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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot; title=&quot;ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot; alt=&quot;ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Elvis Costello and the Attractions quotEvery Day I Play the Bootquot Vinyl Record - ROCK-LP-ElvisCostelloEvereryDayIPla.jpg&lt;/p&gt;&lt;p&gt;When Elvis Costello&apos;s first record was released in 1977 his bristling cynicism and anger linked him with the punk and new wave explosion A cursory listen to My Aim Is True proves that the main connection that Costello had with the punks was his unbridled passion He tore through rock&apos;s back pages taking whatever he wanted as well as borrowing from country Tin Pan Alley pop reggae and many other musical genres Over his career that musical eclecticism has distinguished Costello&apos;s records as much as his fiercely literate lyrics Because he supports his lyrics with his richly diverse music Costello is one of the most innovative influential and best songwriters since Bob DylannnThe son of British bandleader Ross McManus Costello (born Declan McManus) worked as a computer programmer during the early &apos;70s performing under the name DP Costello in various folk clubs In 1976 he became the leader of country-rock group Flip City During this time he recorded several demo tapes of his original material with the intention of landing a record contract A copy of these tapes made its way to Jake Riviera one of the heads of the fledgling independent record label Stiff Riviera signed Costello to Stiff as a solo artist in 1977 the singersongwriter adopted the name Elvis Costello at this time taking his first name from Elvis Presley and his last name from his mother&apos;s maiden namennWith former Brinsley Schwarz bassist Nick Lowe producing Costello began recording his debut album with the American band Clover providing support Less Than Zero the first single released from these sessions appeared in April of 1977 The single failed to chart as did its follow-up Alison which was released the following month By the summer of 1977 Costello&apos;s permanent backing band had been assembled Featuring bassist Bruce Thomas keyboardist Steve Nieve and drummer Pete Thomas (no relation to Bruce) the group was named the Attractions they made their live debut in July of 1977nnMy Aim Is True his debut album was released in the summer of 1977 to positive reviews the album climbed to number 14 on the British charts but it wasn&apos;t released on his American label Columbia Records until later in the year Along with Nick Lowe Ian Dury and Wreckless Eric Costello participated in the Stiffs Live package tour in the fall At the end of the year Jake Riviera split from Stiff Records to form Radar Records taking Costello and Lowe with him Costello&apos;s last single for Stiff the reggae-inflected Watching the Detectives became his first hit climbing to number 15 at the end of the yearnnThis Year&apos;s Model Costello&apos;s first album recorded with the Attractions was released in the spring of 1978 A rawer harder-rocking record than My Aim Is True This Year&apos;s Model was also a bigger hit reaching number four in Britain and number 30 in America Released the following year Armed Forces was a more ambitious and musically diverse album than either of his previous records It was another hit reaching number two in the UK and cracking the Top Ten in the US Oliver&apos;s Army the first single from the album also peaked at number two in Britain none of the singles from Armed Forces charted in America In the summer of 1979 he produced the self-titled debut album by the Specials the leaders of the ska revival movementnnIn February of 1980 the soul-influenced Get Happy was released it was the first record on Riviera&apos;s new record label F-Beat Get Happy was another hit peaking at number two in Britain and number 11 in America Later that year two collections of B-sides singles and outtakes called Taking Liberties was released in America in Britain a similar album called Ten Bloody Marys  Ten How&apos;s Your Fathers appeared as a cassette-only release complete with different tracks than the American versionnnCostello and the Attractions released Trust in early 1981 it was his fifth album in a row produced by Nick Lowe Trust debuted at number nine in the British charts and worked its way into the Top 30 in the US During the spring of 1981 Costello and the Attractions began recording an album of country covers with famed Nashville producer Billy Sherrill who recorded hit records for George Jones and Charlie Rich among others The resulting album Almost Blue was released at the end of the year to mixed reviews although the single A Good Year for the Roses was a British Top Ten hitnnCostello&apos;s next album Imperial Bedroom (1982) was an ambitious set of lushly arranged pop produced by Geoff Emerick who engineered several of the Beatles&apos; most acclaimed albums Imperial Bedroom received some of his best reviews yet it failed to yield a Top 40 hit in either England or America the album did debut at number six in the UK For 1983&apos;s Punch the Clock Costello worked with Clive Langer and Alan Winstanley who were responsible for several of the biggest British hits in the early &apos;80s The collaboration proved commercially successful as the album peaked at number three in the UK (number 24 in the US) and the single Everyday I Write the Book cracked the Top 40 in both Britain and America Costello tried to replicate the success of Punch the Clock with his next record 1984&apos;s Goodbye Cruel World but the album was a commercial and critical failurennAfter the release of Goodbye Cruel World Costello embarked on his first solo tour in the summer of 1984 Costello was relatively inactive during 1985 releasing only one new single (The People&apos;s Limousine a collaboration with singersongwriter T-Bone Burnett released under the name the Coward Brothers) and producing Rum Sodomy and the Lash the second album by the punk-folk band the Pogues Both projects were indications that he was moving toward a stripped-down folky approach and 1986&apos;s King of America confirmed that suspicion Recorded without the Attractions and released under the name the Costello Show King of America was essentially a country-folk album and it received the best reviews of any album he had recorded since Imperial Bedroom It was followed at the end of the year by the edgy Blood and Chocolate a reunion with the Attractions and producer Nick Lowe Costello would not record another album with the Attractions until 1994nnDuring 1987 Costello negotiated a new worldwide record contract with Warner Bros Records and began a songwriting collaboration with Paul McCartney Two years later he released Spike the most musically diverse collection he had ever recorded Spike featured the first appearance of songs written by Costello and McCartney including the single Veronica Veronica became his biggest American hit peaking at number 19 Two years later he released Mighty Like a Rose which echoed Spike in its diversity yet it was a darker more challenging record In 1993 Costello collaborated with the Brodsky Quartet on The Juliet Letters a song cycle that was the songwriter&apos;s first attempt at classical music he also wrote an entire album for former Transvision Vamp singer Wendy James called Now Ain&apos;t the Time for Your Tears That same year Costello licensed the rights to his pre-1987 catalog (My Aim Is True to Blood and Chocolate) to Rykodisc in AmericannCostello reunited with the Attractions to record the majority of 1994&apos;s Brutal Youth the most straightforward and pop-oriented album he had recorded since Goodbye Cruel World The Attractions backed Costello on a worldwide tour in 1994 and played concerts with him throughout 1995 In 1995 he released his long-shelved collection of covers Kojak Variety In the spring of 1996 Costello released All This Useless Beauty which featured a number of original songs he had given to other artists but never recorded himself Painted from Memory a collaboration with the legendary Burt Bacharach followed in 1998nnThe album was a success critically but it only succeeded in foreign markets outside of their home countries of the United States and Britain A jazz version of the record made with Bill Frisell was put on hold when Costello&apos;s label began to freeze up due to political maneuvering Undaunted Costello and Bacharach hit the road and performed in the States and Europe Then after Bacharach left Costello added Steve Nieve to the tour and traveled around the world on what they dubbed the Lonely World Tour This took them into 1999 where both Notting Hill and Austin Powers: The Spy Who Shagged Me featured significant contributions from Costello In fact he appeared with Bacharach in the latter as a pair of Carnaby Street musicians albeit street musicians with a gorgeous grand piano at their disposalnnContinuing his tour with Nieve he began singing the last song with a microphone forcing the audience to sit in complete silence as he usually performed Couldn&apos;t Call It Unexpected No 4 with nothing but his dulcet baritone filling the auditorium After the record company&apos;s various mergers ended Costello found himself on Universal Records and he tested their promotional abilities with a second greatest-hits record (The Very Best of Elvis Costello) The label promoted the album strongly making it a hit in his native Britain Unfortunately they also made it clear that they had no intention of giving a new album the same promotional push leaving him to venture into other fields as he awaited the end of his record contract His first project was an album of pop standards performed with Anne Sofie Von Otter which included a few songs originally written by Costello The album came out in March of 2001 on the Deutsche Grammophon label and it neatly coincided with the extensive re-release of his entire catalog up to 1996 under Rhino Records Each disc included an extra CD of rare material and liner notes written by Costello making them incredible treats for fansnnIn 2001 he found himself with a residency at UCLA where he performed several concerts and was instrumental in teaching music during the year He also began work on a self-produced album that featured Pete Thomas and Nieve -- now billed as a band called the Imposters -- entitled When I Was Cruel and the album finally saw release on Island Records in the spring of 2002 at the end of the year he released a collection of B-sides and leftovers from the album&apos;s sessions entitled Cruel SmilennWhen I Was Cruel kicked off another productive era for the ever prolific Costello In 2003 he returned with North a collection of classically styled pop songs pitched halfway between Gershwin and Sondheim The next year he collaborated with his new wife Diana Krall on her first collection of original material The Girl in the Other Room That fall Costello released two albums of original material: a classical work entitled Il Sogno and the concept album The Delivery Man a rock  roll record cut with the Imposters My Flame Burns Blue from 2006 was a live album with Costello fronting the 52-piece jazz orchestra the Metropole Orkest On the album classic Costello songs with new orchestral arrangements appeared alongside new compositions and a performance of the entire Il Sogno The River in Reverse a collaboration with RB legend Allen Toussaint arrived in 2006 followed by Momofuku credited to Elvis Costello  the Imposters in 2008 from Lost Highway&lt;/p&gt;</description>
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                <media:title>Elvis Costello and the Attractions quotEvery Day I Play the Bootquot Vinyl Record</media:title>
                <media:description>When Elvis Costello&apos;s first record was released in 1977 his bristling cynicism and anger linked him with the punk and new wave explosion A cursory listen to My Aim Is True proves that the main connection that Costello had with the punks was his unbridled passion He tore through rock&apos;s back pages taking whatever he wanted as well as borrowing from country Tin Pan Alley pop reggae and many other musical genres Over his career that musical eclecticism has distinguished Costello&apos;s records as much as his fiercely literate lyrics Because he supports his lyrics with his richly diverse music Costello is one of the most innovative influential and best songwriters since Bob DylannnThe son of British bandleader Ross McManus Costello (born Declan McManus) worked as a computer programmer during the early &apos;70s performing under the name DP Costello in various folk clubs In 1976 he became the leader of country-rock group Flip City During this time he recorded several demo tapes of his original material with the intention of landing a record contract A copy of these tapes made its way to Jake Riviera one of the heads of the fledgling independent record label Stiff Riviera signed Costello to Stiff as a solo artist in 1977 the singersongwriter adopted the name Elvis Costello at this time taking his first name from Elvis Presley and his last name from his mother&apos;s maiden namennWith former Brinsley Schwarz bassist Nick Lowe producing Costello began recording his debut album with the American band Clover providing support Less Than Zero the first single released from these sessions appeared in April of 1977 The single failed to chart as did its follow-up Alison which was released the following month By the summer of 1977 Costello&apos;s permanent backing band had been assembled Featuring bassist Bruce Thomas keyboardist Steve Nieve and drummer Pete Thomas (no relation to Bruce) the group was named the Attractions they made their live debut in July of 1977nnMy Aim Is True his debut album was released in the summer of 1977 to positive reviews the album climbed to number 14 on the British charts but it wasn&apos;t released on his American label Columbia Records until later in the year Along with Nick Lowe Ian Dury and Wreckless Eric Costello participated in the Stiffs Live package tour in the fall At the end of the year Jake Riviera split from Stiff Records to form Radar Records taking Costello and Lowe with him Costello&apos;s last single for Stiff the reggae-inflected Watching the Detectives became his first hit climbing to number 15 at the end of the yearnnThis Year&apos;s Model Costello&apos;s first album recorded with the Attractions was released in the spring of 1978 A rawer harder-rocking record than My Aim Is True This Year&apos;s Model was also a bigger hit reaching number four in Britain and number 30 in America Released the following year Armed Forces was a more ambitious and musically diverse album than either of his previous records It was another hit reaching number two in the UK and cracking the Top Ten in the US Oliver&apos;s Army the first single from the album also peaked at number two in Britain none of the singles from Armed Forces charted in America In the summer of 1979 he produced the self-titled debut album by the Specials the leaders of the ska revival movementnnIn February of 1980 the soul-influenced Get Happy was released it was the first record on Riviera&apos;s new record label F-Beat Get Happy was another hit peaking at number two in Britain and number 11 in America Later that year two collections of B-sides singles and outtakes called Taking Liberties was released in America in Britain a similar album called Ten Bloody Marys  Ten How&apos;s Your Fathers appeared as a cassette-only release complete with different tracks than the American versionnnCostello and the Attractions released Trust in early 1981 it was his fifth album in a row produced by Nick Lowe Trust debuted at number nine in the British charts and worked its way into the Top 30 in the US During the spring of 1981 Costello and the Attractions began recording an album of country covers with famed Nashville producer Billy Sherrill who recorded hit records for George Jones and Charlie Rich among others The resulting album Almost Blue was released at the end of the year to mixed reviews although the single A Good Year for the Roses was a British Top Ten hitnnCostello&apos;s next album Imperial Bedroom (1982) was an ambitious set of lushly arranged pop produced by Geoff Emerick who engineered several of the Beatles&apos; most acclaimed albums Imperial Bedroom received some of his best reviews yet it failed to yield a Top 40 hit in either England or America the album did debut at number six in the UK For 1983&apos;s Punch the Clock Costello worked with Clive Langer and Alan Winstanley who were responsible for several of the biggest British hits in the early &apos;80s The collaboration proved commercially successful as the album peaked at number three in the UK (number 24 in the US) and the single Everyday I Write the Book cracked the Top 40 in both Britain and America Costello tried to replicate the success of Punch the Clock with his next record 1984&apos;s Goodbye Cruel World but the album was a commercial and critical failurennAfter the release of Goodbye Cruel World Costello embarked on his first solo tour in the summer of 1984 Costello was relatively inactive during 1985 releasing only one new single (The People&apos;s Limousine a collaboration with singersongwriter T-Bone Burnett released under the name the Coward Brothers) and producing Rum Sodomy and the Lash the second album by the punk-folk band the Pogues Both projects were indications that he was moving toward a stripped-down folky approach and 1986&apos;s King of America confirmed that suspicion Recorded without the Attractions and released under the name the Costello Show King of America was essentially a country-folk album and it received the best reviews of any album he had recorded since Imperial Bedroom It was followed at the end of the year by the edgy Blood and Chocolate a reunion with the Attractions and producer Nick Lowe Costello would not record another album with the Attractions until 1994nnDuring 1987 Costello negotiated a new worldwide record contract with Warner Bros Records and began a songwriting collaboration with Paul McCartney Two years later he released Spike the most musically diverse collection he had ever recorded Spike featured the first appearance of songs written by Costello and McCartney including the single Veronica Veronica became his biggest American hit peaking at number 19 Two years later he released Mighty Like a Rose which echoed Spike in its diversity yet it was a darker more challenging record In 1993 Costello collaborated with the Brodsky Quartet on The Juliet Letters a song cycle that was the songwriter&apos;s first attempt at classical music he also wrote an entire album for former Transvision Vamp singer Wendy James called Now Ain&apos;t the Time for Your Tears That same year Costello licensed the rights to his pre-1987 catalog (My Aim Is True to Blood and Chocolate) to Rykodisc in AmericannCostello reunited with the Attractions to record the majority of 1994&apos;s Brutal Youth the most straightforward and pop-oriented album he had recorded since Goodbye Cruel World The Attractions backed Costello on a worldwide tour in 1994 and played concerts with him throughout 1995 In 1995 he released his long-shelved collection of covers Kojak Variety In the spring of 1996 Costello released All This Useless Beauty which featured a number of original songs he had given to other artists but never recorded himself Painted from Memory a collaboration with the legendary Burt Bacharach followed in 1998nnThe album was a success critically but it only succeeded in foreign markets outside of their home countries of the United States and Britain A jazz version of the record made with Bill Frisell was put on hold when Costello&apos;s label began to freeze up due to political maneuvering Undaunted Costello and Bacharach hit the road and performed in the States and Europe Then after Bacharach left Costello added Steve Nieve to the tour and traveled around the world on what they dubbed the Lonely World Tour This took them into 1999 where both Notting Hill and Austin Powers: The Spy Who Shagged Me featured significant contributions from Costello In fact he appeared with Bacharach in the latter as a pair of Carnaby Street musicians albeit street musicians with a gorgeous grand piano at their disposalnnContinuing his tour with Nieve he began singing the last song with a microphone forcing the audience to sit in complete silence as he usually performed Couldn&apos;t Call It Unexpected No 4 with nothing but his dulcet baritone filling the auditorium After the record company&apos;s various mergers ended Costello found himself on Universal Records and he tested their promotional abilities with a second greatest-hits record (The Very Best of Elvis Costello) The label promoted the album strongly making it a hit in his native Britain Unfortunately they also made it clear that they had no intention of giving a new album the same promotional push leaving him to venture into other fields as he awaited the end of his record contract His first project was an album of pop standards performed with Anne Sofie Von Otter which included a few songs originally written by Costello The album came out in March of 2001 on the Deutsche Grammophon label and it neatly coincided with the extensive re-release of his entire catalog up to 1996 under Rhino Records Each disc included an extra CD of rare material and liner notes written by Costello making them incredible treats for fansnnIn 2001 he found himself with a residency at UCLA where he performed several concerts and was instrumental in teaching music during the year He also began work on a self-produced album that featured Pete Thomas and Nieve -- now billed as a band called the Imposters -- entitled When I Was Cruel and the album finally saw release on Island Records in the spring of 2002 at the end of the year he released a collection of B-sides and leftovers from the album&apos;s sessions entitled Cruel SmilennWhen I Was Cruel kicked off another productive era for the ever prolific Costello In 2003 he returned with North a collection of classically styled pop songs pitched halfway between Gershwin and Sondheim The next year he collaborated with his new wife Diana Krall on her first collection of original material The Girl in the Other Room That fall Costello released two albums of original material: a classical work entitled Il Sogno and the concept album The Delivery Man a rock  roll record cut with the Imposters My Flame Burns Blue from 2006 was a live album with Costello fronting the 52-piece jazz orchestra the Metropole Orkest On the album classic Costello songs with new orchestral arrangements appeared alongside new compositions and a performance of the entire Il Sogno The River in Reverse a collaboration with RB legend Allen Toussaint arrived in 2006 followed by Momofuku credited to Elvis Costello  the Imposters in 2008 from Lost Highway</media:description>
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            <pubDate>Mon, 11 May 2009 01:21:00 MDT</pubDate>
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            <title>Jordan Carver</title>
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            <dc:creator>sameasb4</dc:creator>
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                <media:title>Jordan Carver</media:title>
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            <pubDate>Mon, 5 Mar 2012 15:58:00 MST</pubDate>
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            <title>Song From Secret GardenPage 1</title>
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            <dc:creator>onggiadaukho6569</dc:creator>
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            <pubDate>Thu, 22 Nov 2012 03:35:00 MST</pubDate>
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            <title>Day 01 - A Picture of y0ur self with ten Facts1 I Have 6 cats2Emily Weaver  is my best freind3 I only Have a Sister And A Brother 4 My 2 favorite  colors Are Green And Orange5Favorite food is  Ramen Noodles 6I love to play piano</title>
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                <media:title>Day 01 - A Picture of y0ur self with ten Facts1 I Have 6 cats2Emily Weaver  is my best freind3 I only Have a Sister And A Brother 4 My 2 favorite  colors Are Green And Orange5Favorite food is  Ramen Noodles 6I love to play piano</media:title>
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            <pubDate>Sat, 16 Jun 2012 17:40:00 MDT</pubDate>
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            <title>Piano Eye</title>
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            <dc:creator>Mr_Pohls_Demon</dc:creator>
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            <pubDate>Tue, 12 Oct 2010 02:48:00 MDT</pubDate>
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            <title>piano keyboard</title>
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            <pubDate>Tue, 23 Nov 2010 08:18:00 MST</pubDate>
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            <title>Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=JAZZ-LpMilesDavisKindOfBlue.jpg&quot; title=&quot;JAZZ-LpMilesDavisKindOfBlue.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_JAZZ-LpMilesDavisKindOfBlue.jpg&quot; alt=&quot;JAZZ-LpMilesDavisKindOfBlue.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP - JAZZ-LpMilesDavisKindOfBlue.jpg&lt;/p&gt;&lt;p&gt;Kind of Blue isn&apos;t merely an artistic highlight for Miles Davis it&apos;s an album that towers above its peers a record generally considered as the definitive jazz album a universally acknowledged standard of excellence Why does Kind of Blue posses such a mystique Perhaps because this music never flaunts its genius It lures listeners in with the slow luxurious bassline and gentle piano chords of So What From that moment on the record never really changes pace -- each tune has a similar relaxed feel as the music flows easily Yet Kind of Blue is more than easy listening It&apos;s the pinnacle of modal jazz -- tonality and solos build from the overall key not chord changes giving the music a subtly shifting quality All of this doesn&apos;t quite explain why seasoned jazz fans return to this record even after they&apos;ve memorized every nuance They return because this is an exceptional band -- Miles Coltrane Bill Evans Cannonball Adderley Paul Chambers Jimmy Cobb -- one of the greatest in history playing at the peak of its power As Evans said in the original liner notes for the record the band did not play through any of these pieces prior to recording Davis laid out the themes before the tape rolled and then the band improvised The end results were wondrous and still crackle with vitality Kind of Blue works on many different levels It can be played as background music yet it amply rewards close listening It is advanced music that is extraordinarily enjoyable It may be a stretch to say that if you don&apos;t like Kind of Blue you don&apos;t like jazz -- but it&apos;s hard to imagine it as anything other than a cornerstone of any jazz collectionnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday  Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis  Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm  Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles  Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means&lt;/p&gt;</description>
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                <media:title>Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP</media:title>
                <media:description>Kind of Blue isn&apos;t merely an artistic highlight for Miles Davis it&apos;s an album that towers above its peers a record generally considered as the definitive jazz album a universally acknowledged standard of excellence Why does Kind of Blue posses such a mystique Perhaps because this music never flaunts its genius It lures listeners in with the slow luxurious bassline and gentle piano chords of So What From that moment on the record never really changes pace -- each tune has a similar relaxed feel as the music flows easily Yet Kind of Blue is more than easy listening It&apos;s the pinnacle of modal jazz -- tonality and solos build from the overall key not chord changes giving the music a subtly shifting quality All of this doesn&apos;t quite explain why seasoned jazz fans return to this record even after they&apos;ve memorized every nuance They return because this is an exceptional band -- Miles Coltrane Bill Evans Cannonball Adderley Paul Chambers Jimmy Cobb -- one of the greatest in history playing at the peak of its power As Evans said in the original liner notes for the record the band did not play through any of these pieces prior to recording Davis laid out the themes before the tape rolled and then the band improvised The end results were wondrous and still crackle with vitality Kind of Blue works on many different levels It can be played as background music yet it amply rewards close listening It is advanced music that is extraordinarily enjoyable It may be a stretch to say that if you don&apos;t like Kind of Blue you don&apos;t like jazz -- but it&apos;s hard to imagine it as anything other than a cornerstone of any jazz collectionnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday  Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis  Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm  Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles  Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means</media:description>
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            <pubDate>Mon, 11 May 2009 01:21:00 MDT</pubDate>
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            <pubDate>Sun, 10 Jun 2012 17:18:00 MDT</pubDate>
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            <title>Piano keyboard image</title>
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            <dc:creator>pianojg</dc:creator>
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            <pubDate>Mon, 11 May 2009 03:25:00 MDT</pubDate>
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        <item>
            <title>Street Envy</title>
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            <dc:creator>jjlove765</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s270.photobucket.com/albums/jj85/jjlove765/?action=view&amp;current=JAELOVE.jpg&quot; title=&quot;JAELOVE.jpg&quot;&gt;&lt;img src=&quot;http://th270.photobucket.com/albums/jj85/jjlove765/th_JAELOVE.jpg&quot; alt=&quot;JAELOVE.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Street Envy - JAELOVE.jpg&lt;/p&gt;&lt;p&gt;Jae Love Was born and raised in the Bedstuy section of Brooklyn New York  He always dwelled a passion for music ever since his mother conceived him  He began his enthusiastic love for music as a musician  Jae Love Started out as a Tenor Saxophone player at Junior High school which is very first instrument n   n nWhen he stepped foot in High School he was a shy innocent teenager and also a band geek  His talent as a horn player was amazing his freshman year he started out in the Senior Wind Ensemble(Which is for juniors and seniors)  One day a chorus teacher realized his talent as a horn player and said I could really use you for the chorus because you are an excellent talent  young musician Besides we sing your type of Music And then she asked him can you sing  Jae Love was a very bashful young man at the time and said  There only one way to find out n n nSo the chorus teacher brought him to the piano and went over some vocal exercises with him When he started singing she could not believe that evolution of raw talent could evolve within a blank of an eye  At the tender age of 15 he was blessed with his voice and began singing in his Church choir Which indeed is a gift from GodEver since God gas blessed him with his talent for music he has grown into Gospel and RB His choir song at the Hammerstein Ball room on numerous occasions n n  nHis influences are Luthor Vandross (because Jae Love believe that his voice is powerful and wise) Tyler Perry(because he is ambitious humble   intelligent with a vision and any various artist(because tremendous talent is within when he understand the business he will be successful) Jae Love is very eclectic with old and new music Throughout his years in High School as a bandchorus member he began to sing leads and ended up playing  piano  He sang at train stations day cares centers and even at homeless shelters  He then realize he does because he loves to do it and in order to survive wealth should not be the priority  n n nDuring his senior year in HS  He began taking his vocals to another level He started making business cards and networking his talents By performing at weddings sweet sixteens talent show competitions etc  One prime example is his most recent show Amature Night at The Apollo and he was even bold enough to travel all the way the Philadelphia to audition for American Idol  He also has production skills in terms of making beats especially with the piano  Jae Love has you tube videos of him singing while playing th piano at the same time He sold beats to reggae artist as well as hip hop artist He was offered production deals many times but he had higher expectations His writing skills are proficient but wishes to strengthen them with the write direction He has won numerous competitions he even had AR Producers like Adel who is currently working with frank Lucass son wanting to develop him as an artist   n n nSuccess as an artist and as a musician is Jae Loves goal in life as well as a career and to settle for nothing less He is now ready any challenges and obstacles that are soon to come his way  Jae Love quotes  My Lord and Savior Jesus Christ fortunately led me in the right path so now im living a positive life He is a part of a extremely supported team filled with talented artist Street Envy Who are Lethal Spud Luv and Jay Terror These people change his life and has also inspired him to take music to another level  He strongly believe that his music can change people Touch them emotionally mentally and physically  Which will definitely catch young people as well as the old attention  My Grandmothers as well as my mother believe in me as long is that is true he quotesHis life will be circled in triumphant He feels when he receives his Rich and fame  all the poor will be rich and the homeless will be sheltered whether if its by financial needs or by music n nHe believes in The Great Secret of Life which Law Of Attraction which you and anyone who believes anything is possible and that your mind transpires without negation what so ever  This philosophy is carrying him to greatness which will someday lead to success(Next RB King)  He has faith and dignity and feels no one can take it away To his family supporters and his fans he truly indeed Luvs and hope that they you will keep him your thoughts without anything that is not positive as long is that complete he will grant you great music  His Greatest Fear is not that he is inadequate but he is powerful beyond measure One Luv  n nJae Love The future of RB&lt;/p&gt;</description>
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                <media:description>Jae Love Was born and raised in the Bedstuy section of Brooklyn New York  He always dwelled a passion for music ever since his mother conceived him  He began his enthusiastic love for music as a musician  Jae Love Started out as a Tenor Saxophone player at Junior High school which is very first instrument n   n nWhen he stepped foot in High School he was a shy innocent teenager and also a band geek  His talent as a horn player was amazing his freshman year he started out in the Senior Wind Ensemble(Which is for juniors and seniors)  One day a chorus teacher realized his talent as a horn player and said I could really use you for the chorus because you are an excellent talent  young musician Besides we sing your type of Music And then she asked him can you sing  Jae Love was a very bashful young man at the time and said  There only one way to find out n n nSo the chorus teacher brought him to the piano and went over some vocal exercises with him When he started singing she could not believe that evolution of raw talent could evolve within a blank of an eye  At the tender age of 15 he was blessed with his voice and began singing in his Church choir Which indeed is a gift from GodEver since God gas blessed him with his talent for music he has grown into Gospel and RB His choir song at the Hammerstein Ball room on numerous occasions n n  nHis influences are Luthor Vandross (because Jae Love believe that his voice is powerful and wise) Tyler Perry(because he is ambitious humble   intelligent with a vision and any various artist(because tremendous talent is within when he understand the business he will be successful) Jae Love is very eclectic with old and new music Throughout his years in High School as a bandchorus member he began to sing leads and ended up playing  piano  He sang at train stations day cares centers and even at homeless shelters  He then realize he does because he loves to do it and in order to survive wealth should not be the priority  n n nDuring his senior year in HS  He began taking his vocals to another level He started making business cards and networking his talents By performing at weddings sweet sixteens talent show competitions etc  One prime example is his most recent show Amature Night at The Apollo and he was even bold enough to travel all the way the Philadelphia to audition for American Idol  He also has production skills in terms of making beats especially with the piano  Jae Love has you tube videos of him singing while playing th piano at the same time He sold beats to reggae artist as well as hip hop artist He was offered production deals many times but he had higher expectations His writing skills are proficient but wishes to strengthen them with the write direction He has won numerous competitions he even had AR Producers like Adel who is currently working with frank Lucass son wanting to develop him as an artist   n n nSuccess as an artist and as a musician is Jae Loves goal in life as well as a career and to settle for nothing less He is now ready any challenges and obstacles that are soon to come his way  Jae Love quotes  My Lord and Savior Jesus Christ fortunately led me in the right path so now im living a positive life He is a part of a extremely supported team filled with talented artist Street Envy Who are Lethal Spud Luv and Jay Terror These people change his life and has also inspired him to take music to another level  He strongly believe that his music can change people Touch them emotionally mentally and physically  Which will definitely catch young people as well as the old attention  My Grandmothers as well as my mother believe in me as long is that is true he quotesHis life will be circled in triumphant He feels when he receives his Rich and fame  all the poor will be rich and the homeless will be sheltered whether if its by financial needs or by music n nHe believes in The Great Secret of Life which Law Of Attraction which you and anyone who believes anything is possible and that your mind transpires without negation what so ever  This philosophy is carrying him to greatness which will someday lead to success(Next RB King)  He has faith and dignity and feels no one can take it away To his family supporters and his fans he truly indeed Luvs and hope that they you will keep him your thoughts without anything that is not positive as long is that complete he will grant you great music  His Greatest Fear is not that he is inadequate but he is powerful beyond measure One Luv  n nJae Love The future of RB</media:description>
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            <pubDate>Mon, 11 May 2009 10:46:00 MDT</pubDate>
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        <item>
            <title>Steve at the piano in Rendezvous</title>
            <link>http://s727.photobucket.com/albums/ww273/Cymro1953/Adriatic%20Explorer%20on%20Majesty%20Sept%202012/Majesty%20Pics/?action=view&amp;current=20120926_011507.jpg</link>
            <dc:creator>Cymro1953</dc:creator>
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            <pubDate>Sun, 30 Sep 2012 13:51:00 MDT</pubDate>
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        <item>
            <title>piano klavier</title>
            <link>http://s925.photobucket.com/albums/ad92/paars/Decorated%20gif/?action=view&amp;current=0_501c9_a751eb13_L.png</link>
            <dc:creator>paars</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s925.photobucket.com/albums/ad92/paars/Decorated%20gif/?action=view&amp;current=0_501c9_a751eb13_L.png&quot; title=&quot;0_501c9_a751eb13_L.png&quot;&gt;&lt;img src=&quot;http://th925.photobucket.com/albums/ad92/paars/Decorated%20gif/th_0_501c9_a751eb13_L.png&quot; alt=&quot;0_501c9_a751eb13_L.png&quot; /&gt;&lt;/a&gt;&lt;br&gt;piano klavier - 0_501c9_a751eb13_L.png&lt;/p&gt;</description>
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            <pubDate>Wed, 26 Jan 2011 15:06:00 MST</pubDate>
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        <item>
            <title>Piano Moving</title>
            <link>http://s799.photobucket.com/albums/yy280/oldupright/Funny%20Pics/?action=view&amp;current=Piano-Tuning-Parkville-MO-003.jpg</link>
            <dc:creator>oldupright</dc:creator>
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            <pubDate>Wed, 6 Jun 2012 06:31:00 MDT</pubDate>
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        <item>
            <title>Steve at the piano in Polo Club</title>
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            <dc:creator>Cymro1953</dc:creator>
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            <pubDate>Sun, 30 Sep 2012 05:42:00 MDT</pubDate>
        </item>
        <item>
            <title>Anime Girl Silver Piano With Audience</title>
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            <dc:creator>Beta-Maxis</dc:creator>
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                <media:title>Anime Girl Silver Piano With Audience</media:title>
                <media:description>A character in one of the stories I&apos;ll eventually finish and post on http:wwwdeviantartcom same user name This one is only superficially different from the other by way of me being in it (I make no attempt to hide the fact that I&apos;m thea main character in all my stories and am usually the narrator) I can still use it in the story though and to great effect I believe I believe I&apos;m the first and only one to unite all these six pics together but please feel free to prove me wrong</media:description>
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            <pubDate>Mon, 3 Sep 2012 19:58:00 MDT</pubDate>
        </item>
        <item>
            <title>piano</title>
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            <dc:creator>argoll</dc:creator>
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            <pubDate>Sat, 9 May 2009 12:04:00 MDT</pubDate>
        </item>
        <item>
            <title>IRON MAIDEN</title>
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            <dc:creator>obalo1951</dc:creator>
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                <media:title>IRON MAIDEN</media:title>
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            <pubDate>Mon, 3 May 2010 11:51:00 MDT</pubDate>
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        <item>
            <title>piano background</title>
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            <dc:creator>candylover0302</dc:creator>
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            <pubDate>Tue, 23 Feb 2010 19:27:00 MST</pubDate>
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        <item>
            <title>Paul amp David&apos;s Bastille Party 08</title>
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            <title>Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; title=&quot;JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; alt=&quot;JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove - JAZZ-LpMilesDavisCollectorsItem-1.jpg&lt;/p&gt;&lt;p&gt;This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There&apos;s No You It&apos;s classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means&lt;/p&gt;</description>
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                <media:title>Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove</media:title>
                <media:description>This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There&apos;s No You It&apos;s classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means</media:description>
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            <pubDate>Mon, 11 May 2009 01:21:00 MDT</pubDate>
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        <item>
            <title>Stanley Clarke Journey To Love</title>
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            <dc:creator>Dennieaa</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s30.photobucket.com/albums/c331/Dennieaa/?action=view&amp;current=StanleyClarkeJourneyToLove.jpg&quot; title=&quot;StanleyClarkeJourneyToLove.jpg&quot;&gt;&lt;img src=&quot;http://th30.photobucket.com/albums/c331/Dennieaa/th_StanleyClarkeJourneyToLove.jpg&quot; alt=&quot;StanleyClarkeJourneyToLove.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Stanley Clarke Journey To Love - StanleyClarkeJourneyToLove.jpg&lt;/p&gt;&lt;p&gt;1975 Nemperor Records   Take the Perfect Path June 6 2010 nBy  nJAB - See all my reviews n(TOP 500 REVIEWER)    nThis review is from: Journey to Love (Audio CD) nAs fusion began to take a tight grip around the music industry - and elbow its way onto FM rock playlists and earn grudging slots in jazz formats - many young artists demonstrated the motivation and energy to hack out of the trail paved by Miles Davis and find their own way n nIn arguably the finest solo effort from Stanley Clarke an all-star lineup - that includes Jeff Beck John McLaughlin Chick Corea Lenny White Jon Faddis George Duke Steve Gadd David Sancious and Tom Bones Malone - bolsters the punch from the six tracks that clock in at nearly 40 minutes n nThe 14:25 of Concerto for JazzRock Orchestra Parts 1-4 is as impressive a composition ever penned by Clarke and captures the meticulous artistry of the jazzrock sound Beck propels the title cut and struts with hot licks on Hello Jeff The two-part tribute to John Coltrane - Song to John Part 1 and Part 2 - has the sweet canvas painted by the touching acoustic piano of Corea and acoustic guitar of McLaughlin Silly Putty is a slick kick-off with Clarke seizing the spotlight n nHaving the backing of Columbia Records - which was heavily promoting jazz artists during this era - certainly didn&apos;t hurt but the quality of this album would have found the turntables of top reviewers and fans even if it was only available by mail order  nAll tracks composed by Stanley Clarke except where indicated n n    Silly Putty (4:52) n    Journey to Love (4:52) n    Hello Jeff (5:16) n    Song to John Part 1 (Clarke Corea) (4:22) n    Song to John Part 2 (Clarke Corea) (6:09) n    Concerto for JazzRock Orchestra Parts 1-4 (14:25)&lt;/p&gt;</description>
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                <media:description>1975 Nemperor Records   Take the Perfect Path June 6 2010 nBy  nJAB - See all my reviews n(TOP 500 REVIEWER)    nThis review is from: Journey to Love (Audio CD) nAs fusion began to take a tight grip around the music industry - and elbow its way onto FM rock playlists and earn grudging slots in jazz formats - many young artists demonstrated the motivation and energy to hack out of the trail paved by Miles Davis and find their own way n nIn arguably the finest solo effort from Stanley Clarke an all-star lineup - that includes Jeff Beck John McLaughlin Chick Corea Lenny White Jon Faddis George Duke Steve Gadd David Sancious and Tom Bones Malone - bolsters the punch from the six tracks that clock in at nearly 40 minutes n nThe 14:25 of Concerto for JazzRock Orchestra Parts 1-4 is as impressive a composition ever penned by Clarke and captures the meticulous artistry of the jazzrock sound Beck propels the title cut and struts with hot licks on Hello Jeff The two-part tribute to John Coltrane - Song to John Part 1 and Part 2 - has the sweet canvas painted by the touching acoustic piano of Corea and acoustic guitar of McLaughlin Silly Putty is a slick kick-off with Clarke seizing the spotlight n nHaving the backing of Columbia Records - which was heavily promoting jazz artists during this era - certainly didn&apos;t hurt but the quality of this album would have found the turntables of top reviewers and fans even if it was only available by mail order  nAll tracks composed by Stanley Clarke except where indicated n n    Silly Putty (4:52) n    Journey to Love (4:52) n    Hello Jeff (5:16) n    Song to John Part 1 (Clarke Corea) (4:22) n    Song to John Part 2 (Clarke Corea) (6:09) n    Concerto for JazzRock Orchestra Parts 1-4 (14:25)</media:description>
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            <pubDate>Thu, 14 Apr 2011 19:50:00 MDT</pubDate>
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            <title>Happy Bithday Piano</title>
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            <pubDate>Thu, 22 Nov 2012 08:13:00 MST</pubDate>
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            <title>Piano Keys Background 1280x1024</title>
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            <dc:creator>richierichga</dc:creator>
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            <pubDate>Sun, 10 May 2009 10:16:00 MDT</pubDate>
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            <title>Addison Alayna-Rayne Hudson</title>
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                <media:description>The second triplet to Sean and Alanna Whenever Alanna grows up to an adult she has her and her two sisters Her nickname is Addie and she&apos;s half witch half demon and half immortal just like Maddie Addison is the flirty one She flirts with every guy she see&apos;s She&apos;s a daddy&apos;s girl spoiled rotten by her father Sean She acts JUST like him down to doing stupid and idiotic things She&apos;s also Sean&apos;s sport buddy loving to watch football with him She&apos;s GREAT at playing the guitar and piano and loves it Not only does she act like her father she looks EXACTLY like him too The only thing she got from her mother was her demonwitch part Acts just like her daddy looks exactly like him and is a daddy&apos;s girl</media:description>
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            <pubDate>Wed, 13 Jun 2012 01:54:00 MDT</pubDate>
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            <title>Piano Bar</title>
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            <pubDate>Sat, 10 Oct 2009 15:06:00 MDT</pubDate>
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            <title>piano anime</title>
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            <dc:creator>Gudza</dc:creator>
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            <pubDate>Fri, 21 Aug 2009 12:38:00 MDT</pubDate>
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            <title>rainbow piano keys</title>
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            <pubDate>Mon, 11 May 2009 12:08:00 MDT</pubDate>
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            <pubDate>Thu, 29 Oct 2009 07:09:00 MDT</pubDate>
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            <pubDate>Tue, 19 Jun 2012 06:41:00 MDT</pubDate>
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            <title>hand hammered piano craft</title>
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            <pubDate>Thu, 21 Jun 2012 09:47:00 MDT</pubDate>
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            <pubDate>Tue, 16 Feb 2010 00:59:00 MST</pubDate>
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            <title>Forever-Stratovarius 1</title>
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            <pubDate>Wed, 27 Jan 2010 11:40:00 MST</pubDate>
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            <pubDate>Tue, 23 Oct 2012 08:43:00 MDT</pubDate>
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            <pubDate>Sat, 25 Jul 2009 13:21:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 02:20:00 MDT</pubDate>
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            <pubDate>Sat, 16 Jan 2010 20:36:00 MST</pubDate>
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            <pubDate>Sun, 10 May 2009 16:51:00 MDT</pubDate>
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            <pubDate>Sat, 9 May 2009 10:12:00 MDT</pubDate>
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            <pubDate>Tue, 16 Oct 2012 06:49:00 MDT</pubDate>
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            <title>Piano in Field</title>
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            <pubDate>Sun, 23 Aug 2009 13:07:00 MDT</pubDate>
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            <title>Nemo - Renzo Piano</title>
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            <pubDate>Mon, 14 Dec 2009 14:06:00 MST</pubDate>
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            <title>The Professionals Inc</title>
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            <pubDate>Tue, 2 Feb 2010 23:56:00 MST</pubDate>
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            <pubDate>Sat, 9 May 2009 10:25:00 MDT</pubDate>
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            <pubDate>Sun, 10 May 2009 18:43:00 MDT</pubDate>
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            <pubDate>Mon, 11 May 2009 01:57:00 MDT</pubDate>
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            <pubDate>Thu, 31 Jan 2013 14:09:00 MST</pubDate>
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        <item>
            <title>Bluto Piano Man</title>
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            <dc:creator>ctlftr</dc:creator>
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            <pubDate>Tue, 19 Jun 2012 13:01:00 MDT</pubDate>
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        <item>
            <title>Piano Bar  Jockey Club Campinas</title>
            <link>http://s891.photobucket.com/albums/ac114/cooletivo/?action=view&amp;current=PianoBarJockeyClube.jpg</link>
            <dc:creator>cooletivo</dc:creator>
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            <pubDate>Tue, 9 Mar 2010 00:27:00 MST</pubDate>
        </item>
        <item>
            <title>piano woman</title>
            <link>http://s1131.photobucket.com/albums/m560/angelord1/?action=view&amp;current=FQ.jpg</link>
            <dc:creator>angelord1</dc:creator>
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            <pubDate>Fri, 15 Jun 2012 01:22:00 MDT</pubDate>
        </item>
        <item>
            <title>KPN - Renzo Piano</title>
            <link>http://s802.photobucket.com/albums/yy303/blogcitio/ARQUITECTURA%20MUNDIAL/?action=view&amp;current=RenzoPiano-KPN4.jpg</link>
            <dc:creator>blogcitio</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s802.photobucket.com/albums/yy303/blogcitio/ARQUITECTURA%20MUNDIAL/?action=view&amp;current=RenzoPiano-KPN4.jpg&quot; title=&quot;RenzoPiano-KPN4.jpg&quot;&gt;&lt;img src=&quot;http://th802.photobucket.com/albums/yy303/blogcitio/ARQUITECTURA%20MUNDIAL/th_RenzoPiano-KPN4.jpg&quot; alt=&quot;RenzoPiano-KPN4.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;KPN - Renzo Piano - RenzoPiano-KPN4.jpg&lt;/p&gt;&lt;p&gt;Rotterdam Holanda 2000&lt;/p&gt;</description>
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            <pubDate>Sun, 20 Dec 2009 15:51:00 MST</pubDate>
        </item>
        <item>
            <title>The Professionals Inc</title>
            <link>http://s923.photobucket.com/albums/ad72/ChicagoMovers/?action=view&amp;current=newtruck001.jpg</link>
            <dc:creator>ChicagoMovers</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s923.photobucket.com/albums/ad72/ChicagoMovers/?action=view&amp;current=newtruck001.jpg&quot; title=&quot;newtruck001.jpg&quot;&gt;&lt;img src=&quot;http://th923.photobucket.com/albums/ad72/ChicagoMovers/th_newtruck001.jpg&quot; alt=&quot;newtruck001.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;The Professionals Inc - newtruck001.jpg&lt;/p&gt;&lt;p&gt;Chicago moving company located in Chicago IL: Professional moving company for Chicago moving offering bonded moving specialists for residential moving and commercial moving to Chicagoland IL local moving in Chicago or moving from Chicago to the suburbs Chicago business movers and city-to-city Chicago residential movers provides free estimates of moving prices and moving service rates including furniture and piano move quotes Read our reviews http:wwwthepromovecom&lt;/p&gt;</description>
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                <media:title>The Professionals Inc</media:title>
                <media:description>Chicago moving company located in Chicago IL: Professional moving company for Chicago moving offering bonded moving specialists for residential moving and commercial moving to Chicagoland IL local moving in Chicago or moving from Chicago to the suburbs Chicago business movers and city-to-city Chicago residential movers provides free estimates of moving prices and moving service rates including furniture and piano move quotes Read our reviews http:wwwthepromovecom</media:description>
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            <pubDate>Tue, 2 Feb 2010 23:56:00 MST</pubDate>
        </item>
        <item>
            <title>piano and rose</title>
            <link>http://s690.photobucket.com/albums/vv270/lizabet92/?action=view&amp;current=PianoRose.jpg</link>
            <dc:creator>lizabet92</dc:creator>
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            <pubDate>Sat, 22 Aug 2009 11:43:00 MDT</pubDate>
        </item>
        <item>
            <title>Piano and Guitar Shaped Buildings</title>
            <link>http://s794.photobucket.com/albums/yy228/jade95_2010/RANDOMNESS/?action=view&amp;current=42-Piano-shaped-building.jpg</link>
            <dc:creator>jade95_2010</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s794.photobucket.com/albums/yy228/jade95_2010/RANDOMNESS/?action=view&amp;current=42-Piano-shaped-building.jpg&quot; title=&quot;42-Piano-shaped-building.jpg&quot;&gt;&lt;img src=&quot;http://th794.photobucket.com/albums/yy228/jade95_2010/RANDOMNESS/th_42-Piano-shaped-building.jpg&quot; alt=&quot;42-Piano-shaped-building.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Piano and Guitar Shaped Buildings - 42-Piano-shaped-building.jpg&lt;/p&gt;</description>
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            <pubDate>Mon, 13 Aug 2012 14:40:00 MDT</pubDate>
        </item>
        <item>
            <title>750Baht Used Vtech Discovery Tree</title>
            <link>http://s1161.photobucket.com/albums/q507/sellertoys/Toys/?action=view&amp;current=IMG_3007_zps31245d27.jpg</link>
            <dc:creator>sellertoys</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1161.photobucket.com/albums/q507/sellertoys/Toys/?action=view&amp;current=IMG_3007_zps31245d27.jpg&quot; title=&quot;IMG_3007_zps31245d27.jpg&quot;&gt;&lt;img src=&quot;http://th1161.photobucket.com/albums/q507/sellertoys/Toys/th_IMG_3007_zps31245d27.jpg&quot; alt=&quot;IMG_3007_zps31245d27.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;750Baht Used Vtech Discovery Tree - IMG_3007_zps31245d27.jpg&lt;/p&gt;&lt;p&gt;Hours of learning fun for your child with the VTech Discovery tree This talking interactive tree house has pop-up characters and children can play and learn numbers letters colours and animals Pop the 5 friendly characters into the top of the tree and watch them spin and slide their way down to the bottom Apple buttons on the tree add extra fun and learning Teaches numbers letters and colours Each ball changes the mode and curriculum accordingly Magic piano keys at the bottom for music fun&lt;/p&gt;</description>
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                <media:title>750Baht Used Vtech Discovery Tree</media:title>
                <media:description>Hours of learning fun for your child with the VTech Discovery tree This talking interactive tree house has pop-up characters and children can play and learn numbers letters colours and animals Pop the 5 friendly characters into the top of the tree and watch them spin and slide their way down to the bottom Apple buttons on the tree add extra fun and learning Teaches numbers letters and colours Each ball changes the mode and curriculum accordingly Magic piano keys at the bottom for music fun</media:description>
                <media:thumbnail url="http://th1161.photobucket.com/albums/q507/sellertoys/Toys/th_IMG_3007_zps31245d27.jpg" />
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            <pubDate>Tue, 25 Sep 2012 10:42:00 MDT</pubDate>
        </item>
        <item>
            <title>Rachel playing Piano</title>
            <link>http://s1264.photobucket.com/albums/jj482/Jstreen/China/China%202012-2013/?action=view&amp;current=Kindergaten6_zpsb64b42be.jpg</link>
            <dc:creator>Jstreen</dc:creator>
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            <pubDate>Wed, 10 Oct 2012 10:29:00 MDT</pubDate>
        </item>
        <item>
            <title>Anime Girl Silver Piano</title>
            <link>http://s998.photobucket.com/albums/af107/Beta-Maxis/?action=view&amp;current=AnimeGirlPiano.jpg</link>
            <dc:creator>Beta-Maxis</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s998.photobucket.com/albums/af107/Beta-Maxis/?action=view&amp;current=AnimeGirlPiano.jpg&quot; title=&quot;AnimeGirlPiano.jpg&quot;&gt;&lt;img src=&quot;http://th998.photobucket.com/albums/af107/Beta-Maxis/th_AnimeGirlPiano.jpg&quot; alt=&quot;AnimeGirlPiano.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Anime Girl Silver Piano - AnimeGirlPiano.jpg&lt;/p&gt;&lt;p&gt;A character in one of the stories I&apos;ll eventually finish and post on http:wwwdeviantartcom same user name Yet another pic I ran into a few times before thinking of a use This one only took a scant few times before I decided to use it though you could say this one has more inspiration in it&lt;/p&gt;</description>
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                <media:title>Anime Girl Silver Piano</media:title>
                <media:description>A character in one of the stories I&apos;ll eventually finish and post on http:wwwdeviantartcom same user name Yet another pic I ran into a few times before thinking of a use This one only took a scant few times before I decided to use it though you could say this one has more inspiration in it</media:description>
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            <pubDate>Mon, 3 Sep 2012 19:58:00 MDT</pubDate>
        </item>
        <item>
            <title>7.png</title>
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            <dc:creator>rseipp914</dc:creator>
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            <pubDate>Sat, 16 Jan 2010 20:36:00 MST</pubDate>
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        <item>
            <title>3-1.png</title>
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            <dc:creator>rseipp914</dc:creator>
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            <pubDate>Sat, 16 Jan 2010 20:35:00 MST</pubDate>
        </item>
        <item>
            <title>Host Family in Malton North Yorkshire United Kingdom</title>
            <link>http://s1157.photobucket.com/albums/p589/xilfee/?action=view&amp;current=HostFamilyinMaltonNorthYorkshireUnitedKingdom.jpg</link>
            <dc:creator>xilfee</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1157.photobucket.com/albums/p589/xilfee/?action=view&amp;current=HostFamilyinMaltonNorthYorkshireUnitedKingdom.jpg&quot; title=&quot;HostFamilyinMaltonNorthYorkshireUnitedKingdom.jpg&quot;&gt;&lt;img src=&quot;http://th1157.photobucket.com/albums/p589/xilfee/th_HostFamilyinMaltonNorthYorkshireUnitedKingdom.jpg&quot; alt=&quot;HostFamilyinMaltonNorthYorkshireUnitedKingdom.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Host Family in Malton North Yorkshire United Kingdom - HostFamilyinMaltonNorthYorkshireUnitedKingdom.jpg&lt;/p&gt;&lt;p&gt;I am a CELTA qualified very friendly and enthusiastic teacher with experience in managing an English class of 15 students Im dedicated to fulfilling specific learning needs with a creative student centred approach and I value having a personal friendly and caring rapport with my studentsMy parents and I live in a stunning 6 bedroom late Victorian house in the charming North Yorkshire town Malton The top floor is a self contained flat (including 2 bedrooms a bathroom a kitchen and a very spacious living room that can be used as a classroom study and private living area for the students) My mother is a DELTA qualified EFL Teacher and examiner with 12 years of experience and my father works away from home Monday - Friday We are a very close and sociable familyAs a family we love playing listening and going to watch live music Before I was an English teacher I was a professional musician I play drums and piano and I DJ We live in the country side in North Yorkshire where we like to go walking and cycling but I regularly go to the historic city of York or the metropolitan city Leeds to enjoy city attrations day and night and to visit friends There is a train station within walking distance of our house so students can be independant if they want to be I eat meat but my famiy are vegetarian so vegetarians will be catered for Expect a warm welcome and a memorable stayStudent accomodation:- Ensuit bathroom- Large private study living area- Large garden- Luxurious very spacious house&lt;/p&gt;</description>
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                <media:description>I am a CELTA qualified very friendly and enthusiastic teacher with experience in managing an English class of 15 students Im dedicated to fulfilling specific learning needs with a creative student centred approach and I value having a personal friendly and caring rapport with my studentsMy parents and I live in a stunning 6 bedroom late Victorian house in the charming North Yorkshire town Malton The top floor is a self contained flat (including 2 bedrooms a bathroom a kitchen and a very spacious living room that can be used as a classroom study and private living area for the students) My mother is a DELTA qualified EFL Teacher and examiner with 12 years of experience and my father works away from home Monday - Friday We are a very close and sociable familyAs a family we love playing listening and going to watch live music Before I was an English teacher I was a professional musician I play drums and piano and I DJ We live in the country side in North Yorkshire where we like to go walking and cycling but I regularly go to the historic city of York or the metropolitan city Leeds to enjoy city attrations day and night and to visit friends There is a train station within walking distance of our house so students can be independant if they want to be I eat meat but my famiy are vegetarian so vegetarians will be catered for Expect a warm welcome and a memorable stayStudent accomodation:- Ensuit bathroom- Large private study living area- Large garden- Luxurious very spacious house</media:description>
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            <pubDate>Thu, 14 Jun 2012 08:31:00 MDT</pubDate>
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        <item>
            <title>Chicago Moving Company: The Professionals Inc</title>
            <link>http://s923.photobucket.com/albums/ad72/ChicagoMovers/?action=view&amp;current=newtruck016.jpg</link>
            <dc:creator>ChicagoMovers</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s923.photobucket.com/albums/ad72/ChicagoMovers/?action=view&amp;current=newtruck016.jpg&quot; title=&quot;newtruck016.jpg&quot;&gt;&lt;img src=&quot;http://th923.photobucket.com/albums/ad72/ChicagoMovers/th_newtruck016.jpg&quot; alt=&quot;newtruck016.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Chicago Moving Company: The Professionals Inc - newtruck016.jpg&lt;/p&gt;&lt;p&gt;Chicago moving company in Chicago IL Professional bonded moving specialists for residential  business moving to Chicago moving in Chicago and moving from Chicago Free estimates Read our reviews http:wwwthepromovecom&lt;/p&gt;</description>
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                <media:title>Chicago Moving Company: The Professionals Inc</media:title>
                <media:description>Chicago moving company in Chicago IL Professional bonded moving specialists for residential  business moving to Chicago moving in Chicago and moving from Chicago Free estimates Read our reviews http:wwwthepromovecom</media:description>
                <media:thumbnail url="http://th923.photobucket.com/albums/ad72/ChicagoMovers/th_newtruck016.jpg" />
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            <pubDate>Tue, 2 Feb 2010 23:56:00 MST</pubDate>
        </item>
        <item>
            <title>Piano</title>
            <link>http://s161.photobucket.com/albums/t205/xXCayla_marieXx/Music/?action=view&amp;current=piano.png</link>
            <dc:creator>xXCayla_marieXx</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s161.photobucket.com/albums/t205/xXCayla_marieXx/Music/?action=view&amp;current=piano.png&quot; title=&quot;piano.png&quot;&gt;&lt;img src=&quot;http://th161.photobucket.com/albums/t205/xXCayla_marieXx/Music/th_piano.png&quot; alt=&quot;piano.png&quot; /&gt;&lt;/a&gt;&lt;br&gt;Piano - piano.png&lt;/p&gt;</description>
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            <pubDate>Sat, 9 May 2009 18:48:00 MDT</pubDate>
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        <item>
            <title>piano</title>
            <link>http://s1249.photobucket.com/albums/hh511/alcutta/?action=view&amp;current=piano-1.jpg</link>
            <dc:creator>alcutta</dc:creator>
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            <pubDate>Mon, 11 Jun 2012 04:03:00 MDT</pubDate>
        </item>
        <item>
            <title>cake</title>
            <link>http://s102.photobucket.com/albums/m92/leftintherain/?action=view&amp;current=Grand_Piano_Cake.jpg</link>
            <dc:creator>leftintherain</dc:creator>
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            <pubDate>Tue, 28 Sep 2010 14:05:00 MDT</pubDate>
        </item>
        <item>
            <title>Hello Kitty Grand Piano Christmas Melody Card</title>
            <link>http://s1143.photobucket.com/albums/n623/missgirliegirl/?action=view&amp;current=IMG_4009_small.jpg</link>
            <dc:creator>missgirliegirl</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1143.photobucket.com/albums/n623/missgirliegirl/?action=view&amp;current=IMG_4009_small.jpg&quot; title=&quot;IMG_4009_small.jpg&quot;&gt;&lt;img src=&quot;http://th1143.photobucket.com/albums/n623/missgirliegirl/th_IMG_4009_small.jpg&quot; alt=&quot;IMG_4009_small.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Hello Kitty Grand Piano Christmas Melody Card - IMG_4009_small.jpg&lt;/p&gt;&lt;p&gt;Hello Kitty Grand Piano Christmas Melody Card - 16 Christmas Melodies Pop Up 3D Decorative Christmas Card -Order Now Miss Girlie Girlcomhttp:wwwmissgirliegirlcomHelloKittyGrandPianoChristmasMelodyCardplmc20xmhtmAmazoncomhttp:wwwamazoncomgpproductB009LELXHU&lt;/p&gt;</description>
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                <media:title>Hello Kitty Grand Piano Christmas Melody Card</media:title>
                <media:description>Hello Kitty Grand Piano Christmas Melody Card - 16 Christmas Melodies Pop Up 3D Decorative Christmas Card -Order Now Miss Girlie Girlcomhttp:wwwmissgirliegirlcomHelloKittyGrandPianoChristmasMelodyCardplmc20xmhtmAmazoncomhttp:wwwamazoncomgpproductB009LELXHU</media:description>
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            <pubDate>Tue, 9 Oct 2012 07:14:00 MDT</pubDate>
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        <item>
            <title>Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card</title>
            <link>http://s1143.photobucket.com/albums/n623/missgirliegirl/?action=view&amp;current=XmasPiano2_small.jpg</link>
            <dc:creator>missgirliegirl</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1143.photobucket.com/albums/n623/missgirliegirl/?action=view&amp;current=XmasPiano2_small.jpg&quot; title=&quot;XmasPiano2_small.jpg&quot;&gt;&lt;img src=&quot;http://th1143.photobucket.com/albums/n623/missgirliegirl/th_XmasPiano2_small.jpg&quot; alt=&quot;XmasPiano2_small.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card - XmasPiano2_small.jpg&lt;/p&gt;&lt;p&gt;Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card Order Now http:wwwmissgirliegirlcomBabyGrandPianoChristmasMelodyCardplmc19xmhtm&lt;/p&gt;</description>
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                <media:title>Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card</media:title>
                <media:description>Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card Order Now http:wwwmissgirliegirlcomBabyGrandPianoChristmasMelodyCardplmc19xmhtm</media:description>
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            <pubDate>Tue, 9 Oct 2012 07:14:00 MDT</pubDate>
        </item>
        <item>
            <title>Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card</title>
            <link>http://s1143.photobucket.com/albums/n623/missgirliegirl/?action=view&amp;current=XmasPiano_small.jpg</link>
            <dc:creator>missgirliegirl</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1143.photobucket.com/albums/n623/missgirliegirl/?action=view&amp;current=XmasPiano_small.jpg&quot; title=&quot;XmasPiano_small.jpg&quot;&gt;&lt;img src=&quot;http://th1143.photobucket.com/albums/n623/missgirliegirl/th_XmasPiano_small.jpg&quot; alt=&quot;XmasPiano_small.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card - XmasPiano_small.jpg&lt;/p&gt;&lt;p&gt;Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card Order Now http:wwwmissgirliegirlcomBabyGrandPianoChristmasMelodyCardplmc19xmhtm&lt;/p&gt;</description>
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                <media:title>Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card</media:title>
                <media:description>Baby Grand Piano Christmas Melody Pop Up Greeting Card - 16 Christmas Melodies - Pop Up Decorative Christmas Card Order Now http:wwwmissgirliegirlcomBabyGrandPianoChristmasMelodyCardplmc19xmhtm</media:description>
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            <pubDate>Tue, 9 Oct 2012 07:14:00 MDT</pubDate>
        </item>
        <item>
            <title>Violet Hill Page 2</title>
            <link>http://s112.photobucket.com/albums/n173/KoFLink926/Violet%20Hill%20Piano%20Sheet%20Music/?action=view&amp;current=VioletHillPage2.jpg</link>
            <dc:creator>KoFLink926</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s112.photobucket.com/albums/n173/KoFLink926/Violet%20Hill%20Piano%20Sheet%20Music/?action=view&amp;current=VioletHillPage2.jpg&quot; title=&quot;VioletHillPage2.jpg&quot;&gt;&lt;img src=&quot;http://th112.photobucket.com/albums/n173/KoFLink926/Violet%20Hill%20Piano%20Sheet%20Music/th_VioletHillPage2.jpg&quot; alt=&quot;VioletHillPage2.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Violet Hill Page 2 - VioletHillPage2.jpg&lt;/p&gt;&lt;p&gt;Note: Violet Hill is a song done by Coldplay All the Violet Hill piano sheet music posted was arranged by Adrian also known as 0AdRiaNleE0 on youtube All I did was put it on sheet music The sheet music may not be 100 accurate&lt;/p&gt;</description>
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                <media:description>Note: Violet Hill is a song done by Coldplay All the Violet Hill piano sheet music posted was arranged by Adrian also known as 0AdRiaNleE0 on youtube All I did was put it on sheet music The sheet music may not be 100 accurate</media:description>
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            <pubDate>Tue, 12 May 2009 08:30:00 MDT</pubDate>
        </item>
        <item>
            <title>Turtle slow jam</title>
            <link>http://s45.photobucket.com/albums/f100/KEFENEX/KAFEIN/?action=view&amp;current=turtle-piano.gif</link>
            <dc:creator>KEFENEX</dc:creator>
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            <pubDate>Sat, 9 May 2009 11:17:00 MDT</pubDate>
        </item>
        <item>
            <title>tobias dances and buster plays piano</title>
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            <dc:creator>edibility</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s557.photobucket.com/albums/ss15/edibility/?action=view&amp;current=tobiasdancesandbusterplayspiano.gif&quot; title=&quot;tobiasdancesandbusterplayspiano.gif&quot;&gt;&lt;img src=&quot;http://th557.photobucket.com/albums/ss15/edibility/th_tobiasdancesandbusterplayspiano.gif&quot; alt=&quot;tobiasdancesandbusterplayspiano.gif&quot; /&gt;&lt;/a&gt;&lt;br&gt;tobias dances and buster plays piano - tobiasdancesandbusterplayspiano.gif&lt;/p&gt;</description>
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            <pubDate>Thu, 30 Jul 2009 07:15:00 MDT</pubDate>
        </item>
        <item>
            <title>Chicago Moving Company: The Professionals Inc</title>
            <link>http://s923.photobucket.com/albums/ad72/ChicagoMovers/?action=view&amp;current=newtruck025-1.jpg</link>
            <dc:creator>ChicagoMovers</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s923.photobucket.com/albums/ad72/ChicagoMovers/?action=view&amp;current=newtruck025-1.jpg&quot; title=&quot;newtruck025-1.jpg&quot;&gt;&lt;img src=&quot;http://th923.photobucket.com/albums/ad72/ChicagoMovers/th_newtruck025-1.jpg&quot; alt=&quot;newtruck025-1.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Chicago Moving Company: The Professionals Inc - newtruck025-1.jpg&lt;/p&gt;&lt;p&gt;Chicago moving company located in Chicago IL: Professional moving company for Chicago moving offering bonded moving specialists for residential moving and commercial moving to Chicagoland IL local moving in Chicago or moving from Chicago to the suburbs Chicago business movers and city-to-city Chicago residential movers provides free estimates of moving prices and moving service rates including furniture and piano move quotes Read our reviews http:wwwthepromovecom&lt;/p&gt;</description>
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                <media:description>Chicago moving company located in Chicago IL: Professional moving company for Chicago moving offering bonded moving specialists for residential moving and commercial moving to Chicagoland IL local moving in Chicago or moving from Chicago to the suburbs Chicago business movers and city-to-city Chicago residential movers provides free estimates of moving prices and moving service rates including furniture and piano move quotes Read our reviews http:wwwthepromovecom</media:description>
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            <pubDate>Tue, 2 Feb 2010 23:56:00 MST</pubDate>
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        <item>
            <title>Memory sketch of piano</title>
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            <dc:creator>MushiMushi_XD</dc:creator>
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            <pubDate>Mon, 11 May 2009 23:27:00 MDT</pubDate>
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        <item>
            <title>Life And Piano</title>
            <link>http://s1126.photobucket.com/albums/l613/Mochatshirt/?action=view&amp;current=Photo092.jpg</link>
            <dc:creator>Mochatshirt</dc:creator>
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            <pubDate>Tue, 19 Jun 2012 14:36:00 MDT</pubDate>
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            <pubDate>Tue, 10 Jul 2012 06:15:00 MDT</pubDate>
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            <pubDate>Mon, 11 Jun 2012 01:33:00 MDT</pubDate>
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            <title>2.png</title>
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            <pubDate>Sat, 16 Jan 2010 20:36:00 MST</pubDate>
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            <title>11.png</title>
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            <pubDate>Sat, 16 Jan 2010 20:22:00 MST</pubDate>
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            <title>Forever-Stratovarius 4</title>
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            <pubDate>Wed, 27 Jan 2010 11:41:00 MST</pubDate>
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            <title>piano</title>
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            <pubDate>Mon, 18 Jun 2012 02:04:00 MDT</pubDate>
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            <title>amore</title>
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            <pubDate>Tue, 31 Jul 2012 09:24:00 MDT</pubDate>
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            <title>Call 2 piano</title>
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            <pubDate>Wed, 22 Aug 2012 22:10:00 MDT</pubDate>
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            <title>Piano Love</title>
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            <pubDate>Sun, 16 May 2010 03:54:00 MDT</pubDate>
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            <title>music-piano</title>
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            <pubDate>Mon, 11 Jun 2012 00:53:00 MDT</pubDate>
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            <title>music-piano</title>
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            <pubDate>Mon, 11 Jun 2012 00:53:00 MDT</pubDate>
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            <title>Piano Merengue</title>
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            <pubDate>Sun, 7 Nov 2010 18:04:00 MST</pubDate>
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            <title>Piano background</title>
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            <pubDate>Sun, 1 Nov 2009 11:58:00 MST</pubDate>
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            <title>broken piano</title>
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            <pubDate>Mon, 7 Sep 2009 14:54:00 MDT</pubDate>
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            <title>Forever-Stratovarius 3</title>
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            <pubDate>Wed, 27 Jan 2010 11:40:00 MST</pubDate>
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        <item>
            <title>The Professionals Inc</title>
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