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            <title>Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; title=&quot;JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; alt=&quot;JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove - JAZZ-LpMilesDavisCollectorsItem-1.jpg&lt;/p&gt;&lt;p&gt;This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There&apos;s No You It&apos;s classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means&lt;/p&gt;</description>
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                <media:title>Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove</media:title>
                <media:description>This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There&apos;s No You It&apos;s classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means</media:description>
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            <pubDate>Mon, 11 May 2009 01:21:00 MDT</pubDate>
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            <pubDate>Sun, 10 May 2009 01:14:00 MDT</pubDate>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s247.photobucket.com/albums/gg138/leilani_llamas/?action=view&amp;current=MOMK.jpg&quot; title=&quot;MOMK.jpg&quot;&gt;&lt;img src=&quot;http://th247.photobucket.com/albums/gg138/leilani_llamas/th_MOMK.jpg&quot; alt=&quot;MOMK.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;MOMK.jpg&lt;/p&gt;&lt;p&gt;---gtmYy OtHEr HaLflt--- ----gtApRiLlt----ThIz Iz ApRiL My LoVeaUnTLoLWeLL ShEz My OtHEr HalFIm not CoMPLeTE wITouT HERMe and heR aRe Crazy tOgether I telL heR Just abOut EveRYtHing and i akn TrUst heRSHe HAz BeeN THErE foR Me No matTeR WhatMe+HeRTrOuBlELOl BuT I Go jUsT ABouT EveRYWheRE wIT hEr I canT Go anywHeRE WiTout hEr Cuz Im NOT CoMplEte loLShE Putz ChEese On My CrackEr (insider) Lol aNd I cUT her aPpLElOl But APrIlLiNA pATrINA i lOve You WIt ALL My HEART P---gtmYy lOVEheartslt-------gtOmAr eStRaDalt----Thiz Iz OmAr Man hOw can i forGET aboUt Him Hahha Me  HiM haD SuM GoOd aSS MeMoRyZ ToGetherHez a greaT maN HaHa ThA tHing i caNt foRgEt iz ThOse TwO TiMeZ i Waz In FrOnT Of HiM  I dIdnT wanna KiSs HiM haHa I ReGrEt It Lol AnD Those timez wE WooD staY On TH pHONe togETHEr TiLl Like 4 or 5  EitHEr Me or you WoULD FaLl asLeEp On tha PhONE ahHa I wiLl nEVEr ForgEt THOse NiTEz And weN my dAd CaMe I Had to acT lIkE i Waz AsLleEp OR Not On tH PhoNE ahHha I MiSs tHOSe daYz Well OmaR i loVe yoUhearts Haha I fREaKIn LOVe you I caNt ExPlaIn IT lOlBuT I MiSS yOU I haVeNt sEen you SiNcE Like maRcH   I Miss yOU sOo mUcHo GraNde  WeLl Oh weLl shIT haPpeNz for A rEasoN 7 Then those TiMEz Wen you WouLD alwayz Get UR MoMz PhONE wEN u werE At ChUrCh JuS To taLk TO Me i FeLt SpEaCiaL and You WoUlD alWaYz SiNg that SoNg no OnE BY AlIcia keyz Lol That WAz SooOo FrEaKin cUTe man WeLl YeA i FUckn lOVE YoU OmaR LaNdCaSTer EsTrAda sORrY YoU HAtE WEn I SAY yOUR WHoLe nAMe bUT I JUSt HAd TO LOLhearts---gtThA ChiLLeSt gUy i Knoelt-------gtChRiSlt----ThA FuCkIN ChillEst guY i knoe heS seX-c LOl ONlY kNOWn him FoR 3 Dayz But Itz aLl GOod hEz So NiCe 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                <media:description>---gtmYy OtHEr HaLflt--- ----gtApRiLlt----ThIz Iz ApRiL My LoVeaUnTLoLWeLL ShEz My OtHEr HalFIm not CoMPLeTE wITouT HERMe and heR aRe Crazy tOgether I telL heR Just abOut EveRYtHing and i akn TrUst heRSHe HAz BeeN THErE foR Me No matTeR WhatMe+HeRTrOuBlELOl BuT I Go jUsT ABouT EveRYWheRE wIT hEr I canT Go anywHeRE WiTout hEr Cuz Im NOT CoMplEte loLShE Putz ChEese On My CrackEr (insider) Lol aNd I cUT her aPpLElOl But APrIlLiNA pATrINA i lOve You WIt ALL My HEART P---gtmYy lOVEheartslt-------gtOmAr eStRaDalt----Thiz Iz OmAr Man hOw can i forGET aboUt Him Hahha Me  HiM haD SuM GoOd aSS MeMoRyZ ToGetherHez a greaT maN HaHa ThA tHing i caNt foRgEt iz ThOse TwO TiMeZ i Waz In FrOnT Of HiM  I dIdnT wanna KiSs HiM haHa I ReGrEt It Lol AnD Those timez wE WooD staY On TH pHONe togETHEr TiLl Like 4 or 5  EitHEr Me or you WoULD FaLl asLeEp On tha PhONE ahHa I wiLl nEVEr ForgEt THOse NiTEz And weN my dAd CaMe I Had to acT lIkE i Waz AsLleEp OR Not On tH PhoNE 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kaLl Me  IlL TaLk To YoU tIlL We fiGure tha PrObLeM OuTBut ValAriE TayLoR saNcHeZ I LoVe yOU wiT aLL my HeArTlt3 And i HOpE to NEVer lOosE You Az a FRiEnDD---gtMyY bEsTfrIeNdlt-------gtkAtIelt----DaMn Katie AnD Me HavE haD sum RoUgh tiMEZ togeTher Shez Th ONly ONe That RealLy kNo&apos;Z MeShEz My PaRtNeR-N-CriMeShEz Tha OnE ThAT HaZ SeEn Me Go ThrEW Tha WoRst tiMeZ OF MY lIFE I Kno ShEZ GoIn ThRouGh a HaRd TiMe Or haZ Had A HArD LifE But GiRl YouR GoNNa Get OvEr ItItz AlL GoNnA Be iiGhtHaHa ShE HAz beEN my BeST fRIenD For Tha LoNggESSSsT TiMe ShE Iz mY LoVeBiTcHWhOrE ShEz My EvErYtHIngHaHa ShEz MY DrInKiN BuDDy My PoT hEAdlt333 I LoVe GeTtIn HigH WiT THiz GiRl ItZ Tha BoMB WeLl I LoVE You MY LoVe  I alWayZ WiLl lovE yoU NO MatTEr That WerE Not Az ClOse Az We uSed To BeBuT YeALoVe You booOlt333---gtMyY VeRy GoOd FrIeNdlt-------gtRaUllt----HahaThIz GuY naMeD rauL Iz so FuNNy manN He makEz Me LauGh He HAZ HeLped Me SoO MuCH weN I wAz dowN WeN I had pRoBlEmz wiT My mamA HE wAz tHere To ChEer Me upAnD He AlWaYz MaDe Me laUgh Every FuKn timE i TeXtEd hImlt3 But HeZ SuCh a goOd GUYAnD i havE Had SoO MuCH fuN WiT YOuIM glaD i met yOult3---gtmYy BeStFRiEnDlt-------gtDaViDlt----Me  daViD wOW We HavE BeEn ThRoUgh a Lot hE haZ alSo Been ThErE FoR Me HEz alwayz TheRE to makE Me SmIle wEN IM downI FuKn Love daViD WIT aLl my HeaRtHeZ SUcH a CuTiE TolOl DavId Iz Like Tha FuNniEst  PrEtTiEsT Guy I knoLoL i MiSs YoU DaViD We DoNt rEAlLy taLk ThA Way We uSeD To HoPEfuLlY wE GEt ClOsER WeN ScKoOl StARtZ AgAInI LovE yoU My DoRklt3  OooOohHHh  HeZ OnE DoWn AsS LiL HoMiE LoL---gtThe LoOvE oF mYy LiFelt-------gtMyY MOmlt----UgH OoHLol ThIZ iz MY LifE RiGhT HEreiF She WaSnT HeRe tHerE WoUld Be no PoinT Of Me BeiN hErEHaHa ShEz Tha ChEEsE To My MacOrOniLol iNsiDer BuT DamN thiZ iZ My MamA ShE MeAnZ Th WoRlD To MeMe  hEr AcT LikE BeSt FrIeNdZ NoT LiKe MuThEr  dAuGhTeRmE+hErWhOoA BiG TroUbLeLoL BuT ShEZ So AmAziNg No One knOz WhAt ShE MeAnZ To MeDAMN i canT eVen ExPlAiN It BuT i love YOU 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WeLl i LovE YOU JoRdOnlt3---gtmYy SiStErlt-------gtRaQuEllt----RaQuEl My SiS aKa My pain n Tha AsS LoL Me  my SiSTeR have HaD SuM RoUGh TImEZBut We alWayz GoT ThREW ThEM toGEthErWe FiGht a Lot yea BUt ITZ all GoOd CaUsE We BoTh KnO tHat We kanT StAy AwAy FrOm EaCh OtheR fOr MoRE DeN One day LoL BuT KeLLY I LoVE YOu---gtmYY CuTiElt--- ----gtJoSePhlt----HaHa ThIz Guy Iz rEALly TiGht To talK to i meT HiM over Mysoace  I tHInK he SEeMz lIkE a prEtty Chill DUdEWeLl we were suPpoSed to Kik it onCe BUt He laGGEd iT on me  Lol Well hoPefUlLy WE kan kIck It onE daY---gtmYY CrAzY BitcHlt--- ----gtAdRiAnNalt----haha man tHiz BitcH Omg She iz So CrAzY ManShE iz so tiGht to kiCk IT wit my goS shE Iz SoOO funnyI love tHiz Bitch wE mEeT ThrouGh my lovE(apRil) ShEz Iz tIGHT I LOVE hangiN ouT wIT herlt33</media:description>
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            <pubDate>Fri, 10 May 2013 14:39:00 MDT</pubDate>
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            <title>Fob</title>
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            <dc:creator>xXFallOutGirlXx1</dc:creator>
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            <pubDate>Wed, 13 May 2009 01:41:00 MDT</pubDate>
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            <title>Pete Wentz</title>
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            <dc:creator>ShadowPossessionJutsu</dc:creator>
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            <pubDate>Mon, 11 May 2009 22:16:00 MDT</pubDate>
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            <pubDate>Mon, 27 Aug 2012 09:52:00 MDT</pubDate>
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            <pubDate>Sat, 20 Jun 2009 11:42:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 11:22:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 09:55:00 MDT</pubDate>
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            <pubDate>Sat, 11 May 2013 14:21:00 MDT</pubDate>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s267.photobucket.com/albums/ii314/eezekiel2/?action=view&amp;current=Mysterious_Boy_O_la_la_by_Attyca.jpg&quot; title=&quot;Mysterious_Boy_O_la_la_by_Attyca.jpg&quot;&gt;&lt;img src=&quot;http://th267.photobucket.com/albums/ii314/eezekiel2/th_Mysterious_Boy_O_la_la_by_Attyca.jpg&quot; alt=&quot;Mysterious_Boy_O_la_la_by_Attyca.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Mysterious_Boy_O_la_la_by_Attyca.jpg&lt;/p&gt;&lt;p&gt;picture by only1momo He looks at her over his shoulder from the spot he customarilty sits on the floor His gaze fixed apon her His eyes locking with hers  I don&apos;t know what made you choose this as your path to follow  He shrugs a bit Mabe it&apos;s just what you wanted to do all along  sighs I do not know either I cannot even remember how or when I came upon this position  He looks down letting his bangs fall into his face He sighs a bit befor speaking in his deep accustomed voice  That nor can I But I think it had somthing to do with your mother or my father Yet I am not quite sure why I think this  nods You are probably right You usually are  raises an eyebrow Oh really Then why would I have you as my advisor You are not only here to speak for me you know  He smirks abit now sitting on one foot with the other knee brought up to his bare chest A hand rests apon it  Mhm I still dont see how this is possible  shrugs You do not have to  He look up at her only showing his eyes a tad through his black bangs  I get the fact that I am notj ust here to speak for you and all I just don&apos;t get how you got to be who you are today In this position I meen  nods and rolls her eyes under her dark hood Same  He continues to look up at her barely any of his eye isable still Yes I am sure you feel the same way It seems like we have always felt the same ever since our childhood together  nods Indeed  He continues to meet her gaze barly able to hold it due to the darkness under her hood So Is there anything else you wish to talk about while the idiots arn&apos;t around to hear  snickers Anything So long as we can hear them coming it does not matter  He chuckles a bit and looks tward the front door then back to her asd he begins to speak I doubt that they will be coming back any time soon m&apos;lady  sighs They better hurry up  He pushes himself to his feet He then walks over to her and puts and arm around her shoulder Do you want to take a walk around the castle It&apos;s getting kinda boring standing round&apos; here  nods Sure pulls her hood down further over her eyes and gets up taking on the posture of a man  nods Sure pulls her hood down further over her eyes and gets up taking on the posture of a man  He puts the other hand on the shoulder nearest himself You know you don&apos;t have to do that now It&apos;s only you and me in the castle now  Better safe than sorry Besides I do not want to start walking like a woman and have the men think I am gay  What men Looks around the castle in wonderment  When they come back if I am out of practise they will notice sooner or later  I have that taken care of My hawk is on lookout in the castle watch tower He is trained to come to me if he sees andone coming  sighs If you insist punches him in the shoulder playfully Come on Let&apos;s go  He wails in playful pain at the punch Not even feeling it atall Ouch that hurt  laughs and shakes her head at Seth as they walk out of the room Which way  He pulls her hood down and ruffles her hair with his fingers laughing the whole time It&apos;s a joy to be with you  laughs and shakes her head Except for when I lose my temper  I love you sis even if you were on a rampage  raises an eyebrow Are you sure Don&apos;t you remember what happened when we were ten You got caught in the middle of that rampage and you were sore for a month  He chuckles Yea I member that It really dosn&apos;t matter though I still love ya  laughs and shakes her head I do not know It would be a lot worse now I am a lot stronger and tougher so the damage would be far worse  Sure it would He speaks in a sarcastic scared voice He flicks her playfully I&apos;d like to see you try  Hey kicks him in the butt with the heel of her boot That was not nice  He chuckels and shakes his head Well You have gotten stronger only a bit though And can I take this bandana off Cause there is noone in the castle He points to his bandana like in the pic  Toni Andy: He contnues to make a nacklace out of flowers Looking down and weaving them together ever so carefully He humms to himself abit to keep occupied  He takes it off and stuffs it in his back pocket Scratching his cheek a bit then lowering his hand to his side once again Ahh That&apos;s better  pauses for a moment glancing at Seth It has been so long since I have seen you without that thing on your face  I don&apos;t remeber when the last time I saw myself without it was I am even fourced to sleep with it cause of the gaurds in my room It is such a drag  nods and sighs You think it is bad for you I have guards as well and it can be a little awkward when those guards think they are guarding a man  I get your gist  Can be quite an annoyance at times some nights I have to sneak out  That must be a pain I do that too Or I just set off a smoke bomb that will wear off eventually I have trained my body to not be affected by it Then I just simly walk out  laughs to herself I am not surprised that you would do something like that  He shrugs and looks over at her Well that&apos;s jus typically me Can&apos;t change who I am you know  nods I know Personally I prefer climbing out the window  He looks over at her An eyeebrow arced in question Would ye want me to biuld you a ladder or somthing To make escape easyer for you  shakes her head No Someone outside the castle would notice it Besides I rather enjoy clicking down the stone wall Keeps me in shape  Well Ok And if your so worried about your shape you are more that welcome to come workout with me He looks over her body noticing her curves You already have a stunning body He flirts with her a bit playfully  laughs to herself I am not worried about that but thank you for the offer I just like a good challenge and climbing a wall meets that pokes him in the shoulder  He wigges at her poke Smiling and giggling hiserically  chuckles and shakes her head Seth you are an odd one you know that   He looks over at her Trying to control his laughing I know But I&apos;m proud of it atleast  stops and smirks at him mischievously She wraps her arm around Seth&apos;s neck and noogies him   He shuts his eyes tightly as she dose so Trying to struggle free of her grasp  chuckles to herself ot much stronger than before hey  Ok Ok Mabe a little He scouls as he trys to pull free  let&apos;s go snickering You could have gotten out of that one if you tried harder  He shrugs Well Mabe I have gotten lazier sience you saw me last  raises an eyebrow Is that even possible snickers to herself  He looks down at his tummy and slaps it lightly a few times This proves it  bursts out laughing and falls on the floor laughing too hard to hold herself up  He stops in his tracks and raises an eyebrow as he looks down at her What &lt;/p&gt;</description>
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                <media:description>picture by only1momo He looks at her over his shoulder from the spot he customarilty sits on the floor His gaze fixed apon her His eyes locking with hers  I don&apos;t know what made you choose this as your path to follow  He shrugs a bit Mabe it&apos;s just what you wanted to do all along  sighs I do not know either I cannot even remember how or when I came upon this position  He looks down letting his bangs fall into his face He sighs a bit befor speaking in his deep accustomed voice  That nor can I But I think it had somthing to do with your mother or my father Yet I am not quite sure why I think this  nods You are probably right You usually are  raises an eyebrow Oh really Then why would I have you as my advisor You are not only here to speak for me you know  He smirks abit now sitting on one foot with the other knee brought up to his bare chest A hand rests apon it  Mhm I still dont see how this is possible  shrugs You do not have to  He look up at her only showing his eyes a tad through his black bangs  I get the fact that I am notj ust here to speak for you and all I just don&apos;t get how you got to be who you are today In this position I meen  nods and rolls her eyes under her dark hood Same  He continues to look up at her barely any of his eye isable still Yes I am sure you feel the same way It seems like we have always felt the same ever since our childhood together  nods Indeed  He continues to meet her gaze barly able to hold it due to the darkness under her hood So Is there anything else you wish to talk about while the idiots arn&apos;t around to hear  snickers Anything So long as we can hear them coming it does not matter  He chuckles a bit and looks tward the front door then back to her asd he begins to speak I doubt that they will be coming back any time soon m&apos;lady  sighs They better hurry up  He pushes himself to his feet He then walks over to her and puts and arm around her shoulder Do you want to take a walk around the castle It&apos;s getting kinda boring standing round&apos; here  nods Sure pulls her hood down further over her eyes and gets up taking on the posture of a man  nods Sure pulls her hood down further over her eyes and gets up taking on the posture of a man  He puts the other hand on the shoulder nearest himself You know you don&apos;t have to do that now It&apos;s only you and me in the castle now  Better safe than sorry Besides I do not want to start walking like a woman and have the men think I am gay  What men Looks around the castle in wonderment  When they come back if I am out of practise they will notice sooner or later  I have that taken care of My hawk is on lookout in the castle watch tower He is trained to come to me if he sees andone coming  sighs If you insist punches him in the shoulder playfully Come on Let&apos;s go  He wails in playful pain at the punch Not even feeling it atall Ouch that hurt  laughs and shakes her head at Seth as they walk out of the room Which way  He pulls her hood down and ruffles her hair with his fingers laughing the whole time It&apos;s a joy to be with you  laughs and shakes her head Except for when I lose my temper  I love you sis even if you were on a rampage  raises an eyebrow Are you sure Don&apos;t you remember what happened when we were ten You got caught in the middle of that rampage and you were sore for a month  He chuckles Yea I member that It really dosn&apos;t matter though I still love ya  laughs and shakes her head I do not know It would be a lot worse now I am a lot stronger and tougher so the damage would be far worse  Sure it would He speaks in a sarcastic scared voice He flicks her playfully I&apos;d like to see you try  Hey kicks him in the butt with the heel of her boot That was not nice  He chuckels and shakes his head Well You have gotten stronger only a bit though And can I take this bandana off Cause there is noone in the castle He points to his bandana like in the pic  Toni Andy: He contnues to make a nacklace out of flowers Looking down and weaving them together ever so carefully He humms to himself abit to keep occupied  He takes it off and stuffs it in his back pocket Scratching his cheek a bit then lowering his hand to his side once again Ahh That&apos;s better  pauses for a moment glancing at Seth It has been so long since I have seen you without that thing on your face  I don&apos;t remeber when the last time I saw myself without it was I am even fourced to sleep with it cause of the gaurds in my room It is such a drag  nods and sighs You think it is bad for you I have guards as well and it can be a little awkward when those guards think they are guarding a man  I get your gist  Can be quite an annoyance at times some nights I have to sneak out  That must be a pain I do that too Or I just set off a smoke bomb that will wear off eventually I have trained my body to not be affected by it Then I just simly walk out  laughs to herself I am not surprised that you would do something like that  He shrugs and looks over at her Well that&apos;s jus typically me Can&apos;t change who I am you know  nods I know Personally I prefer climbing out the window  He looks over at her An eyeebrow arced in question Would ye want me to biuld you a ladder or somthing To make escape easyer for you  shakes her head No Someone outside the castle would notice it Besides I rather enjoy clicking down the stone wall Keeps me in shape  Well Ok And if your so worried about your shape you are more that welcome to come workout with me He looks over her body noticing her curves You already have a stunning body He flirts with her a bit playfully  laughs to herself I am not worried about that but thank you for the offer I just like a good challenge and climbing a wall meets that pokes him in the shoulder  He wigges at her poke Smiling and giggling hiserically  chuckles and shakes her head Seth you are an odd one you know that   He looks over at her Trying to control his laughing I know But I&apos;m proud of it atleast  stops and smirks at him mischievously She wraps her arm around Seth&apos;s neck and noogies him   He shuts his eyes tightly as she dose so Trying to struggle free of her grasp  chuckles to herself ot much stronger than before hey  Ok Ok Mabe a little He scouls as he trys to pull free  let&apos;s go snickering You could have gotten out of that one if you tried harder  He shrugs Well Mabe I have gotten lazier sience you saw me last  raises an eyebrow Is that even possible snickers to herself  He looks down at his tummy and slaps it lightly a few times This proves it  bursts out laughing and falls on the floor laughing too hard to hold herself up  He stops in his tracks and raises an eyebrow as he looks down at her What </media:description>
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            <pubDate>Mon, 11 May 2009 10:30:00 MDT</pubDate>
        </item>
        <item>
            <title>Jeremy</title>
            <link>http://s303.photobucket.com/albums/nn144/jillian1117/?action=view&amp;current=April20080172.jpg</link>
            <dc:creator>jillian1117</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s303.photobucket.com/albums/nn144/jillian1117/?action=view&amp;current=April20080172.jpg&quot; title=&quot;April20080172.jpg&quot;&gt;&lt;img src=&quot;http://th303.photobucket.com/albums/nn144/jillian1117/th_April20080172.jpg&quot; alt=&quot;April20080172.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Jeremy - April20080172.jpg&lt;/p&gt;&lt;p&gt;The Lord blessed my life with your presense on November 11 2000 I had no idea that night at Smead Church that God had set up a Divine Meeting between you and me When you and I met there in that altar to talk we should have just said I do right then and there Ha I consider it a true act of God that I went home and announced to my family that I knew I&apos;d be with that preacher from Shady Grove for the rest of my life I&apos;ll never forget reading your first email Oh how I fell in love Remember our first date Man I could hear you coming a mile away in the Mazda LOL You knew I loved YOU and definitely NOT your car Isn&apos;t it amazing that thing is still going down the road in Sparkman I remember our first kiss ahh I was SOLD I&apos;ll never forget the first time you told me that you loved me We&apos;d been dating 8 months my sister and I had been to see you You set me down and said those beautiful words that melted my heart into a million pieces Remember reading my school work to me in the afternoons the bike rides the walks the love notes The night you asked me to marry you was most definitely the MOST romantic night of our dating relationship I was so retarded not to have guessed it Ha You are such a romantic man The day that we got married was a day I&apos;ll never forget You looked SOOO handsome in your tux Your vows to me were absolutely beautiful Remember us feeding each other cake Remember you taking my garter off LOL Remember the first month of marriage It was a blast You were out of school for the summer and I got called off of work everyday We spent 247 together I remember the day that we said goodbye to our home 2 months after marriage to follow God&apos;s leading to a new church I&apos;ll never forget how big our new house seemed It was you and me and no one else Although we were at a faster pace our love was never shaken Thank you for putting me AFTER your relationship with God but BEFORE your ministry The 2nd year of marriage I went to nursing school and you dried every tear that fell from my eyes Thank you for believing in me when I didn&apos;t have the confidence to believe in myself The 3rd year of marriage was hard We found out we were expecting in July which was an answer to 22 months of trying crying and praying I remember the joy in your voice when I called to tell you that you were going to be a Daddy Oh and what an awesome Father you are Your Grandpa Horton died in October and my Mom died in November Thank you for letting me Move back home for 4 months while I helped take care of Mom Thank you for driving to come stay with me Thank you for praying when the family wanted to pray but Pop and Ken couldn&apos;t Thank you for being so strong for me Thank you for holding me when no words could heal the pain Thank you for wiping my tears and holding me up when I wanted to fall Thank you for helping me see that Mom was with Jesus The joy of our lives entered this world on March 11th a few months after our loved ones departed to be with Jesus What a vibrant little boy with a wonderful loving spirit and personality We both have agreed that the Lord has mighty plans for Noah&apos;s life You are a wonderful magnificent Father to our children I know that the lack there of while you were growing up has made you to be a very determined Daddy Thank you for your love for our children Noah can&apos;t wait for his Daddy to walk thru that door everyday What a wonderful blessing I LOVE to watch you and Noah play together like you do everyday You guys are hilarious I think that Anna-Kate has you wrapped around her finger You are such a sucker for her smiles laughs and coos Especially now that she&apos;s saying DaDa which I still don&apos;t understand that You are a true Father and I thank you for allowing Jesus Himself to guide you to lead our children and home The 4th year of marriage the Lord called your ministry to Immanuel I will never forget the fear that I had considering I was 8 months pregnant and we were talking about moving I will always remember the talk that I had with God that day and how I got out of my car and never looked back I had a peace that only HE can give Thank you LORD You are a true God-called Preacher You have an annointing that only God Himself can give Thank you for listening to Him Thank you for following Him and leading our home in the way of TRUTH You are a man who is not afraid of what people may say or think You are a man who stands for what you believe in no matter the cost Thank you for helping me grow in my daily walk with Christ I&apos;m so thankful that you and I are a team Our most important goal for the team is for our children to learn about Jesus and know Him as Savior and Lord Thank you for your Christ-like example Thank you for being &apos;YOU and for being my lover my best friend and my soul mate I&apos;m so grateful for the years I&apos;ve had with you and the memories we&apos;ve made I&apos;m excited about the future bc as long as I&apos;m with youI&apos;ll be happy You are the most absolute wonderful man in the world You are the definition of romantic and sexy I love you more everyday I cherish our sweet pillow talks at night I love to fall asleep in your arms and know that this love is not a fairytale or a dream This love is a love that very few people find and I&apos;m so glad to have it with you I love you&lt;/p&gt;</description>
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                <media:title>Jeremy</media:title>
                <media:description>The Lord blessed my life with your presense on November 11 2000 I had no idea that night at Smead Church that God had set up a Divine Meeting between you and me When you and I met there in that altar to talk we should have just said I do right then and there Ha I consider it a true act of God that I went home and announced to my family that I knew I&apos;d be with that preacher from Shady Grove for the rest of my life I&apos;ll never forget reading your first email Oh how I fell in love Remember our first date Man I could hear you coming a mile away in the Mazda LOL You knew I loved YOU and definitely NOT your car Isn&apos;t it amazing that thing is still going down the road in Sparkman I remember our first kiss ahh I was SOLD I&apos;ll never forget the first time you told me that you loved me We&apos;d been dating 8 months my sister and I had been to see you You set me down and said those beautiful words that melted my heart into a million pieces Remember reading my school work to me in the afternoons the bike rides the walks the love notes The night you asked me to marry you was most definitely the MOST romantic night of our dating relationship I was so retarded not to have guessed it Ha You are such a romantic man The day that we got married was a day I&apos;ll never forget You looked SOOO handsome in your tux Your vows to me were absolutely beautiful Remember us feeding each other cake Remember you taking my garter off LOL Remember the first month of marriage It was a blast You were out of school for the summer and I got called off of work everyday We spent 247 together I remember the day that we said goodbye to our home 2 months after marriage to follow God&apos;s leading to a new church I&apos;ll never forget how big our new house seemed It was you and me and no one else Although we were at a faster pace our love was never shaken Thank you for putting me AFTER your relationship with God but BEFORE your ministry The 2nd year of marriage I went to nursing school and you dried every tear that fell from my eyes Thank you for believing in me when I didn&apos;t have the confidence to believe in myself The 3rd year of marriage was hard We found out we were expecting in July which was an answer to 22 months of trying crying and praying I remember the joy in your voice when I called to tell you that you were going to be a Daddy Oh and what an awesome Father you are Your Grandpa Horton died in October and my Mom died in November Thank you for letting me Move back home for 4 months while I helped take care of Mom Thank you for driving to come stay with me Thank you for praying when the family wanted to pray but Pop and Ken couldn&apos;t Thank you for being so strong for me Thank you for holding me when no words could heal the pain Thank you for wiping my tears and holding me up when I wanted to fall Thank you for helping me see that Mom was with Jesus The joy of our lives entered this world on March 11th a few months after our loved ones departed to be with Jesus What a vibrant little boy with a wonderful loving spirit and personality We both have agreed that the Lord has mighty plans for Noah&apos;s life You are a wonderful magnificent Father to our children I know that the lack there of while you were growing up has made you to be a very determined Daddy Thank you for your love for our children Noah can&apos;t wait for his Daddy to walk thru that door everyday What a wonderful blessing I LOVE to watch you and Noah play together like you do everyday You guys are hilarious I think that Anna-Kate has you wrapped around her finger You are such a sucker for her smiles laughs and coos Especially now that she&apos;s saying DaDa which I still don&apos;t understand that You are a true Father and I thank you for allowing Jesus Himself to guide you to lead our children and home The 4th year of marriage the Lord called your ministry to Immanuel I will never forget the fear that I had considering I was 8 months pregnant and we were talking about moving I will always remember the talk that I had with God that day and how I got out of my car and never looked back I had a peace that only HE can give Thank you LORD You are a true God-called Preacher You have an annointing that only God Himself can give Thank you for listening to Him Thank you for following Him and leading our home in the way of TRUTH You are a man who is not afraid of what people may say or think You are a man who stands for what you believe in no matter the cost Thank you for helping me grow in my daily walk with Christ I&apos;m so thankful that you and I are a team Our most important goal for the team is for our children to learn about Jesus and know Him as Savior and Lord Thank you for your Christ-like example Thank you for being &apos;YOU and for being my lover my best friend and my soul mate I&apos;m so grateful for the years I&apos;ve had with you and the memories we&apos;ve made I&apos;m excited about the future bc as long as I&apos;m with youI&apos;ll be happy You are the most absolute wonderful man in the world You are the definition of romantic and sexy I love you more everyday I cherish our sweet pillow talks at night I love to fall asleep in your arms and know that this love is not a fairytale or a dream This love is a love that very few people find and I&apos;m so glad to have it with you I love you</media:description>
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            <pubDate>Fri, 10 May 2013 14:38:00 MDT</pubDate>
        </item>
        <item>
            <title>Patrick Stump Before and After</title>
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            <dc:creator>raining-ribbons</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s990.photobucket.com/albums/af27/raining-ribbons/?action=view&amp;current=Patrickstumpbeforeandafter.jpg&quot; title=&quot;Patrickstumpbeforeandafter.jpg&quot;&gt;&lt;img src=&quot;http://th990.photobucket.com/albums/af27/raining-ribbons/th_Patrickstumpbeforeandafter.jpg&quot; alt=&quot;Patrickstumpbeforeandafter.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Patrick Stump Before and After - Patrickstumpbeforeandafter.jpg&lt;/p&gt;&lt;p&gt;Patrick Stump recently changed his look  He shanved his sideburns and lost a lot of weight Was it for better or worse Personally I loved his sideburns and he was really cute with his slight chub But thats just me Whatever he does he will be adorable &lt;/p&gt;</description>
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                <media:title>Patrick Stump Before and After</media:title>
                <media:description>Patrick Stump recently changed his look  He shanved his sideburns and lost a lot of weight Was it for better or worse Personally I loved his sideburns and he was really cute with his slight chub But thats just me Whatever he does he will be adorable </media:description>
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            <pubDate>Fri, 23 Apr 2010 22:54:00 MDT</pubDate>
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        <item>
            <title>Pete Wentz and Tony Lovato</title>
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            <dc:creator>CodeAires</dc:creator>
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                <media:title>Pete Wentz and Tony Lovato</media:title>
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            <pubDate>Mon, 11 May 2009 14:39:00 MDT</pubDate>
        </item>
        <item>
            <title>Fall Out Boy- From Under The Cork Tree</title>
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            <dc:creator>shark1285</dc:creator>
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            <pubDate>Sun, 10 May 2009 11:00:00 MDT</pubDate>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s361.photobucket.com/albums/oo56/pmmdmolo/Musica/?action=view&amp;current=359_new20order.jpg&quot; title=&quot;359_new20order.jpg&quot;&gt;&lt;img src=&quot;http://th361.photobucket.com/albums/oo56/pmmdmolo/Musica/th_359_new20order.jpg&quot; alt=&quot;359_new20order.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;The Smiths - 359_new20order.jpg&lt;/p&gt;&lt;p&gt;The Smiths fue una banda de indie rock formada en Manchester Inglaterra en 1982 por el cantante Morrissey y el guitarrista Johnny Marr La banda disfrut de un xito considerable hasta su separacin en 1987 Su msica ha sido de gran influencia en la msica indie britnica y en los &apos;90 una gran influencia para el BritpopnnDos de las cosas ms notables del grupo fueron su polmico cantante con sus no menos polmicas letras y la msica compuesta por Marr que devolva la guitarra al frente de la banda en una poca en la que el techno pop gozaba de gran salud en las listas de xitos inglesas La msica de la banda se nutra de influencias de rock de los 60 y 70 especialmente del rockabilly y del glam rock estilo entre cuyas bandas representativas se hallaban algunos dolos de Morrissey como los New York Dolls y Marc Bolan La banda fue fundada en 1982 por dos jvenes de Manchester Johnny Marr y Steven Patrick Morrissey aunque este ltimo es ms conocido por su apellido Morrissey Marr estaba buscando gente para formar una banda cuando unos amigos suyos le hablaron acerca de un joven que viva cerca y que tena un estilo particular de escribir aunque le advirtieron que era difcil de tratar Era Morrissey un joven cuya vida era difcil y se refugiaba en la literatura (especialmente en Oscar Wilde al que hara ms de un homenaje en muchas de sus canciones) y ya era conocido en algunos crculos de Manchester habiendo cantado en una banda llamada The Nosebleeds de corte punk ---------------------------------------------------------------------------------------------  Ms informacin en http:eswikipediaorgwikiTheSmiths ----------------------------------------nn                                                                                                                                                   y en la cual no encajaba por su estilo vocal y actitud en el escenario Haba intentado hacer periodismo musical pero haba desistido Es entonces cuando Marr se pone en contacto con l iniciando una historia musical hoy mticade 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya hab&lt;/p&gt;</description>
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            <media:content medium="image" type="image/jpeg" url="http://i361.photobucket.com/albums/oo56/pmmdmolo/Musica/359_new20order.jpg">
                <media:title>The Smiths</media:title>
                <media:description>The Smiths fue una banda de indie rock formada en Manchester Inglaterra en 1982 por el cantante Morrissey y el guitarrista Johnny Marr La banda disfrut de un xito considerable hasta su separacin en 1987 Su msica ha sido de gran influencia en la msica indie britnica y en los &apos;90 una gran influencia para el BritpopnnDos de las cosas ms notables del grupo fueron su polmico cantante con sus no menos polmicas letras y la msica compuesta por Marr que devolva la guitarra al frente de la banda en una poca en la que el techno pop gozaba de gran salud en las listas de xitos inglesas La msica de la banda se nutra de influencias de rock de los 60 y 70 especialmente del rockabilly y del glam rock estilo entre cuyas bandas representativas se hallaban algunos dolos de Morrissey como los New York Dolls y Marc Bolan La banda fue fundada en 1982 por dos jvenes de Manchester Johnny Marr y Steven Patrick Morrissey aunque este ltimo es ms conocido por su apellido Morrissey Marr estaba buscando gente para formar una banda cuando unos amigos suyos le hablaron acerca de un joven que viva cerca y que tena un estilo particular de escribir aunque le advirtieron que era difcil de tratar Era Morrissey un joven cuya vida era difcil y se refugiaba en la literatura (especialmente en Oscar Wilde al que hara ms de un homenaje en muchas de sus canciones) y ya era conocido en algunos crculos de Manchester habiendo cantado en una banda llamada The Nosebleeds de corte punk ---------------------------------------------------------------------------------------------  Ms informacin en http:eswikipediaorgwikiTheSmiths ----------------------------------------nn                                                                                                                                                   y en la cual no encajaba por su estilo vocal y actitud en el escenario Haba intentado hacer periodismo musical pero haba desistido Es entonces cuando Marr se pone en contacto con l iniciando una historia musical hoy mticade 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya haba dejado de existir La separacin fue atribuida al hecho de que a Morrissey le molestaba el trabajo de Marr con otros artistas y a que Marr se senta frustrado por la poca flexibilidad musical de Morrissey Marr en particular odiaba la obsesin que tena Morrissey por hacer versiones de artistas de pop de los aos 1960 como Twinkle y Cilla Black Refirindose a las canciones que la banda grab en su ltima sesin juntos (lados B para el single Girlfriend In A Coma que sali antes del lanzamiento del lbum Marr dijo Yo escrib I Keep Mine Hidden pero odi a Work Is a Four Letter Word Eso fue el colmo realmente No form un grupo para tocar canciones de Cilla Black 3nnStrangeways tambin lleg al segundo puesto en Reino Unido pero no alcanz el mismo xito en los EE UU La cancin Paint A Vulgar Picture fue algo proftica dado que las canciones del grupo fueron reeditadas en una innumerable cantidad de compilaciones El infame video de 30 segundos de Girlfriend In A Coma logr algo de rotacin en MTV en los EEUU El lbum fue recibido con indiferencia por parte de los crticos pero los cuatro miembros lo consideran su lbum favorito de la banda Un par de sencillos del lbum fueron lanzados con viejas demos y versiones en vivo como lados B y al ao siguiente sali Rank un lbum en vivo que fue grabado en 1986 cuando Gannon formaba parte de la banda que repiti el xito de sus LPs anterioresnnCarreras solistas editarnnInmediatamente tras la separacin Morrissey comenz a grabar como solista colaborando con el productor de Strangeways (Stephen Street) y el mancuniano Vini Reilly guitarrista de The Durutti Column El lbum Viva Hate (en referencia al fin de los Smiths) sali seis meses ms tarde y lleg al primer puesto en ventas Morrissey sigue tocando y grabando como solistannJohnny Marr regres a la msica en 1989 con Bernard Sumner (de New Order) y Neil Tennant (de los Pet Shop Boys) en el supergrupo Electronic Electronic edit tres lbumes a lo largo de la dcada siguiente Marr tambin fue miembro de The The grabando dos lbumes con la banda entre 1989 y 1993 Marr adems trabaj como sesionista y colaborador con artistas como The Pretenders Pet Shop Boys Billy Bragg y Black Grape En el 2000 fund otra banda Johnny Marr And The Healers que obtuvo moderado xito y ms tarde trabaj como msico en el lbum de Oasis Heathen Chemistry Adems ha trabajado como productornnAndy Rourke y Mike Joyce continuaron trabajando juntos como sesionistas de Morrissey (1988-1989) y Sinad O&apos;Connor entre otros adems de trabajar juntos Andy Rourke grab y sali de gira con la banda britnica de country alternativo Proud Mary Adicionalmente Rourke est formando un grupo con otros bajistas como Peter Hook (de New Order y Joy Division) y Mani (de los The Stone Roses y Primal Scream) llamado FreebassnnAsuntos pendientes editarnnThe Smiths fueron reunidos en un juzgado en 1996 para resolver una demanda por regalas (royalties) de Joyce contra Morrissey y Marr quienes slo les permitieron a Joyce y a Rourke obtener un 10 de lo que la banda ganaba por grabaciones y presentaciones (las regalas por composicin no eran relevantes ya que Rourke y Joyce nunca fueron acreditados como compositores de la banda - Rourke s compuso sus partes de bajo pero desconoca los mecanismos que creaban regalas en la creacin de obras musicales en ese momento Por esta razn Rourke sigue sin recibir crdito y regalas por su trabajo en la creacin de las canciones de los Smiths)nnMorrissey y Marr argumentaron que los otros dos miembros siempre haban estado de acuerdo con esa divisin de regalas pero la corte fall a favor de Joyce y orden que se le pagaran un milln de libras y recibiera un 25 desde ese momentonnComo las regalas del grupo haban estado congeladas por dos aos y bajo gran presin financiera para sostener a su familia Rourke se conform con una suma menor para pagar deudas y continu recibiendo 10 Morrissey fue descrito por el juez como agresivo y poco confiable2nnEl lbum solista de Morrissey de 1997 Maladjusted incluy una cancin titulada Sorrow Will Come in the End que se refera al caso y que fue omitida de la versin britnica por miedo a una denuncia por difamacin Morrissey (pero no Marr) apel contra el veredicto sin xitonnComo resultado de este caso una reunin de los Smiths pareca algo imposible a pesar del aparente cambio en la relacin entre Marr y Morrissey en los recientes aos Tanto Johnny Marr como Morrissey afirmaron en repetidas ocasiones en entrevistas que no haba forma alguna de que una reunin volviera a sucedernnEn 2005 VH1 intent reunir a la banda para su show Bands Reunited pero el programa abandon sus intentos luego de que su anfitrin Aamer Haleem no lograra convencer a MorrisseynnA fines de noviembre de 2005 en una aparicin en la estacin de radio BBC 6 Music Mike Joyce afirm que estaba atravesando por problemas financieros y que haba tenido que recurrir a vender items raros de la banda en eBay Algunos minutos de una pista instrumental nunca completada llamada The Click Track fue presentada en el shownnMorrissey atac a Joyce en una declaracin pblica en la pgina wwwtrue-to-younet La relacin entre Joyce y Rourke se congel como resultado de la declaracin de Morrissey que revel que Joyce haba engaado a la justicia al no declarar que entre otros Rourke tena derecho a activos que fueron tomados por sus abogados de Morrissey Deca que Rourke haba sido privado del pago de regalas por parte de Morrissey ya que haban sido tomadas por Joyce quien fue obligado a declarar que otros (Rourke Lillywhite y Street) tenan un inters en los fondos que l intentaba conseguirnnEn enero de 2006 Johnny Marr + The Healers tocaron en Manchester v Cancer un show a beneficio para el cncer que fue organizado por Andy Rourke y su Production Company Great Northern Productions 4 Por primera vez en 20 aos Johnny Marr y Andy Rourke se reunieron en el escenario y tocaron How Soon Is Now 5nnAbundan rumores de futuras colaboraciones - con la excepcin de Joyce quien al parecer ha perdido el apoyo de RourkennRourke expandi su carrera como DJ con un programa de radionnDiscografa editarnnlbumes de estudio editarnn     The Smiths (1984: UK  2 US  150)n     Meat Is Murder (1985: UK  1 US  110)n     The Queen Is Dead (1986: UK  2 US  71)n     Strangeways Here We Come (1987: UK  2 US  55)nnlbumes en directo editarnn     Rank (en vivo 1988 1986: UK  2 US  77)nnlbumes recopilatorios editarnn     Hatful of Hollow (compilado 1984: UK  7)n     The World Won&apos;t Listen (compilado 1987: UK  2)n     Louder Than Bombs (compilado 1987: UK  38 US  62)n     BestI (compilado 1992: UK  1 US  139)n     Best II (compilado 1992: UK  29)n     Singles (compilado 1995: UK  5)n     The Very Best of The Smiths (compilado 2001: UK  31)n     The Sound Of The Smiths (compilado 2008)nnSingles en el Reino Unido (con sus posiciones en los charts) editarnn     Hand in Glove (1983: 124)n     This Charming Man (1983: 25)n     What Difference Does It Make (1984: 12)n     Heaven Knows I&apos;m Miserable Now (1984: 10)n     William It Was Really Nothing (1984: 17)n     How Soon Is Now (1985: 24)n     Shakespeare&apos;s Sister (1985: 26)n     That Joke Isn&apos;t Funny Anymore (1985: 49)n     The Boy With the Thorn in His Side (1985: 23)n     Bigmouth Strikes Again (1986: 26)n     Panic (1986: 11)n     Ask (1986: 14)n     Shoplifters of the World Unite (1987: 12)n     Sheila Take a Bow (1987: 10)n     Girlfriend in a Coma (1987: 13)n     I Started Something I Couldn&apos;t Finish (1987: 23)n     Last Night I Dreamt That Somebody Loved Me (1987: 30)n     This Charming Man (1992 re-issue 1983: 8)n     How Soon Is Now (1992 re-issue 1984: 16)n     There Is a Light That Never Goes Out (1992 1986: 25)n     Ask (1995 re-issue 1986: 62)ue fue lanzado en junio de 1986 inmediatamente despus del sencillo Bigmouth Strikes Again Este lbum con su tpica mezcla de lo sombro (Never Had No One Ever que pareca referirse a los estereotipos de la banda) lo humorstico (Frankly Mr Shankly un supuesto mensaje al jefe de Rough Trade Geoff Travis disimulada como una carta de renuncia de un trabajador para su superior) y varias canciones que sintetizaban ambos lados (There Is a Light That Never Goes Out y Cemetary Gates) lleg al puesto nmero 2 de las listas de Reino Unido y suele ser considerado su mejor obra En 1989 la revista SPIN ubic a The Queen Is Dead en el primer puesto de su lista de The Greatest Albums Ever Made (Los Mejores lbumes Jams Grabados) Muchas otras listas de mejores lbumes de la historia de otras publicaciones ubicaron a este lbum en la cima o cerca de ella entre los diez mejores incluyendo NME y Melody MakernnSin embargo no todo estaba bien dentro de la banda Una disputa legal con Rough Trade retras la salida del lbum por casi siete meses (haba sido completado en noviembre de 1985) y Marr estaba comenzando a sentir el estrs causado por la agotadora agenda de la banda Mientras tanto Rourke fue explusado de la banda a principios de 1986 por sus problemas con la herona Se enter por medio de una nota de Post-it pegada en el parabrisas de su auto que deca Andy - you have left The Smiths Goodbye and good luck Morrissey (Andy - has dejado los Smiths Adis y buena suerte Morrissey) 2 Fue temporalmente reemplazado por el bajista Craig Gannon pero readmitido despus de 2 semanas por lo que Gannon se convirti en el guitarrista rtmico Este quinteto grab los sencillos Panic y Ask (con Kirsty McColl en coros) y fue de gira por el Reino Unido luego de que la gira terminara en octubre de 1986 Gannon fue expulsadonnStrangeways Here We Come y la disolucin de la banda editarnn1987 comenz bien para la banda: el single Shoplifters of the World Unite (una de las canciones de los Smiths favoritas de Morrissey) fue lanzado a principios del ao y tuvo xito y caus algo de controversia entre padres sobre la posibilidad de que incitara a los chicos a robar Fue seguido por un segundo compilado The World Won&apos;t Listen (el ttulo se refiere al comentario de Morrissey sobre su frustracin por la falta de reconocimiento de la banda en el mainstream aunque irnicamente el lbum lleg al segundo puesto en los charts) y el single Sheila Take A Bow el segundo (y ltimo) xito de la banda que lleg a los primeros diez lugares Otro compilado Louder Than Bombs fue preparado para el mercado norteamericano y contena gran parte del mismo material que The World Won&apos;t Listen pero con la adicin de Sheila Take A Bow y de material de Hatful Of Hollow ya que ese compilado no haba sido lanzado an en los Estados UnidosnnA pesar de su xito diferencias personales dentro de la banda - incluyendo un aumento de la tensin en la relacin entre Morrissey y Marr - dej a la banda al borde de la disolucin y cuando Strangeways Here We Come (llamado as por la prisin Strangeways de Manchester) fue lanzado en septiembre de 1987 la banda ya hab</media:description>
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            <pubDate>Mon, 11 May 2009 15:58:00 MDT</pubDate>
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            <title>The Record Won&apos;t Stop Skipping</title>
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            <pubDate>Sat, 5 May 2012 18:12:00 MDT</pubDate>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s40.photobucket.com/albums/e235/fallforyou111/love%20stories/?action=view&amp;current=JAKE.jpg&quot; title=&quot;JAKE.jpg&quot;&gt;&lt;img src=&quot;http://th40.photobucket.com/albums/e235/fallforyou111/love%20stories/th_JAKE.jpg&quot; alt=&quot;JAKE.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;JAKE.jpg&lt;/p&gt;&lt;p&gt;JAKE You pull out a little piece of paper that saysnumber 1 you shyly say number 1 out loud and a really hott emo guy stands up and walks over to youhe says shall we you nod and he helps u up and guides you to the closethe is known to be kind of teasingbut also very sweet in your mind u are thinkingWOW HE IS GORGEOUSonce in the closet i close the door behind u and lock it you stand against the wall and he stands in front of youhe says my name is Jakeand you are  u say quietlythats a beautiful name you say shyly thank you ha ha so i guess i got the quiet shy and beautiful girl u blush and say beautiful he says of course and leans in to kiss youwhen his lips touch yours you melt he deepens the kiss and puts his hands on you waistyou entangle you fingers in his soft hairhe then tugs on your shirt asking if it was okyou smile and nod he then began to take off your shirt but u stop himu say only if i can take off your shirt first he smiles and nodsu giggle and lift his shirt over his headhe then tugs on you shirt again and you lift your arms up in the air and he pulls your shirt and bra off and u continue kissingafter 10 minutes of making out you are thinking that u want more then his tongue in your mouth so you unzip his pants and he knows what u want so he takes off his pants while kissing your neckonce his pants are off he tugs on yours and u let him take off your pants and undiesand kisses your collarbone and sticks two fingers deep into you pussy you moan loudly and he likes it so he pushes them deeper and feels you get wet so he lays you on the ground and cleans you up with his tongueyou are still moaning loudly when he gets on top of you and asks if this was okyou kiss him telling him that it is and he pulls his boxers off and pushes inside youyou moan even louder and he goes faster and harderyou start to scream and people are starting to cheer outside because they can hear your screams and moanshe keeps it up until you both cumhe then holds you close to himand you feel very safe with himu only hav a couple minutes left so he stands up and gets dressedwhile u watching himwhen he is fully dressed he looks down at you and u smilehe smiles back and kisses youand whispers in your ear will you be my one and only you smile and say only if you promise me that u will always be there if i need you of course i will you smile bigger and say then of course i willhe then helps you get dressed and walk out hand in handhe sits on the couch and pats his laps playfully and u sit on his lap and lay your head on his shoulderwhile he is whispering little nothings in your ear you fall asleep after the party i find you two still on the couchi ask Jake if u want to stay the night(cuz my mother is away) and he nodshe then carries you into the spare bedroomand he falls asleep holding youyou wake up the next morning with him still holding youyou sit up and look aroundyou stand and walk across the room to the balconyyou stare at the sky for a while until you feel 2 hands wrapping around your waistyou smile and kiss Jake on the cheek and turn around facing himhe looks into your eyes and says i love you  and you say i love you too Jake and you kiss againyou stand there for a while looking at the skyuntil u need to get homehe drives you home and walks you to the dooryou turn to him when you reach the door and kiss him lightly on the lipshe smiles and says i love you u say i love you too and then you say goodbye he says NO good morning i will never hear you say goodbyecuz i will cry until i see you again you smile good morning then Jake smiles and kisses you againyou walk in to door and peer through the windowand you see him doing cartwheels in the lawn and you stick your head out the door and say go home you dork he looks at you and looks really embarrassedand gets in his car still smiling Random Day In Relationship: you just got done unpacking everything and Jake comes up behind you and askshow do you like your new home you say i love it and i bet this little one will toopoints to your bellyJake smiles and rubs your belly i bet they will you two are still together with 2 kidsthe first one was a little boy named Henry and the last one was a girl named Elle He is a rockstar and is traveling all the timeand always bringing in a lot of moneyyou are as happy as u can be&lt;/p&gt;</description>
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                <media:description>JAKE You pull out a little piece of paper that saysnumber 1 you shyly say number 1 out loud and a really hott emo guy stands up and walks over to youhe says shall we you nod and he helps u up and guides you to the closethe is known to be kind of teasingbut also very sweet in your mind u are thinkingWOW HE IS GORGEOUSonce in the closet i close the door behind u and lock it you stand against the wall and he stands in front of youhe says my name is Jakeand you are  u say quietlythats a beautiful name you say shyly thank you ha ha so i guess i got the quiet shy and beautiful girl u blush and say beautiful he says of course and leans in to kiss youwhen his lips touch yours you melt he deepens the kiss and puts his hands on you waistyou entangle you fingers in his soft hairhe then tugs on your shirt asking if it was okyou smile and nod he then began to take off your shirt but u stop himu say only if i can take off your shirt first he smiles and nodsu giggle and lift his shirt over his headhe then tugs on you shirt again and you lift your arms up in the air and he pulls your shirt and bra off and u continue kissingafter 10 minutes of making out you are thinking that u want more then his tongue in your mouth so you unzip his pants and he knows what u want so he takes off his pants while kissing your neckonce his pants are off he tugs on yours and u let him take off your pants and undiesand kisses your collarbone and sticks two fingers deep into you pussy you moan loudly and he likes it so he pushes them deeper and feels you get wet so he lays you on the ground and cleans you up with his tongueyou are still moaning loudly when he gets on top of you and asks if this was okyou kiss him telling him that it is and he pulls his boxers off and pushes inside youyou moan even louder and he goes faster and harderyou start to scream and people are starting to cheer outside because they can hear your screams and moanshe keeps it up until you both cumhe then holds you close to himand you feel very safe with himu only hav a couple minutes left so he stands up and gets dressedwhile u watching himwhen he is fully dressed he looks down at you and u smilehe smiles back and kisses youand whispers in your ear will you be my one and only you smile and say only if you promise me that u will always be there if i need you of course i will you smile bigger and say then of course i willhe then helps you get dressed and walk out hand in handhe sits on the couch and pats his laps playfully and u sit on his lap and lay your head on his shoulderwhile he is whispering little nothings in your ear you fall asleep after the party i find you two still on the couchi ask Jake if u want to stay the night(cuz my mother is away) and he nodshe then carries you into the spare bedroomand he falls asleep holding youyou wake up the next morning with him still holding youyou sit up and look aroundyou stand and walk across the room to the balconyyou stare at the sky for a while until you feel 2 hands wrapping around your waistyou smile and kiss Jake on the cheek and turn around facing himhe looks into your eyes and says i love you  and you say i love you too Jake and you kiss againyou stand there for a while looking at the skyuntil u need to get homehe drives you home and walks you to the dooryou turn to him when you reach the door and kiss him lightly on the lipshe smiles and says i love you u say i love you too and then you say goodbye he says NO good morning i will never hear you say goodbyecuz i will cry until i see you again you smile good morning then Jake smiles and kisses you againyou walk in to door and peer through the windowand you see him doing cartwheels in the lawn and you stick your head out the door and say go home you dork he looks at you and looks really embarrassedand gets in his car still smiling Random Day In Relationship: you just got done unpacking everything and Jake comes up behind you and askshow do you like your new home you say i love it and i bet this little one will toopoints to your bellyJake smiles and rubs your belly i bet they will you two are still together with 2 kidsthe first one was a little boy named Henry and the last one was a girl named Elle He is a rockstar and is traveling all the timeand always bringing in a lot of moneyyou are as happy as u can be</media:description>
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            <pubDate>Fri, 10 May 2013 14:37:00 MDT</pubDate>
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                <media:title>Fall Out Boy</media:title>
                <media:description />
                <media:thumbnail url="http://th281.photobucket.com/albums/kk214/Hakoda_2008/th_fall.jpg" />
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            <pubDate>Mon, 11 May 2009 12:37:00 MDT</pubDate>
        </item>
        <item>
            <title>I Dont Care Background</title>
            <link>http://s689.photobucket.com/albums/vv257/dusk3tte/?action=view&amp;current=IDontCareBackgroundLyricsDusk3tte.png</link>
            <dc:creator>dusk3tte</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s689.photobucket.com/albums/vv257/dusk3tte/?action=view&amp;current=IDontCareBackgroundLyricsDusk3tte.png&quot; title=&quot;IDontCareBackgroundLyricsDusk3tte.png&quot;&gt;&lt;img src=&quot;http://th689.photobucket.com/albums/vv257/dusk3tte/th_IDontCareBackgroundLyricsDusk3tte.png&quot; alt=&quot;IDontCareBackgroundLyricsDusk3tte.png&quot; /&gt;&lt;/a&gt;&lt;br&gt;I Dont Care Background - IDontCareBackgroundLyricsDusk3tte.png&lt;/p&gt;&lt;p&gt;1280x1280 Disclaimer: I don&apos;t own any of these brushes used in any of my backgrounds If there are any images used in these backgrounds they are not mine either&lt;/p&gt;</description>
            <guid>http://i689.photobucket.com/albums/vv257/dusk3tte/IDontCareBackgroundLyricsDusk3tte.png</guid>
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                <media:title>I Dont Care Background</media:title>
                <media:description>1280x1280 Disclaimer: I don&apos;t own any of these brushes used in any of my backgrounds If there are any images used in these backgrounds they are not mine either</media:description>
                <media:thumbnail url="http://th689.photobucket.com/albums/vv257/dusk3tte/th_IDontCareBackgroundLyricsDusk3tte.png" />
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            <pubDate>Fri, 15 May 2009 23:40:00 MDT</pubDate>
        </item>
        <item>
            <title>FALL OUT BOY</title>
            <link>http://s194.photobucket.com/albums/z243/michaelvilalba/?action=view&amp;current=Fall.jpg</link>
            <dc:creator>michaelvilalba</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s194.photobucket.com/albums/z243/michaelvilalba/?action=view&amp;current=Fall.jpg&quot; title=&quot;Fall.jpg&quot;&gt;&lt;img src=&quot;http://th194.photobucket.com/albums/z243/michaelvilalba/th_Fall.jpg&quot; alt=&quot;Fall.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;FALL OUT BOY - Fall.jpg&lt;/p&gt;</description>
            <guid>http://i194.photobucket.com/albums/z243/michaelvilalba/Fall.jpg</guid>
            <enclosure type="image/jpeg" url="http://i194.photobucket.com/albums/z243/michaelvilalba/Fall.jpg" />
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                <media:title>FALL OUT BOY</media:title>
                <media:description />
                <media:thumbnail url="http://th194.photobucket.com/albums/z243/michaelvilalba/th_Fall.jpg" />
            </media:content>
            <pubDate>Sun, 10 May 2009 16:53:00 MDT</pubDate>
        </item>
        <item>
            <title>TATTOOS</title>
            <link>http://s810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/?action=view&amp;current=pete0.jpg</link>
            <dc:creator>wayeffedup</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/?action=view&amp;current=pete0.jpg&quot; title=&quot;pete0.jpg&quot;&gt;&lt;img src=&quot;http://th810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/th_pete0.jpg&quot; alt=&quot;pete0.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;TATTOOS - pete0.jpg&lt;/p&gt;</description>
            <guid>http://i810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/pete0.jpg</guid>
            <enclosure type="image/jpeg" url="http://i810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/pete0.jpg" />
            <media:content medium="image" type="image/jpeg" url="http://i810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/pete0.jpg">
                <media:title>TATTOOS</media:title>
                <media:description />
                <media:thumbnail url="http://th810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/th_pete0.jpg" />
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            <pubDate>Fri, 27 Nov 2009 16:32:00 MST</pubDate>
        </item>
        <item>
            <title>Shirtless</title>
            <link>http://s810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/?action=view&amp;current=Pete8.jpg</link>
            <dc:creator>wayeffedup</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/?action=view&amp;current=Pete8.jpg&quot; title=&quot;Pete8.jpg&quot;&gt;&lt;img src=&quot;http://th810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/th_Pete8.jpg&quot; alt=&quot;Pete8.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Shirtless - Pete8.jpg&lt;/p&gt;</description>
            <guid>http://i810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/Pete8.jpg</guid>
            <enclosure type="image/jpeg" url="http://i810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/Pete8.jpg" />
            <media:content medium="image" type="image/jpeg" url="http://i810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/Pete8.jpg">
                <media:title>Shirtless</media:title>
                <media:description />
                <media:thumbnail url="http://th810.photobucket.com/albums/zz27/wayeffedup/Fall%20Out%20Boy/th_Pete8.jpg" />
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            <pubDate>Fri, 27 Nov 2009 16:33:00 MST</pubDate>
        </item>
        <item>
            <title>Clandestine Symbol</title>
            <link>http://s231.photobucket.com/albums/ee130/GothGCfan/Fall%20Out%20boy%20aka%20FOB/Clandestine%20Industries/?action=view&amp;current=CladestineSymbol.jpg</link>
            <dc:creator>GothGCfan</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s231.photobucket.com/albums/ee130/GothGCfan/Fall%20Out%20boy%20aka%20FOB/Clandestine%20Industries/?action=view&amp;current=CladestineSymbol.jpg&quot; title=&quot;CladestineSymbol.jpg&quot;&gt;&lt;img src=&quot;http://th231.photobucket.com/albums/ee130/GothGCfan/Fall%20Out%20boy%20aka%20FOB/Clandestine%20Industries/th_CladestineSymbol.jpg&quot; alt=&quot;CladestineSymbol.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Clandestine Symbol - CladestineSymbol.jpg&lt;/p&gt;</description>
            <guid>http://i231.photobucket.com/albums/ee130/GothGCfan/Fall%20Out%20boy%20aka%20FOB/Clandestine%20Industries/CladestineSymbol.jpg</guid>
            <enclosure type="image/jpeg" url="http://i231.photobucket.com/albums/ee130/GothGCfan/Fall%20Out%20boy%20aka%20FOB/Clandestine%20Industries/CladestineSymbol.jpg" />
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                <media:title>Clandestine Symbol</media:title>
                <media:description />
                <media:thumbnail url="http://th231.photobucket.com/albums/ee130/GothGCfan/Fall%20Out%20boy%20aka%20FOB/Clandestine%20Industries/th_CladestineSymbol.jpg" />
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            <pubDate>Sun, 10 May 2009 23:04:00 MDT</pubDate>
        </item>
        <item>
            <title>Pete Wentz and Tony Lovato</title>
            <link>http://s301.photobucket.com/albums/nn42/CodeAires/FOB/Pete%20Wentz/Rumored/?action=view&amp;current=5.jpg</link>
            <dc:creator>CodeAires</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s301.photobucket.com/albums/nn42/CodeAires/FOB/Pete%20Wentz/Rumored/?action=view&amp;current=5.jpg&quot; title=&quot;5.jpg&quot;&gt;&lt;img src=&quot;http://th301.photobucket.com/albums/nn42/CodeAires/FOB/Pete%20Wentz/Rumored/th_5.jpg&quot; alt=&quot;5.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Pete Wentz and Tony Lovato - 5.jpg&lt;/p&gt;</description>
            <guid>http://i301.photobucket.com/albums/nn42/CodeAires/FOB/Pete%20Wentz/Rumored/5.jpg</guid>
            <enclosure type="image/jpeg" url="http://i301.photobucket.com/albums/nn42/CodeAires/FOB/Pete%20Wentz/Rumored/5.jpg" />
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                <media:title>Pete Wentz and Tony Lovato</media:title>
                <media:description />
                <media:thumbnail url="http://th301.photobucket.com/albums/nn42/CodeAires/FOB/Pete%20Wentz/Rumored/th_5.jpg" />
            </media:content>
            <pubDate>Mon, 11 May 2009 14:39:00 MDT</pubDate>
        </item>
        <item>
            <title>MeandYou.jpg</title>
            <link>http://s843.photobucket.com/albums/zz354/LalaSalaSola123/?action=view&amp;current=MeandYou.jpg</link>
            <dc:creator>LalaSalaSola123</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s843.photobucket.com/albums/zz354/LalaSalaSola123/?action=view&amp;current=MeandYou.jpg&quot; title=&quot;MeandYou.jpg&quot;&gt;&lt;img src=&quot;http://th843.photobucket.com/albums/zz354/LalaSalaSola123/th_MeandYou.jpg&quot; alt=&quot;MeandYou.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;MeandYou.jpg&lt;/p&gt;&lt;p&gt;Last year&apos;s wishes are this years apologizes Every last time I come home I take my last chance to burn a bridge or two I only keep myself this sick in the head &apos;cause I know how the words get you We&apos;re the new face of failure Prettier and younger but not any better off Bulletproof of loneliness at best at best  Me and you setting in a honeymoon If I woke up next to you if I woke up next to you Me and you setting in a honeymoon  If I woke up next to you if I woke up next to you  Me and You by Fall Out Boy&lt;/p&gt;</description>
            <guid>http://i843.photobucket.com/albums/zz354/LalaSalaSola123/MeandYou.jpg</guid>
            <enclosure type="image/jpeg" url="http://i843.photobucket.com/albums/zz354/LalaSalaSola123/MeandYou.jpg" />
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                <media:title>MeandYou.jpg</media:title>
                <media:description>Last year&apos;s wishes are this years apologizes Every last time I come home I take my last chance to burn a bridge or two I only keep myself this sick in the head &apos;cause I know how the words get you We&apos;re the new face of failure Prettier and younger but not any better off Bulletproof of loneliness at best at best  Me and you setting in a honeymoon If I woke up next to you if I woke up next to you Me and you setting in a honeymoon  If I woke up next to you if I woke up next to you  Me and You by Fall Out Boy</media:description>
                <media:thumbnail url="http://th843.photobucket.com/albums/zz354/LalaSalaSola123/th_MeandYou.jpg" />
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            <pubDate>Thu, 12 Jan 2012 16:02:00 MST</pubDate>
        </item>
        <item>
            <title>Fall Out Boy</title>
            <link>http://s4.photobucket.com/albums/y126/nonehere/bands/?action=view&amp;current=sq_foboy_press03_fbrmen.jpg</link>
            <dc:creator>nonehere</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s4.photobucket.com/albums/y126/nonehere/bands/?action=view&amp;current=sq_foboy_press03_fbrmen.jpg&quot; title=&quot;sq_foboy_press03_fbrmen.jpg&quot;&gt;&lt;img src=&quot;http://th4.photobucket.com/albums/y126/nonehere/bands/th_sq_foboy_press03_fbrmen.jpg&quot; alt=&quot;sq_foboy_press03_fbrmen.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Fall Out Boy - sq_foboy_press03_fbrmen.jpg&lt;/p&gt;</description>
            <guid>http://i4.photobucket.com/albums/y126/nonehere/bands/sq_foboy_press03_fbrmen.jpg</guid>
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                <media:title>Fall Out Boy</media:title>
                <media:description />
                <media:thumbnail url="http://th4.photobucket.com/albums/y126/nonehere/bands/th_sq_foboy_press03_fbrmen.jpg" />
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            <pubDate>Fri, 8 May 2009 11:25:00 MDT</pubDate>
        </item>
        <item>
            <title>fall out boy wallpaper</title>
            <link>http://s668.photobucket.com/albums/vv49/jordancarr145/?action=view&amp;current=band_infinityonhigh_wallpaper_1600x.jpg</link>
            <dc:creator>jordancarr145</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s668.photobucket.com/albums/vv49/jordancarr145/?action=view&amp;current=band_infinityonhigh_wallpaper_1600x.jpg&quot; title=&quot;band_infinityonhigh_wallpaper_1600x.jpg&quot;&gt;&lt;img src=&quot;http://th668.photobucket.com/albums/vv49/jordancarr145/th_band_infinityonhigh_wallpaper_1600x.jpg&quot; alt=&quot;band_infinityonhigh_wallpaper_1600x.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;fall out boy wallpaper - band_infinityonhigh_wallpaper_1600x.jpg&lt;/p&gt;</description>
            <guid>http://i668.photobucket.com/albums/vv49/jordancarr145/band_infinityonhigh_wallpaper_1600x.jpg</guid>
            <enclosure type="image/jpeg" url="http://i668.photobucket.com/albums/vv49/jordancarr145/band_infinityonhigh_wallpaper_1600x.jpg" />
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                <media:title>fall out boy wallpaper</media:title>
                <media:description />
                <media:thumbnail url="http://th668.photobucket.com/albums/vv49/jordancarr145/th_band_infinityonhigh_wallpaper_1600x.jpg" />
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            <pubDate>Wed, 25 Nov 2009 00:38:00 MST</pubDate>
        </item>
        <item>
            <title>fall</title>
            <link>http://s144.photobucket.com/albums/r187/Donathan0130/?action=view&amp;current=Fall_Out_Boy_Wallpaper--large-ms-2.jpg</link>
            <dc:creator>Donathan0130</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s144.photobucket.com/albums/r187/Donathan0130/?action=view&amp;current=Fall_Out_Boy_Wallpaper--large-ms-2.jpg&quot; title=&quot;Fall_Out_Boy_Wallpaper--large-ms-2.jpg&quot;&gt;&lt;img src=&quot;http://th144.photobucket.com/albums/r187/Donathan0130/th_Fall_Out_Boy_Wallpaper--large-ms-2.jpg&quot; alt=&quot;Fall_Out_Boy_Wallpaper--large-ms-2.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;fall - Fall_Out_Boy_Wallpaper--large-ms-2.jpg&lt;/p&gt;</description>
            <guid>http://i144.photobucket.com/albums/r187/Donathan0130/Fall_Out_Boy_Wallpaper--large-ms-2.jpg</guid>
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                <media:title>fall</media:title>
                <media:description />
                <media:thumbnail url="http://th144.photobucket.com/albums/r187/Donathan0130/th_Fall_Out_Boy_Wallpaper--large-ms-2.jpg" />
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            <pubDate>Sun, 10 May 2009 15:10:00 MDT</pubDate>
        </item>
        <item>
            <title>Anime Girl with Lyrics</title>
            <link>http://s288.photobucket.com/albums/ll196/MCRFOBluvr6/?action=view&amp;current=EmogirlwithLyrics.jpg</link>
            <dc:creator>MCRFOBluvr6</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s288.photobucket.com/albums/ll196/MCRFOBluvr6/?action=view&amp;current=EmogirlwithLyrics.jpg&quot; title=&quot;EmogirlwithLyrics.jpg&quot;&gt;&lt;img src=&quot;http://th288.photobucket.com/albums/ll196/MCRFOBluvr6/th_EmogirlwithLyrics.jpg&quot; alt=&quot;EmogirlwithLyrics.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Anime Girl with Lyrics - EmogirlwithLyrics.jpg&lt;/p&gt;&lt;p&gt;Just a picture of an emo anime girl with a line of Fall Out Boy lyrics&lt;/p&gt;</description>
            <guid>http://i288.photobucket.com/albums/ll196/MCRFOBluvr6/EmogirlwithLyrics.jpg</guid>
            <enclosure type="image/jpeg" url="http://i288.photobucket.com/albums/ll196/MCRFOBluvr6/EmogirlwithLyrics.jpg" />
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                <media:title>Anime Girl with Lyrics</media:title>
                <media:description>Just a picture of an emo anime girl with a line of Fall Out Boy lyrics</media:description>
                <media:thumbnail url="http://th288.photobucket.com/albums/ll196/MCRFOBluvr6/th_EmogirlwithLyrics.jpg" />
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            <pubDate>Mon, 11 May 2009 12:00:00 MDT</pubDate>
        </item>
        <item>
            <title>Flywheel Removal 4</title>
            <link>http://s160.photobucket.com/albums/t165/MlrosePlant/Lawn%20Boy%20Engine%20Rebuild/?action=view&amp;current=IMG_0279.jpg</link>
            <dc:creator>MlrosePlant</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s160.photobucket.com/albums/t165/MlrosePlant/Lawn%20Boy%20Engine%20Rebuild/?action=view&amp;current=IMG_0279.jpg&quot; title=&quot;IMG_0279.jpg&quot;&gt;&lt;img src=&quot;http://th160.photobucket.com/albums/t165/MlrosePlant/Lawn%20Boy%20Engine%20Rebuild/th_IMG_0279.jpg&quot; alt=&quot;IMG_0279.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Flywheel Removal 4 - IMG_0279.jpg&lt;/p&gt;&lt;p&gt;At first I thought this was a superfluous photo but now I remember why I took it  Look at my left hand  I am holding the blade braking mechanism open so I may remove the flywheel more easily  This would not have been necessary had I removed the large spring like I suggested several steps ago  And yes it DID fall out later (sprung out actually) when I least expected it and I spent probably 10 minutes looking for it&lt;/p&gt;</description>
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                <media:title>Flywheel Removal 4</media:title>
                <media:description>At first I thought this was a superfluous photo but now I remember why I took it  Look at my left hand  I am holding the blade braking mechanism open so I may remove the flywheel more easily  This would not have been necessary had I removed the large spring like I suggested several steps ago  And yes it DID fall out later (sprung out actually) when I least expected it and I spent probably 10 minutes looking for it</media:description>
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            <pubDate>Sun, 29 Nov 2009 15:35:00 MST</pubDate>
        </item>
        <item>
            <title>Stupid Preteen Girls</title>
            <link>http://s84.photobucket.com/albums/k4/DracoMalfoy_x/Bands/Fall%20Out%20Boy/?action=view&amp;current=9.jpg</link>
            <dc:creator>DracoMalfoy_x</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s84.photobucket.com/albums/k4/DracoMalfoy_x/Bands/Fall%20Out%20Boy/?action=view&amp;current=9.jpg&quot; title=&quot;9.jpg&quot;&gt;&lt;img src=&quot;http://th84.photobucket.com/albums/k4/DracoMalfoy_x/Bands/Fall%20Out%20Boy/th_9.jpg&quot; alt=&quot;9.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Stupid Preteen Girls - 9.jpg&lt;/p&gt;</description>
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                <media:title>Stupid Preteen Girls</media:title>
                <media:description />
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            <pubDate>Sat, 9 May 2009 23:25:00 MDT</pubDate>
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            <title>Fall Out Boy</title>
            <link>http://s453.photobucket.com/albums/qq253/nob_013/?action=view&amp;current=FallOutBoy2.png</link>
            <dc:creator>nob_013</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s453.photobucket.com/albums/qq253/nob_013/?action=view&amp;current=FallOutBoy2.png&quot; title=&quot;FallOutBoy2.png&quot;&gt;&lt;img src=&quot;http://th453.photobucket.com/albums/qq253/nob_013/th_FallOutBoy2.png&quot; alt=&quot;FallOutBoy2.png&quot; /&gt;&lt;/a&gt;&lt;br&gt;Fall Out Boy - FallOutBoy2.png&lt;/p&gt;&lt;p&gt;cute fall out boysi drew it by myself&lt;/p&gt;</description>
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            <pubDate>Mon, 11 May 2009 15:48:00 MDT</pubDate>
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            <title>andy icon</title>
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            <dc:creator>love_kix_ass</dc:creator>
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            <pubDate>Sun, 10 May 2009 20:58:00 MDT</pubDate>
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            <title>patrick icon</title>
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            <dc:creator>love_kix_ass</dc:creator>
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            <pubDate>Sun, 10 May 2009 20:58:00 MDT</pubDate>
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            <title>X-MEN SOMESHIT 3</title>
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            <dc:creator>movieposters7241</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s465.photobucket.com/albums/rr15/movieposters7241/?action=view&amp;current=XSOmeshit3.jpg&quot; title=&quot;XSOmeshit3.jpg&quot;&gt;&lt;img src=&quot;http://th465.photobucket.com/albums/rr15/movieposters7241/th_XSOmeshit3.jpg&quot; alt=&quot;XSOmeshit3.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;X-MEN SOMESHIT 3 - XSOmeshit3.jpg&lt;/p&gt;&lt;p&gt;Michael Hendrickson (Gregory Davidson) the brother of Megan Hendrickson infiltrates Ted Freemans (Some Guy) facility and kills Ted and Dirty Dale (Kid Rock) He offered The Blue Girl (Rebecca Romijn) a chance to live telling her to deliver a message to the newspaper The message is Cemetery Get Five Tombstones Ready for the X-Men Someshit Squad Now that he has taken over Teds operation hes coming for revenge for his sister Meanwhile Vince Anderson (Kip Pardue) has been added to The X-Men Someshit Squad He alerts the other five about the message in the paper Jessica Steele (Laura) saw Michael Hendrickson by the lake and decided to act She jumped on Michael and Michael goes into the lake Eventually Michael knocked Jessica unconscious and drowned her in the lake The next day Jessica Steels body was found When Michael told the paper that it was him The Wolverine (Adam Von Roecker) swore revenge That night The Blue Girl informed Ray Gay (Zach Treacy) that Michel challenges him to a duel Ray and Michael meet in an alley After a long struggle they end up on top of a nearby roof Michael tossed Ray off the top and was so tired he didnt bother to make sure that Ray was finished The next day Ray Gay who survived the fall told the rest of the X-Men Someshit Squad that The Blue Girl could lead them to Michael As they were leaving The Blur Girl showed up and told Kim Jenkins (Jessica Alba) that Michael as willing to meet with her A battle ensued and Kim called the squad back with The Blue Girl all tied up The Blue Girl gave Michael up and told them of his headquarters The plan started with Kim and Francine (Jennifer Lopez) trying to make friendly Then Michael made an attempt to hit Francines pregnant stomach with a spike Just then The Wolverine Ray Gay and Vince Anderson arrived Michael had back-up and thought he escaped as the rest of the squad besides Francine battled the henchmen As Michael Hendrickson is running out the building The Wolverine appears ahead of him The Wolverine drew his spikes and Michael did the same After being stabbed in the leg The Wolverine poked rest through Michaels neck Francine slapped Michael once before he died After the battle Ray Gay took a second job as a dancer in the Nutcracker play Francine gave birth to a baby boy The baby has wings  Last we see The Wolverine laying flowers at Jessica&apos;s grave&lt;/p&gt;</description>
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                <media:description>Michael Hendrickson (Gregory Davidson) the brother of Megan Hendrickson infiltrates Ted Freemans (Some Guy) facility and kills Ted and Dirty Dale (Kid Rock) He offered The Blue Girl (Rebecca Romijn) a chance to live telling her to deliver a message to the newspaper The message is Cemetery Get Five Tombstones Ready for the X-Men Someshit Squad Now that he has taken over Teds operation hes coming for revenge for his sister Meanwhile Vince Anderson (Kip Pardue) has been added to The X-Men Someshit Squad He alerts the other five about the message in the paper Jessica Steele (Laura) saw Michael Hendrickson by the lake and decided to act She jumped on Michael and Michael goes into the lake Eventually Michael knocked Jessica unconscious and drowned her in the lake The next day Jessica Steels body was found When Michael told the paper that it was him The Wolverine (Adam Von Roecker) swore revenge That night The Blue Girl informed Ray Gay (Zach Treacy) that Michel challenges him to a duel Ray and Michael meet in an alley After a long struggle they end up on top of a nearby roof Michael tossed Ray off the top and was so tired he didnt bother to make sure that Ray was finished The next day Ray Gay who survived the fall told the rest of the X-Men Someshit Squad that The Blue Girl could lead them to Michael As they were leaving The Blur Girl showed up and told Kim Jenkins (Jessica Alba) that Michael as willing to meet with her A battle ensued and Kim called the squad back with The Blue Girl all tied up The Blue Girl gave Michael up and told them of his headquarters The plan started with Kim and Francine (Jennifer Lopez) trying to make friendly Then Michael made an attempt to hit Francines pregnant stomach with a spike Just then The Wolverine Ray Gay and Vince Anderson arrived Michael had back-up and thought he escaped as the rest of the squad besides Francine battled the henchmen As Michael Hendrickson is running out the building The Wolverine appears ahead of him The Wolverine drew his spikes and Michael did the same After being stabbed in the leg The Wolverine poked rest through Michaels neck Francine slapped Michael once before he died After the battle Ray Gay took a second job as a dancer in the Nutcracker play Francine gave birth to a baby boy The baby has wings  Last we see The Wolverine laying flowers at Jessica&apos;s grave</media:description>
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            <pubDate>Wed, 13 May 2009 05:22:00 MDT</pubDate>
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            <title>Patrick Stump amp Joe Fro</title>
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            <dc:creator>xxLindziexx</dc:creator>
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            <pubDate>Wed, 17 Jun 2009 23:06:00 MDT</pubDate>
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            <title>Andy Hurley and Joe Trohman in The Damned Things</title>
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            <dc:creator>CodeAires</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s301.photobucket.com/albums/nn42/CodeAires/FOB/Others/?action=view&amp;current=28.jpg&quot; title=&quot;28.jpg&quot;&gt;&lt;img src=&quot;http://th301.photobucket.com/albums/nn42/CodeAires/FOB/Others/th_28.jpg&quot; alt=&quot;28.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Andy Hurley and Joe Trohman in The Damned Things - 28.jpg&lt;/p&gt;&lt;p&gt;With Keith Buckley Scott Ian andshit the other guy in Anthrax The sad thing is that I&apos;m a fan of Anthrax and Scott&apos;s the only guy I can remember&lt;/p&gt;</description>
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                <media:description>With Keith Buckley Scott Ian andshit the other guy in Anthrax The sad thing is that I&apos;m a fan of Anthrax and Scott&apos;s the only guy I can remember</media:description>
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            <pubDate>Fri, 22 Jan 2010 07:17:00 MST</pubDate>
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            <title>Pete Wentz and Jeanae White</title>
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            <pubDate>Mon, 11 May 2009 14:39:00 MDT</pubDate>
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            <title>patrick stump icon</title>
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            <dc:creator>ashlandstump</dc:creator>
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            <pubDate>Sun, 10 May 2009 20:44:00 MDT</pubDate>
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        <item>
            <title>Apollo</title>
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            <dc:creator>salsa88</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s262.photobucket.com/albums/ii101/salsa88/Gods/?action=view&amp;current=Apollo.jpg&quot; title=&quot;Apollo.jpg&quot;&gt;&lt;img src=&quot;http://th262.photobucket.com/albums/ii101/salsa88/Gods/th_Apollo.jpg&quot; alt=&quot;Apollo.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Apollo - Apollo.jpg&lt;/p&gt;&lt;p&gt;The son of Zeus and Leto and the twin brother of Artemis Apollo was the god of music (principally the lyre and he directed the choir of the Muses) and also of prophecy colonization medicine archery (but not for war or hunting) poetry dance intellectual inquiry and the carer of herds and flocks He was also a god of light known as Phoebus (radiant or beaming and he was sometimes identified with Helios the sun god) He was also the god of plague and was worshiped as Smintheus (from sminthos rat) and as Parnopius (from parnops grasshopper) and was known as the destroyer of rats and locust and according to Homer&apos;s Iliad Apollo shot arrows of plague into the Greek camp Apollo being the god of religious healing would give those guilty of murder and other immoral deeds a ritual purification Sacred to Apollo are the swan (one legend says that Apollo flew on the back of a swan to the land of the Hyperboreans he would spend the winter months among them) the wolf and the dolphin His attributes are the bow and arrows on his head a laurel crown and the cithara (or lyre) and plectrum But his most famous attribute is the tripod the symbol of his prophetic powers  n nWhen the goddesss Hera the wife of Zeus (it was he who had coupled with Leto) found out about Leto&apos;s pregnancy she was outraged with jealousy Seeking revenge Hera forced Leto to roam the earth in search of a place to give birth   n nSince Hera had forbidden Leto to stay anywhere on earth either on terra-ferma or an island at sea the only place to seek shelter was Delos being in the center of the Aegean and also difficult to reach as there were strong under-currents because it was said to be a floating island Because it was a floating island it was not considered either of Hera&apos;s prohibitions and so Leto was able to give birth to the divine twins Apollo and Artemis (before Leto gave birth to Apollo the island was encircled by a flock of swans this is why the swan was sacred to him) As a gesture of thanks Delos was secured to the sea-bed by four columns to give it stability and from then on it became one of the most important sanctuaries to Apollo (A variation of Apollo&apos;s birth was that the jealous Hera had incarcerated Ilithyia the goddess of childbirth but the other gods intervened forcing Hera to release Ilithyia which allowed Leto to give birth )  n nApollo&apos;s first achievement was to rid Pytho (Delphi) of the serpent (or dragon) Python This monstrous beast protected the sanctuary of Pytho from its lair beside the Castalian Spring There it stood guard while the Sibyl gave out her prophecies as she inhaled the trance inducing vapors from an open chasm Apollo killed Python with his bow and arrows (Homer wrote he killed the fearsome dragon Python piercing it with his darts) Apollo not only took charge of the oracle but rid the neighboring countryside of widespread destruction as Python had destroyed crops sacked villages and polluted streams and springs  n nHowever to make amends for killing Python as the fearsome beast was the son of Gaia Apollo had to serve king Admetus for nine years (in some versions eight) as a cowherd This he did and when he returned to Pytho he came in the guise of a dolphin bringing with him priests from Crete (Apollo&apos;s cult title Delphinios meaning dolphin or porpoise is probably how Delphi was so named) After killing Python and taking possession of the oracle the god of light (Phobus) became known as Pythian Apollo He dedicated a bronze tripod to the sanctuary and bestowed divine powers on one of the priestesses and she became known as the Pythia It was she who inhaled the hallucinating vapors from the fissure in the temple floor while she sat on a tripod chewing laurel leaves After she mumbled her answer a male priest would translate it for the supplicant  n nDelphi became the most important oracle center of Apollo there were several including Clarus and Branchidae  n nApollo as with Zeus his father had many love affairs with goddesses and mortals Apollo&apos;s infatuation for the nymph Daphne which had been invoked by the young god of love Eros because Apollo had mocked him saying his archery skills were pathetic and Apollo&apos;s singing had also irritated him  n nDaphne was the beautiful daughter of the river god Ladon and she was constantly pursued by Apollo To escape from Apollo&apos;s insistent behavior she fled to the mountains but the persistent Apollo followed her Annoyed by this she asked the river god Peneus for help which he did As soon as Apollo approached Daphne he tried to embrace her but when he stretched out his arms she transformed into a laurel tree Apollo distraught by what had happened made the laurel his sacred tree Apollo also loved Cyrene she was another nymph and she bore Apollo a son: Aristaeus a demi-god who became a protector of cattle and fruit trees and a deity of hunting husbandry and bee-keeping He taught men dairy skills and the use of nets and traps in hunting  n nThe most famous mortal loves of Apollo was Hecuba she was the wife of Priam the king of Troy She bore him Troilius Foretold by an oracle as long as Troilius reached the age of twenty Troy could not be defeated But the hero Achilles ambushed and killed him when the young prince and his sister Polyxena secretly visited a spring Apollo also fell in love with Cassandra the sister of Troilius and daughter of Hecuba and Priam He seduced Cassandra on the promise that he would teach her the art of prophecy but having learnt the prophetic art she rejected him Apollo being angry of her rejection punished her by declaring her prophecies never to be accepted or believed  n nAsclepius the god of healing was also Apollo&apos;s offspring after his union with Coronis who was daughter of Phlegyas king of the Lapiths While she was pregnant by Apollo Coronis fell in love with Ischys son of Elatus but a crow informed Apollo of the affair Apollo sent his twin sister Artemis to kill Coronis and Artemis carried out he brothers wishes While her body was burning on the funeral pyre Apollo removed the unborn child and took him to Chiron who raised the child Asclepius  n nApollo also as did his father Zeus fall in love with one of his own gender Hyacinthus a Spartan prince He was very handsome and athletic which inflamed the passions of Apollo One day while Apollo and Hyacinthus were practicing throwing the discus Zephyrus the god of the west wind who was also attracted to the young prince and jealous of Apollo&apos;s amorous affection towards the boy made the discus veer off course by blowing an ill wind The discus which Apollo had thrown hit Hyacinthus smashing his skull Apollo rushed to him but he was dead The god was overcome with grief but to immortalize the love he had for the beautiful youth he had a flower grow were his blood had stained the earth Apollo also loved the young boy Cyparissus a descendant of Heracles The impassioned Apollo gave Cyparissus a sacred deer as a love token The young deer became tame and was the constant companion of the boy until a tragic accident occurred  n nAs the young deer lay sleeping in the shade of the undergrowth Cyparissus threw his javelin which by chance hit and killed the deer Grief-stricken by what had happened Cyparissus wanted to die He asked Apollo to let his tears fall for all eternity With apprehension Apollo transformed the boy into a tree the cypress which became the symbol of sorrow as the sap on its trunk forms droplets like tears  n nApollo could also be ruthless when he was angered The mortal Niobe boasted to Apollo&apos;s mother Leto that she had fourteen children (in some versions six or seven) which must make her more superior than Leto who had only bore two Apollo greatly angered by this slew her sons and Artemis killed Niobe&apos;s daughters Niobe wept so much that she turned into a pillar of stone Apollo was infuriated when the satyr Marsyas challenged Apollo to music contest After winning the competition Apollo had Marsyas flayed alive for being so presumptuous as to challenge a god   n nApollo was worshiped throughout the Greek world at Delphi every four years they held the Pythian Games in his honor He had many epithets including Pythian Apollo (his name at Delphi) Apollo Apotropaeus (Apollo who averts evil) and Apollo Nymphegetes (Apollo who looks after the Nymphs) As the god of shepherds he also had the cult titles Lukeios (from lykos wolf) protecting the flocks from wolfs and Nomius (of pastures belonging to shepherds) Being the god of colonists Apollo influenced his priests at Delphi to give divine guidance as to where the expedition should proceed This was during the height of the colonizing era circa 750-550 BCE Apollo&apos;s title was Archigetes (leader of colonists)  n nAccording to one legend it was Apollo who helped either Cretan or Arcadian colonists found the city of Troy  n nIn art Apollo is at most times depicted as a handsome young man clean shaven and carrying either a lyre or his bow and arrows There are many sculptures of Apollo and one of the most famous is the central figure from the west pediment of the Temple of Zeus at Olympia showing Apollo declaring victory in favor of the Lapiths in their struggle against the Centaurs&lt;/p&gt;</description>
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                <media:title>Apollo</media:title>
                <media:description>The son of Zeus and Leto and the twin brother of Artemis Apollo was the god of music (principally the lyre and he directed the choir of the Muses) and also of prophecy colonization medicine archery (but not for war or hunting) poetry dance intellectual inquiry and the carer of herds and flocks He was also a god of light known as Phoebus (radiant or beaming and he was sometimes identified with Helios the sun god) He was also the god of plague and was worshiped as Smintheus (from sminthos rat) and as Parnopius (from parnops grasshopper) and was known as the destroyer of rats and locust and according to Homer&apos;s Iliad Apollo shot arrows of plague into the Greek camp Apollo being the god of religious healing would give those guilty of murder and other immoral deeds a ritual purification Sacred to Apollo are the swan (one legend says that Apollo flew on the back of a swan to the land of the Hyperboreans he would spend the winter months among them) the wolf and the dolphin His attributes are the bow and arrows on his head a laurel crown and the cithara (or lyre) and plectrum But his most famous attribute is the tripod the symbol of his prophetic powers  n nWhen the goddesss Hera the wife of Zeus (it was he who had coupled with Leto) found out about Leto&apos;s pregnancy she was outraged with jealousy Seeking revenge Hera forced Leto to roam the earth in search of a place to give birth   n nSince Hera had forbidden Leto to stay anywhere on earth either on terra-ferma or an island at sea the only place to seek shelter was Delos being in the center of the Aegean and also difficult to reach as there were strong under-currents because it was said to be a floating island Because it was a floating island it was not considered either of Hera&apos;s prohibitions and so Leto was able to give birth to the divine twins Apollo and Artemis (before Leto gave birth to Apollo the island was encircled by a flock of swans this is why the swan was sacred to him) As a gesture of thanks Delos was secured to the sea-bed by four columns to give it stability and from then on it became one of the most important sanctuaries to Apollo (A variation of Apollo&apos;s birth was that the jealous Hera had incarcerated Ilithyia the goddess of childbirth but the other gods intervened forcing Hera to release Ilithyia which allowed Leto to give birth )  n nApollo&apos;s first achievement was to rid Pytho (Delphi) of the serpent (or dragon) Python This monstrous beast protected the sanctuary of Pytho from its lair beside the Castalian Spring There it stood guard while the Sibyl gave out her prophecies as she inhaled the trance inducing vapors from an open chasm Apollo killed Python with his bow and arrows (Homer wrote he killed the fearsome dragon Python piercing it with his darts) Apollo not only took charge of the oracle but rid the neighboring countryside of widespread destruction as Python had destroyed crops sacked villages and polluted streams and springs  n nHowever to make amends for killing Python as the fearsome beast was the son of Gaia Apollo had to serve king Admetus for nine years (in some versions eight) as a cowherd This he did and when he returned to Pytho he came in the guise of a dolphin bringing with him priests from Crete (Apollo&apos;s cult title Delphinios meaning dolphin or porpoise is probably how Delphi was so named) After killing Python and taking possession of the oracle the god of light (Phobus) became known as Pythian Apollo He dedicated a bronze tripod to the sanctuary and bestowed divine powers on one of the priestesses and she became known as the Pythia It was she who inhaled the hallucinating vapors from the fissure in the temple floor while she sat on a tripod chewing laurel leaves After she mumbled her answer a male priest would translate it for the supplicant  n nDelphi became the most important oracle center of Apollo there were several including Clarus and Branchidae  n nApollo as with Zeus his father had many love affairs with goddesses and mortals Apollo&apos;s infatuation for the nymph Daphne which had been invoked by the young god of love Eros because Apollo had mocked him saying his archery skills were pathetic and Apollo&apos;s singing had also irritated him  n nDaphne was the beautiful daughter of the river god Ladon and she was constantly pursued by Apollo To escape from Apollo&apos;s insistent behavior she fled to the mountains but the persistent Apollo followed her Annoyed by this she asked the river god Peneus for help which he did As soon as Apollo approached Daphne he tried to embrace her but when he stretched out his arms she transformed into a laurel tree Apollo distraught by what had happened made the laurel his sacred tree Apollo also loved Cyrene she was another nymph and she bore Apollo a son: Aristaeus a demi-god who became a protector of cattle and fruit trees and a deity of hunting husbandry and bee-keeping He taught men dairy skills and the use of nets and traps in hunting  n nThe most famous mortal loves of Apollo was Hecuba she was the wife of Priam the king of Troy She bore him Troilius Foretold by an oracle as long as Troilius reached the age of twenty Troy could not be defeated But the hero Achilles ambushed and killed him when the young prince and his sister Polyxena secretly visited a spring Apollo also fell in love with Cassandra the sister of Troilius and daughter of Hecuba and Priam He seduced Cassandra on the promise that he would teach her the art of prophecy but having learnt the prophetic art she rejected him Apollo being angry of her rejection punished her by declaring her prophecies never to be accepted or believed  n nAsclepius the god of healing was also Apollo&apos;s offspring after his union with Coronis who was daughter of Phlegyas king of the Lapiths While she was pregnant by Apollo Coronis fell in love with Ischys son of Elatus but a crow informed Apollo of the affair Apollo sent his twin sister Artemis to kill Coronis and Artemis carried out he brothers wishes While her body was burning on the funeral pyre Apollo removed the unborn child and took him to Chiron who raised the child Asclepius  n nApollo also as did his father Zeus fall in love with one of his own gender Hyacinthus a Spartan prince He was very handsome and athletic which inflamed the passions of Apollo One day while Apollo and Hyacinthus were practicing throwing the discus Zephyrus the god of the west wind who was also attracted to the young prince and jealous of Apollo&apos;s amorous affection towards the boy made the discus veer off course by blowing an ill wind The discus which Apollo had thrown hit Hyacinthus smashing his skull Apollo rushed to him but he was dead The god was overcome with grief but to immortalize the love he had for the beautiful youth he had a flower grow were his blood had stained the earth Apollo also loved the young boy Cyparissus a descendant of Heracles The impassioned Apollo gave Cyparissus a sacred deer as a love token The young deer became tame and was the constant companion of the boy until a tragic accident occurred  n nAs the young deer lay sleeping in the shade of the undergrowth Cyparissus threw his javelin which by chance hit and killed the deer Grief-stricken by what had happened Cyparissus wanted to die He asked Apollo to let his tears fall for all eternity With apprehension Apollo transformed the boy into a tree the cypress which became the symbol of sorrow as the sap on its trunk forms droplets like tears  n nApollo could also be ruthless when he was angered The mortal Niobe boasted to Apollo&apos;s mother Leto that she had fourteen children (in some versions six or seven) which must make her more superior than Leto who had only bore two Apollo greatly angered by this slew her sons and Artemis killed Niobe&apos;s daughters Niobe wept so much that she turned into a pillar of stone Apollo was infuriated when the satyr Marsyas challenged Apollo to music contest After winning the competition Apollo had Marsyas flayed alive for being so presumptuous as to challenge a god   n nApollo was worshiped throughout the Greek world at Delphi every four years they held the Pythian Games in his honor He had many epithets including Pythian Apollo (his name at Delphi) Apollo Apotropaeus (Apollo who averts evil) and Apollo Nymphegetes (Apollo who looks after the Nymphs) As the god of shepherds he also had the cult titles Lukeios (from lykos wolf) protecting the flocks from wolfs and Nomius (of pastures belonging to shepherds) Being the god of colonists Apollo influenced his priests at Delphi to give divine guidance as to where the expedition should proceed This was during the height of the colonizing era circa 750-550 BCE Apollo&apos;s title was Archigetes (leader of colonists)  n nAccording to one legend it was Apollo who helped either Cretan or Arcadian colonists found the city of Troy  n nIn art Apollo is at most times depicted as a handsome young man clean shaven and carrying either a lyre or his bow and arrows There are many sculptures of Apollo and one of the most famous is the central figure from the west pediment of the Temple of Zeus at Olympia showing Apollo declaring victory in favor of the Lapiths in their struggle against the Centaurs</media:description>
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            <pubDate>Mon, 11 May 2009 10:37:00 MDT</pubDate>
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            <title>fall out boy</title>
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            <dc:creator>bleedingstar134</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s688.photobucket.com/albums/vv241/bleedingstar134/?action=view&amp;current=FallOutBoy.png&quot; title=&quot;FallOutBoy.png&quot;&gt;&lt;img src=&quot;http://th688.photobucket.com/albums/vv241/bleedingstar134/th_FallOutBoy.png&quot; alt=&quot;FallOutBoy.png&quot; /&gt;&lt;/a&gt;&lt;br&gt;fall out boy - FallOutBoy.png&lt;/p&gt;</description>
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            <pubDate>Fri, 25 Dec 2009 00:53:00 MST</pubDate>
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            <title>I Thought I Loved You</title>
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            <pubDate>Sat, 5 May 2012 18:10:00 MDT</pubDate>
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            <title>Paved With Good Intentions</title>
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            <dc:creator>musicluverxD</dc:creator>
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            <pubDate>Sat, 5 May 2012 18:10:00 MDT</pubDate>
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            <title>Pete Wentz Shirtless</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s13.photobucket.com/albums/a294/Mostly_HC/Fall%20Out%20Boy/?action=view&amp;current=hflsdfghljHOOOOTTTTTT.jpg&quot; title=&quot;hflsdfghljHOOOOTTTTTT.jpg&quot;&gt;&lt;img src=&quot;http://th13.photobucket.com/albums/a294/Mostly_HC/Fall%20Out%20Boy/th_hflsdfghljHOOOOTTTTTT.jpg&quot; alt=&quot;hflsdfghljHOOOOTTTTTT.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Pete Wentz Shirtless - hflsdfghljHOOOOTTTTTT.jpg&lt;/p&gt;</description>
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                <media:title>Pete Wentz Shirtless</media:title>
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            <pubDate>Fri, 8 May 2009 15:42:00 MDT</pubDate>
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            <title>Pyramid of the Magician  Pyramid of the Sorcerer</title>
            <link>http://s375.photobucket.com/albums/oo196/StacyJamesFry/?action=view&amp;current=Flicker213.jpg</link>
            <dc:creator>StacyJamesFry</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s375.photobucket.com/albums/oo196/StacyJamesFry/?action=view&amp;current=Flicker213.jpg&quot; title=&quot;Flicker213.jpg&quot;&gt;&lt;img src=&quot;http://th375.photobucket.com/albums/oo196/StacyJamesFry/th_Flicker213.jpg&quot; alt=&quot;Flicker213.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Pyramid of the Magician  Pyramid of the Sorcerer - Flicker213.jpg&lt;/p&gt;&lt;p&gt;The name of the structure is derived from folk legends told by the indigenous Mayan people The age of these tales is unknown as is the Pre-Columbian name of the structure The tales exist in varied accounts concerning the construction of the Pyramid of the MagiciannAccording to one account a magician-god named Itzamna was single-handedly supposed to have erected the pyramid in one night using his might and magicnAnother tale holds that when a certain gong was to sound the city of Uxmal was destined to fall to a boy not born of woman The gong was struck one day by a dwarf that was born unto no mother but rather hatched from an egg by a childless old woman The sound of the gong struck fear into the citys ruler and the dwarf was ordered to be executed The ruler reconsidered the death sentence though and promised that the dwarfs life would be spared if he could perform three seemingly impossible tasks One of the tasks was to build a massive pyramid taller than any building in the city in a single night The dwarf ultimately completed all the tasks including the construction of the pyramid The dwarf was hailed as the new ruler of Uxmal and the structure was dedicated to himnA slightly different version of this tale is recounted by Hans Li in The Ancient Ones: Legend tells that this temple-pyramid was built by a powerful dwarf magician who was hatched from an egg by his mother Under a threat by an Uxmal king he was ordered to build this temple within a fortnight or else lose his life (82)nIn other surviving versions the old woman is portrayed as a witch or sorceress and the dwarf is a boy who magically reaches adulthood overnightnThe official legend as told to John Lloyd Stephens in 1840 by a local Maya native follows:nThere was an old woman who lived in a hut that was located on the exact spot where the finished pyramid now stands This old woman was a witch who one day went into mourning that she had no children One day she took an egg and wrapped it in cloth and placed it in a corner of her small hut Every day she went to look at the egg until one day it hatched and a small creature closely resembling a baby came from the enchanted eggnThe old woman was delighted and called the baby her son She provided it with a nurse and took good care of it so that within a year it was walking and talking like a man It stopped growing after a year and the old woman was very proud of her son and told him that one day he would be a great Lord or King One day she told her son to go the House of the Governor and challenge the King to a trial of strength The dwarf didn&apos;t want to go at first but the old woman insisted and so to see the King he went The guards let him in and he threw down his challenge to the King The King smiled and told the dwarf to lift a stone that weighed three arrobas (75 pounds) At this the dwarf cried and ran back to his mother The witch was wise and told her son to tell the King that if the King would lift the stone first then he would lift it also The dwarf returned and told the King what his mother told him to say The king lifted the stone and the dwarf did the same The King was impressed and a little nervous and tested the dwarf for the rest of the day with other feats of strength Each time the King performed an act the dwarf was able to match it The King became enraged that he was being matched by a dwarf and told the dwarf that in one night he must build a house higher than any other in the city or he would be killed The dwarf again returned crying to his mother who told him to not lose hope and that he should go straight to bed The next morning the city awoke to see the Pyramid of the Dwarf in its finished state taller than any other building in the citynThe King saw this building from his palace and was again enraged He summoned the dwarf and ordered one final test of strength The dwarf had to collect two bundles of Cogoil wood a very strong and heavy wood and the king would break the wood over the head of the dwarf and after that the dwarf could have his turn to break the wood over the King&apos;s head The dwarf again ran to his mother for help She told him not to worry and placed an enchanted tortilla on his head for protection The trial was to be performed in front of all the great men of the city The King proceeded to break the whole of his bundle over the dwarfs head one stick at a time The King failed to injure the dwarf and then tried to bow out of his challenge In full view of the towns great men though he knew he had no choice but to go ahead and let the dwarf have his turn The second stick of the dwarfs bundle broke the Kings skull into pieces and he fell dead at the foot of the dwarf who was hailed as the new King (Ranney 80-1)&lt;/p&gt;</description>
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                <media:title>Pyramid of the Magician  Pyramid of the Sorcerer</media:title>
                <media:description>The name of the structure is derived from folk legends told by the indigenous Mayan people The age of these tales is unknown as is the Pre-Columbian name of the structure The tales exist in varied accounts concerning the construction of the Pyramid of the MagiciannAccording to one account a magician-god named Itzamna was single-handedly supposed to have erected the pyramid in one night using his might and magicnAnother tale holds that when a certain gong was to sound the city of Uxmal was destined to fall to a boy not born of woman The gong was struck one day by a dwarf that was born unto no mother but rather hatched from an egg by a childless old woman The sound of the gong struck fear into the citys ruler and the dwarf was ordered to be executed The ruler reconsidered the death sentence though and promised that the dwarfs life would be spared if he could perform three seemingly impossible tasks One of the tasks was to build a massive pyramid taller than any building in the city in a single night The dwarf ultimately completed all the tasks including the construction of the pyramid The dwarf was hailed as the new ruler of Uxmal and the structure was dedicated to himnA slightly different version of this tale is recounted by Hans Li in The Ancient Ones: Legend tells that this temple-pyramid was built by a powerful dwarf magician who was hatched from an egg by his mother Under a threat by an Uxmal king he was ordered to build this temple within a fortnight or else lose his life (82)nIn other surviving versions the old woman is portrayed as a witch or sorceress and the dwarf is a boy who magically reaches adulthood overnightnThe official legend as told to John Lloyd Stephens in 1840 by a local Maya native follows:nThere was an old woman who lived in a hut that was located on the exact spot where the finished pyramid now stands This old woman was a witch who one day went into mourning that she had no children One day she took an egg and wrapped it in cloth and placed it in a corner of her small hut Every day she went to look at the egg until one day it hatched and a small creature closely resembling a baby came from the enchanted eggnThe old woman was delighted and called the baby her son She provided it with a nurse and took good care of it so that within a year it was walking and talking like a man It stopped growing after a year and the old woman was very proud of her son and told him that one day he would be a great Lord or King One day she told her son to go the House of the Governor and challenge the King to a trial of strength The dwarf didn&apos;t want to go at first but the old woman insisted and so to see the King he went The guards let him in and he threw down his challenge to the King The King smiled and told the dwarf to lift a stone that weighed three arrobas (75 pounds) At this the dwarf cried and ran back to his mother The witch was wise and told her son to tell the King that if the King would lift the stone first then he would lift it also The dwarf returned and told the King what his mother told him to say The king lifted the stone and the dwarf did the same The King was impressed and a little nervous and tested the dwarf for the rest of the day with other feats of strength Each time the King performed an act the dwarf was able to match it The King became enraged that he was being matched by a dwarf and told the dwarf that in one night he must build a house higher than any other in the city or he would be killed The dwarf again returned crying to his mother who told him to not lose hope and that he should go straight to bed The next morning the city awoke to see the Pyramid of the Dwarf in its finished state taller than any other building in the citynThe King saw this building from his palace and was again enraged He summoned the dwarf and ordered one final test of strength The dwarf had to collect two bundles of Cogoil wood a very strong and heavy wood and the king would break the wood over the head of the dwarf and after that the dwarf could have his turn to break the wood over the King&apos;s head The dwarf again ran to his mother for help She told him not to worry and placed an enchanted tortilla on his head for protection The trial was to be performed in front of all the great men of the city The King proceeded to break the whole of his bundle over the dwarfs head one stick at a time The King failed to injure the dwarf and then tried to bow out of his challenge In full view of the towns great men though he knew he had no choice but to go ahead and let the dwarf have his turn The second stick of the dwarfs bundle broke the Kings skull into pieces and he fell dead at the foot of the dwarf who was hailed as the new King (Ranney 80-1)</media:description>
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            <pubDate>Mon, 11 May 2009 17:03:00 MDT</pubDate>
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            <title>grab your ownage bebo x</title>
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            <pubDate>Sun, 10 May 2009 17:05:00 MDT</pubDate>
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            <title>Old Shoes and No Shoes and New Shoes</title>
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            <pubDate>Sun, 10 May 2009 23:42:00 MDT</pubDate>
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            <pubDate>Thu, 10 Sep 2009 12:35:00 MDT</pubDate>
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            <pubDate>Sun, 10 May 2009 23:45:00 MDT</pubDate>
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            <pubDate>Mon, 11 May 2009 10:27:00 MDT</pubDate>
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            <pubDate>Wed, 13 May 2009 09:54:00 MDT</pubDate>
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            <pubDate>Fri, 8 May 2009 16:16:00 MDT</pubDate>
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            <pubDate>Fri, 8 May 2009 16:16:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 10:25:00 MDT</pubDate>
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            <pubDate>Thu, 11 Jun 2009 22:08:00 MDT</pubDate>
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            <pubDate>Wed, 27 May 2009 15:18:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 18:59:00 MDT</pubDate>
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            <pubDate>Sun, 10 May 2009 20:44:00 MDT</pubDate>
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            <pubDate>Sun, 10 May 2009 20:45:00 MDT</pubDate>
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            <pubDate>Fri, 9 Jul 2010 22:13:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 10:01:00 MDT</pubDate>
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                <media:title>Progress Report</media:title>
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            <pubDate>Sat, 5 May 2012 18:11:00 MDT</pubDate>
        </item>
        <item>
            <title>The Beginning</title>
            <link>http://s1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/?action=view&amp;current=Cover.jpg</link>
            <dc:creator>SarahHatake</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/?action=view&amp;current=Cover.jpg&quot; title=&quot;Cover.jpg&quot;&gt;&lt;img src=&quot;http://th1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/th_Cover.jpg&quot; alt=&quot;Cover.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;The Beginning - Cover.jpg&lt;/p&gt;&lt;p&gt;THIS IS MY DRAWING DO NOT USE IT AS A BASE So this is Cover for the First Chapter of Sushi&apos;s and mine story First of all I want to tell you that our story is happening many years AFTER Naruto&apos;s generation In our story all of the five great nations had been unite and made a one great force called Doumeigakure Doueigakure is country which is divided on five parts (those five parts are old five countries) and each of them has a named as AREA (For example Old Fire Country is named as the First Area Old Konoha is called the First Zone because the Great building of Shodai Jogi  First Master is in it) Some of the villages like Hoshigakure don&apos;t have new name in our story Those villages have only prefix Old Now let&apos;s say something about this Chapter: The Beginning is the name of the Chapter because it is about Sarah&apos;s return home For some reason she had a strong will to leave Konoha and go out to train and learn some new skills After two years of wandering through other villages and countries she came to Old Hoshigakure village There she will accidentally meet her old friend Sarah will start to fall in love with that boy she met again and she will promise him that she will stay with him in Hoshigakure But suddenly something changed Sarah needed to break a promise and leave him After a few weeks she will come back to First Zone and you will find out soon xD If you are interested in reading our story you will be able to find it on our deviantArt acc ChibiHxS when we translate it xD Oh yeah Cat on the pic is Sarah&apos;s pet Yoru and those eyes in the sky are from that boy xD Hope you like it xD Mysterious boy from Hoshi is Sushi&apos;s RPC others belong to me xD&lt;/p&gt;</description>
            <guid>http://i1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/Cover.jpg</guid>
            <enclosure type="image/jpeg" url="http://i1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/Cover.jpg" />
            <media:content medium="image" type="image/jpeg" url="http://i1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/Cover.jpg">
                <media:title>The Beginning</media:title>
                <media:description>THIS IS MY DRAWING DO NOT USE IT AS A BASE So this is Cover for the First Chapter of Sushi&apos;s and mine story First of all I want to tell you that our story is happening many years AFTER Naruto&apos;s generation In our story all of the five great nations had been unite and made a one great force called Doumeigakure Doueigakure is country which is divided on five parts (those five parts are old five countries) and each of them has a named as AREA (For example Old Fire Country is named as the First Area Old Konoha is called the First Zone because the Great building of Shodai Jogi  First Master is in it) Some of the villages like Hoshigakure don&apos;t have new name in our story Those villages have only prefix Old Now let&apos;s say something about this Chapter: The Beginning is the name of the Chapter because it is about Sarah&apos;s return home For some reason she had a strong will to leave Konoha and go out to train and learn some new skills After two years of wandering through other villages and countries she came to Old Hoshigakure village There she will accidentally meet her old friend Sarah will start to fall in love with that boy she met again and she will promise him that she will stay with him in Hoshigakure But suddenly something changed Sarah needed to break a promise and leave him After a few weeks she will come back to First Zone and you will find out soon xD If you are interested in reading our story you will be able to find it on our deviantArt acc ChibiHxS when we translate it xD Oh yeah Cat on the pic is Sarah&apos;s pet Yoru and those eyes in the sky are from that boy xD Hope you like it xD Mysterious boy from Hoshi is Sushi&apos;s RPC others belong to me xD</media:description>
                <media:thumbnail url="http://th1204.photobucket.com/albums/bb413/SarahHatake/Konoe%20Clan/Kotone%20Family/Main%20Female%20RPC%20-%20Sarah%20Konoe/th_Cover.jpg" />
            </media:content>
            <pubDate>Fri, 24 Aug 2012 05:45:00 MDT</pubDate>
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