 1977 The single failed to chart as did its followup Alison which was released the following month By the summer of 1977 Costello&apos;s permanent backing band had been assembled Featuring bassist Bruce Thomas keyboardist Steve Nieve and drummer Pete Thomas no relation to Bruce the group was named the Attractions they made their live debut in July of 1977My Aim Is True his debut album was released in the summer of 1977 to positive reviews the album climbed to number 14 on the British charts but it wasn&apos;t released on his American label Columbia Records until later in the year Along with Nick Lowe Ian Dury and Wreckless Eric Costello participated in the Stiffs Live package tour in the fall At the end of the year Jake Riviera split from Stiff Records to form Radar Records taking Costello and Lowe with him Costello&apos;s last single for Stiff the reggaeinflected Watching the Detectives became his first hit climbing to number 15 at the end of the yearThis Year&apos;s Model Costello&apos;s first album recorded with the Attractions was released in the spring of 1978 A rawer harderrocking record than My Aim Is True This Year&apos;s Model was also a bigger hit reaching number four in Britain and number 30 in America Released the following year Armed Forces was a more ambitious and musically diverse album than either of his previous records It was another hit reaching number two in the UK and cracking the Top Ten in the US Oliver&apos;s Army the first single from the album also peaked at number two in Britain none of the singles from Armed Forces charted in America In the summer of 1979 he produced the selftitled debut album by the Specials the leaders of the ska revival movementIn February of 1980 the soulinfluenced Get Happy was released it was the first record on Riviera&apos;s new record label FBeat Get Happy was another hit peaking at number two in Britain and number 11 in America Later that year two collections of Bsides singles and outtakes called Taking Liberties was released in America in Britain a similar album called Ten Bloody Marys  Ten How&apos;s Your Fathers appeared as a cassetteonly release complete with different tracks than the American versionCostello and the Attractions released Trust in early 1981 it was his fifth album in a row produced by Nick Lowe Trust debuted at number nine in the British charts and worked its way into the Top 30 in the US During the spring of 1981 Costello and the Attractions began recording an album of country covers with famed Nashville producer Billy Sherrill who recorded hit records for George Jones and Charlie Rich among others The resulting album Almost Blue was released at the end of the year to mixed reviews although the single A Good Year for the Roses was a British Top Ten hitCostello&apos;s next album Imperial Bedroom 1982 was an ambitious set of lushly arranged pop produced by Geoff Emerick who engineered several of the Beatles&apos; most acclaimed albums Imperial Bedroom received some of his best reviews yet it failed to yield a Top 40 hit in either England or America the album did debut at number six in the UK For 1983&apos;s Punch the Clock Costello worked with Clive Langer and Alan Winstanley who were responsible for several of the biggest British hits in the early &apos;80s The collaboration proved commercially successful as the album peaked at number three in the UK number 24 in the US and the single Everyday I Write the Book cracked the Top 40 in both Britain and America Costello tried to replicate the success of Punch the Clock with his next record 1984&apos;s Goodbye Cruel World but the album was a commercial and critical failureAfter the release of Goodbye Cruel World Costello embarked on his first solo tour in the summer of 1984 Costello was relatively inactive during 1985 releasing only one new single The People&apos;s Limousine a collaboration with singersongwriter TBone Burnett released under the name the Coward Brothers and producing Rum Sodomy and the Lash the second album by the punkfolk band the Pogues Both projects were indications that he was moving toward a strippeddown folky approach and 1986&apos;s King of America confirmed that suspicion Recorded without the Attractions and released under the name the Costello Show King of America was essentially a countryfolk album and it received the best reviews of any album he had recorded since Imperial Bedroom It was followed at the end of the year by the edgy Blood and Chocolate a reunion with the Attractions and producer Nick Lowe Costello would not record another album with the Attractions until 1994During 1987 Costello negotiated a new worldwide record contract with Warner Bros Records and began a songwriting collaboration with Paul McCartney Two years later he released Spike the most musically diverse collection he had ever recorded Spike featured the first appearance of songs written by Costello and McCartney including the single Veronica Veronica became his biggest American hit peaking at number 19 Two years later he released Mighty Like a Rose which echoed Spike in its diversity yet it was a darker more challenging record In 1993 Costello collaborated with the Brodsky Quartet on The Juliet Letters a song cycle that was the songwriter&apos;s first attempt at classical music he also wrote an entire album for former Transvision Vamp singer Wendy James called Now Ain&apos;t the Time for Your Tears That same year Costello licensed the rights to his pre1987 catalog My Aim Is True to Blood and Chocolate to Rykodisc in AmericaCostello reunited with the Attractions to record the majority of 1994&apos;s Brutal Youth the most straightforward and poporiented album he had recorded since Goodbye Cruel World The Attractions backed Costello on a worldwide tour in 1994 and played concerts with him throughout 1995 In 1995 he released his longshelved collection of covers Kojak Variety In the spring of 1996 Costello released All This Useless Beauty which featured a number of original songs he had given to other artists but never recorded himself Painted from Memory a collaboration with the legendary Burt Bacharach followed in 1998The album was a success critically but it only succeeded in foreign markets outside of their home countries of the United States and Britain A jazz version of the record made with Bill Frisell was put on hold when Costello&apos;s label began to freeze up due to political maneuvering Undaunted Costello and Bacharach hit the road and performed in the States and Europe Then after Bacharach left Costello added Steve Nieve to the tour and traveled around the world on what they dubbed the Lonely World Tour This took them into 1999 where both Notting Hill and Austin Powers The Spy Who Shagged Me featured significant contributions from Costello In fact he appeared with Bacharach in the latter as a pair of Carnaby Street musicians albeit street musicians with a gorgeous grand piano at their disposalContinuing his tour with Nieve he began singing the last song with a microphone forcing the audience to sit in complete silence as he usually performed Couldn&apos;t Call It Unexpected No 4 with nothing but his dulcet baritone filling the auditorium After the record company&apos;s various mergers ended Costello found himself on Universal Records and he tested their promotional abilities with a second greatesthits record The Very Best of Elvis Costello The label promoted the album strongly making it a hit in his native Britain Unfortunately they also made it clear that they had no intention of giving a new album the same promotional push leaving him to venture into other fields as he awaited the end of his record contract His first project was an album of pop standards performed with Anne Sofie Von Otter which included a few songs originally written by Costello The album came out in March of 2001 on the Deutsche Grammophon label and it neatly coincided with the extensive rerelease of his entire catalog up to 1996 under Rhino Records Each disc included an extra CD of rare material and liner notes written by Costello making them incredible treats for fansIn 2001 he found himself with a residency at UCLA where he performed several concerts and was instrumental in teaching music during the year He also began work on a selfproduced album that featured Pete Thomas and Nieve  now billed as a band called the Imposters  entitled When I Was Cruel and the album finally saw release on Island Records in the spring of 2002 at the end of the year he released a collection of Bsides and leftovers from the album&apos;s sessions entitled Cruel SmileWhen I Was Cruel kicked off another productive era for the ever prolific Costello In 2003 he returned with North a collection of classically styled pop songs pitched halfway between Gershwin and Sondheim The next year he collaborated with his new wife Diana Krall on her first collection of original material The Girl in the Other Room That fall Costello released two albums of original material a classical work entitled Il Sogno and the concept album The Delivery Man a rock  roll record cut with the Imposters My Flame Burns Blue from 2006 was a live album with Costello fronting the 52piece jazz orchestra the Metropole Orkest On the album classic Costello songs with new orchestral arrangements appeared alongside new compositions and a performance of the entire Il Sogno The River in Reverse a collaboration with RB legend Allen Toussaint arrived in 2006 followed by Momofuku credited to Elvis Costello  the Imposters in 2008 from Lost Highway&lt;/p&gt;</description>
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                <media:title>Elvis Costello and the Attractions quotEvery Day I Play the Bootquot Vinyl Record</media:title>
                <media:description>When Elvis Costello&apos;s first record was released in 1977 his bristling cynicism and anger linked him with the punk and new wave explosion A cursory listen to My Aim Is True proves that the main connection that Costello had with the punks was his unbridled passion He tore through rock&apos;s back pages taking whatever he wanted as well as borrowing from country Tin Pan Alley pop reggae and many other musical genres Over his career that musical eclecticism has distinguished Costello&apos;s records as much as his fiercely literate lyrics Because he supports his lyrics with his richly diverse music Costello is one of the most innovative influential and best songwriters since Bob DylanThe son of British bandleader Ross McManus Costello born Declan McManus worked as a computer programmer during the early &apos;70s performing under the name DP Costello in various folk clubs In 1976 he became the leader of countryrock group Flip City During this time he recorded several demo tapes of his original material with the intention of landing a record contract A copy of these tapes made its way to Jake Riviera one of the heads of the fledgling independent record label Stiff Riviera signed Costello to Stiff as a solo artist in 1977 the singersongwriter adopted the name Elvis Costello at this time taking his first name from Elvis Presley and his last name from his mother&apos;s maiden nameWith former Brinsley Schwarz bassist Nick Lowe producing Costello began recording his debut album with the American band Clover providing support Less Than Zero the first single released from these sessions appeared in April of 1977 The single failed to chart as did its followup Alison which was released the following month By the summer of 1977 Costello&apos;s permanent backing band had been assembled Featuring bassist Bruce Thomas keyboardist Steve Nieve and drummer Pete Thomas no relation to Bruce the group was named the Attractions they made their live debut in July of 1977My Aim Is True his debut album was released in the summer of 1977 to positive reviews the album climbed to number 14 on the British charts but it wasn&apos;t released on his American label Columbia Records until later in the year Along with Nick Lowe Ian Dury and Wreckless Eric Costello participated in the Stiffs Live package tour in the fall At the end of the year Jake Riviera split from Stiff Records to form Radar Records taking Costello and Lowe with him Costello&apos;s last single for Stiff the reggaeinflected Watching the Detectives became his first hit climbing to number 15 at the end of the yearThis Year&apos;s Model Costello&apos;s first album recorded with the Attractions was released in the spring of 1978 A rawer harderrocking record than My Aim Is True This Year&apos;s Model was also a bigger hit reaching number four in Britain and number 30 in America Released the following year Armed Forces was a more ambitious and musically diverse album than either of his previous records It was another hit reaching number two in the UK and cracking the Top Ten in the US Oliver&apos;s Army the first single from the album also peaked at number two in Britain none of the singles from Armed Forces charted in America In the summer of 1979 he produced the selftitled debut album by the Specials the leaders of the ska revival movementIn February of 1980 the soulinfluenced Get Happy was released it was the first record on Riviera&apos;s new record label FBeat Get Happy was another hit peaking at number two in Britain and number 11 in America Later that year two collections of Bsides singles and outtakes called Taking Liberties was released in America in Britain a similar album called Ten Bloody Marys  Ten How&apos;s Your Fathers appeared as a cassetteonly release complete with different tracks than the American versionCostello and the Attractions released Trust in early 1981 it was his fifth album in a row produced by Nick Lowe Trust debuted at number nine in the British charts and worked its way into the Top 30 in the US During the spring of 1981 Costello and the Attractions began recording an album of country covers with famed Nashville producer Billy Sherrill who recorded hit records for George Jones and Charlie Rich among others The resulting album Almost Blue was released at the end of the year to mixed reviews although the single A Good Year for the Roses was a British Top Ten hitCostello&apos;s next album Imperial Bedroom 1982 was an ambitious set of lushly arranged pop produced by Geoff Emerick who engineered several of the Beatles&apos; most acclaimed albums Imperial Bedroom received some of his best reviews yet it failed to yield a Top 40 hit in either England or America the album did debut at number six in the UK For 1983&apos;s Punch the Clock Costello worked with Clive Langer and Alan Winstanley who were responsible for several of the biggest British hits in the early &apos;80s The collaboration proved commercially successful as the album peaked at number three in the UK number 24 in the US and the single Everyday I Write the Book cracked the Top 40 in both Britain and America Costello tried to replicate the success of Punch the Clock with his next record 1984&apos;s Goodbye Cruel World but the album was a commercial and critical failureAfter the release of Goodbye Cruel World Costello embarked on his first solo tour in the summer of 1984 Costello was relatively inactive during 1985 releasing only one new single The People&apos;s Limousine a collaboration with singersongwriter TBone Burnett released under the name the Coward Brothers and producing Rum Sodomy and the Lash the second album by the punkfolk band the Pogues Both projects were indications that he was moving toward a strippeddown folky approach and 1986&apos;s King of America confirmed that suspicion Recorded without the Attractions and released under the name the Costello Show King of America was essentially a countryfolk album and it received the best reviews of any album he had recorded since Imperial Bedroom It was followed at the end of the year by the edgy Blood and Chocolate a reunion with the Attractions and producer Nick Lowe Costello would not record another album with the Attractions until 1994During 1987 Costello negotiated a new worldwide record contract with Warner Bros Records and began a songwriting collaboration with Paul McCartney Two years later he released Spike the most musically diverse collection he had ever recorded Spike featured the first appearance of songs written by Costello and McCartney including the single Veronica Veronica became his biggest American hit peaking at number 19 Two years later he released Mighty Like a Rose which echoed Spike in its diversity yet it was a darker more challenging record In 1993 Costello collaborated with the Brodsky Quartet on The Juliet Letters a song cycle that was the songwriter&apos;s first attempt at classical music he also wrote an entire album for former Transvision Vamp singer Wendy James called Now Ain&apos;t the Time for Your Tears That same year Costello licensed the rights to his pre1987 catalog My Aim Is True to Blood and Chocolate to Rykodisc in AmericaCostello reunited with the Attractions to record the majority of 1994&apos;s Brutal Youth the most straightforward and poporiented album he had recorded since Goodbye Cruel World The Attractions backed Costello on a worldwide tour in 1994 and played concerts with him throughout 1995 In 1995 he released his longshelved collection of covers Kojak Variety In the spring of 1996 Costello released All This Useless Beauty which featured a number of original songs he had given to other artists but never recorded himself Painted from Memory a collaboration with the legendary Burt Bacharach followed in 1998The album was a success critically but it only succeeded in foreign markets outside of their home countries of the United States and Britain A jazz version of the record made with Bill Frisell was put on hold when Costello&apos;s label began to freeze up due to political maneuvering Undaunted Costello and Bacharach hit the road and performed in the States and Europe Then after Bacharach left Costello added Steve Nieve to the tour and traveled around the world on what they dubbed the Lonely World Tour This took them into 1999 where both Notting Hill and Austin Powers The Spy Who Shagged Me featured significant contributions from Costello In fact he appeared with Bacharach in the latter as a pair of Carnaby Street musicians albeit street musicians with a gorgeous grand piano at their disposalContinuing his tour with Nieve he began singing the last song with a microphone forcing the audience to sit in complete silence as he usually performed Couldn&apos;t Call It Unexpected No 4 with nothing but his dulcet baritone filling the auditorium After the record company&apos;s various mergers ended Costello found himself on Universal Records and he tested their promotional abilities with a second greatesthits record The Very Best of Elvis Costello The label promoted the album strongly making it a hit in his native Britain Unfortunately they also made it clear that they had no intention of giving a new album the same promotional push leaving him to venture into other fields as he awaited the end of his record contract His first project was an album of pop standards performed with Anne Sofie Von Otter which included a few songs originally written by Costello The album came out in March of 2001 on the Deutsche Grammophon label and it neatly coincided with the extensive rerelease of his entire catalog up to 1996 under Rhino Records Each disc included an extra CD of rare material and liner notes written by Costello making them incredible treats for fansIn 2001 he found himself with a residency at UCLA where he performed several concerts and was instrumental in teaching music during the year He also began work on a selfproduced album that featured Pete Thomas and Nieve  now billed as a band called the Imposters  entitled When I Was Cruel and the album finally saw release on Island Records in the spring of 2002 at the end of the year he released a collection of Bsides and leftovers from the album&apos;s sessions entitled Cruel SmileWhen I Was Cruel kicked off another productive era for the ever prolific Costello In 2003 he returned with North a collection of classically styled pop songs pitched halfway between Gershwin and Sondheim The next year he collaborated with his new wife Diana Krall on her first collection of original material The Girl in the Other Room That fall Costello released two albums of original material a classical work entitled Il Sogno and the concept album The Delivery Man a rock  roll record cut with the Imposters My Flame Burns Blue from 2006 was a live album with Costello fronting the 52piece jazz orchestra the Metropole Orkest On the album classic Costello songs with new orchestral arrangements appeared alongside new compositions and a performance of the entire Il Sogno The River in Reverse a collaboration with RB legend Allen Toussaint arrived in 2006 followed by Momofuku credited to Elvis Costello  the Imposters in 2008 from Lost Highway</media:description>
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            <pubDate>Mon, 11 May 2009 01:21:31 MDT</pubDate>
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            <pubDate>Sun, 10 May 2009 10:53:37 MDT</pubDate>
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            <title>Helena Christensen</title>
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            <dc:creator>looking4good</dc:creator>
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                <media:title>Helena Christensen</media:title>
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            <pubDate>Sun, 10 May 2009 21:11:16 MDT</pubDate>
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