New model with red hair 4 images on Photobucket

Model with red hair 4 Detail

JulieDonec — Tue, 8 Jun 2010 06:40:00 MDT

Model with red hair 4 Detail - Modelwithredhair4Detail.jpg

Fashion model red hair 4

princess21ssj — Fri, 7 May 2010 05:20:00 MDT

Fashion model red hair 4 - Fashionphotoshootamyadams4.png

Red hair

BlubblMichelle — Fri, 2 Mar 2012 08:39:00 MST

Red hair - 4.jpg

Model looking photo 4

Julz97 — Sun, 22 May 2011 07:59:00 MDT

Model looking photo 4 - DSC00672.jpg

this time on the grass

4 Degrees Design

TOXIICSAMII — Wed, 9 Dec 2009 02:24:00 MST

4 Degrees Design - scsml.jpg

VOGUE CHINA ABBEY LEE KERSHAW MODEL PINK HAIR DARK RED LIPS OVERSIZED BLACK MOTO LEATHER JACKET COUPLE EDITORIAL 4

lefashion — Tue, 3 Jul 2012 06:10:00 MDT

VOGUE CHINA ABBEY LEE KERSHAW MODEL PINK HAIR DARK RED LIPS OVERSIZED BLACK MOTO LEATHER JACKET COUPLE EDITORIAL 4 - VOGUECHINAABBEYLEEKERSHAWMODELPINKHAIRDARKREDLIPSOVERSIZEDBLACKMOTOLEATHERJACKETCOUPLEEDITORIAL4.png

Lydia Hearst 4

Rainy_Dreamer — Sat, 18 Sep 2010 15:06:00 MDT

Lydia Hearst 4 - LydiaHearst4.jpg

Model with red hair 4

JulieDonec — Tue, 8 Jun 2010 06:24:00 MDT

Model with red hair 4 - Modelwithredhair4.jpg

Here is the dead layer completed I've made the background darker with a small amount of lighter shade around the head and neck area to make it stand out a little more The next step is applying either opaque colour glazes or a combination of them both to lay in the colour I've left a fair amount of the penumbrabrowns showing through that I would like to keep notice also that the brush strokes are very loose I am thinking of a cool hued background and outfit putting warm hues on the face chest and hand areas to create a strong visual contrast

4 La belle Ferroneire glaze

JulieDonec — Wed, 2 Jun 2010 06:20:00 MDT

4 La belle Ferroneire glaze - 4LabelleFerroneire.jpg

The dead layer has been completed and now the colour has begun to be applied Note the amount of penumbra or earth-tone underpainting that is showing through the grays I like the warm undertones and using this technique each successive layer depends on previous layer in building up the formimage Use each layer to 'refine' the form developing it slowly and carefully You'll be surprised at how useful it becomes to use underpainting think of the colour as being the icing on the cake The underpainting is actually the cake the dead layer will contain all the information needed to describe the form minus highlights and possibly textures which are scumbledadded on later Very little effort is needed to complete the portrait after this stage as the major portion of the modelling is done The downside to this technique is that at this stage if you need major changes they may be difficult to accomplish In my image Model with Red Hair I've run into a major roadblock of having to remodel the forearm and hand This technique requires careful planning and is a stage by stage process which will present real difficulties in making major changes at this late stage