A feed of new images for this search term http://photobucket.com/images/spider+man+the+musical?filter=newest Wed, 22 May 2013 12:28:45 MDT Photobucket feed generator en-us 60 http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&current=ROCK-LP-DavidBowieChangesOne.jpg foxmusic <p><a href="http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&current=ROCK-LP-DavidBowieChangesOne.jpg" title="ROCK-LP-DavidBowieChangesOne.jpg"><img src="http://th242.photobucket.com/albums/ff59/foxmusic/th_ROCK-LP-DavidBowieChangesOne.jpg" alt="ROCK-LP-DavidBowieChangesOne.jpg" /></a><br>David Bowie quotChanges Onequot Vinyl LP - ROCK-LP-DavidBowieChangesOne.jpg</p><p>The clich about David Bowie says he's a musical chameleon adapting himself according to fashion and trends While such a criticism is too glib there's no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the '70s After spending several years in the late '60s as a mod and as an all-around music-hall entertainer Bowie reinvented himself as a hippie singersongwriter Prior to his breakthrough in 1972 he recorded a proto-metal record and a poprock album eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona Ziggy made Bowie an international star yet he wasn't content to continue to churn out glitter rock By the mid-'70s he developed an effete sophisticated version of Philly soul that he dubbed plastic soul which eventually morphed into the eerie avant-pop of 1976's Station to Station Shortly afterward he relocated to Berlin where he recorded three experimental electronic albums with Brian Eno At the dawn of the '80s Bowie was still at the height of his powers yet following his blockbuster dance-pop album Let's Dance in 1983 he slowly sank into mediocrity before salvaging his career in the early '90s Even when he was out of fashion in the '80s and '90s it was clear that Bowie was one of the most influential musicians in rock for better and for worse Each one of his phases in the '70s sparked a number of subgenres including punk new wave goth rock the new romantics and electronica Few rockers ever had such lasting impactnnDavid Jones began performing music when he was 13 years old learning the saxophone while he was at Bromley Technical High School another pivotal event happened at the school when his left pupil became permanently dilated in a schoolyard fight Following his graduation at 16 he worked as a commercial artist while playing saxophone in a number of mod bands including the King Bees the Manish Boys (which also featured Jimmy Page as a session man) and Davey Jones the Lower Third All three of those bands released singles which were generally ignored yet he continued performing changing his name to David Bowie in 1966 after the Monkees' Davy Jones became an international star Over the course of 1966 he released three mod singles on Pye Records which were all ignored The following year he signed with Deram releasing the music hall Anthony Newley-styled David Bowie that year Upon completing the record he spent several weeks in a Scottish Buddhist monastery Once he left the monastery he studied with Lindsay Kemp's mime troupe forming his own mime company the Feathers in 1969 The Feathers were short-lived and he formed the experimental art group Beckenham Arts Lab in 1969nnBowie needed to finance the Arts Lab so he signed with Mercury Records that year and released Man of Words Man of Music a trippy singersongwriter album featuring Space Oddity The song was released as a single and became a major hit in the UK convincing Bowie to concentrate on music Hooking up with his old friend Marc Bolan he began miming at some of Bolan's T Rex concerts eventually touring with Bolan bassistproducer Tony Visconti guitarist Mick Ronson and drummer Cambridge as Hype The band quickly fell apart yet Bowie and Ronson remained close working on the material that formed Bowie's next album The Man Who Sold the World as well as recruiting Michael Woody Woodmansey as their drummer Produced by Tony Visconti who also played bass The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention Bowie followed the album in late 1971 with the poprock Hunky Dory an album that featured Ronson and keyboardist Rick WakemannnFollowing the release of Hunky Dory Bowie began to develop his most famous incarnation Ziggy Stardust: an androgynous bisexual rock star from another planet Before he unveiled Ziggy Bowie claimed in a January 1972 interview with the Melody Maker that he was gay helping to stir interest in his forthcoming album Taking cues from Bolan's stylish glam rock Bowie dyed his hair orange and began wearing women's clothing He began calling himself Ziggy Stardust and his backing band -- Ronson Woodmansey and bassist Trevor Bolder -- were the Spiders from Mars The Rise Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972 The album and its lavish theatrical concerts became a sensation throughout England and it helped him become the only glam rocker to carve out a niche in America Ziggy Stardust became a word-of-mouth hit in the US and the re-released Space Oddity -- which was now also the title of the re-released Man of Words Man of Music -- reached the American Top 20 Bowie quickly followed Ziggy with Aladdin Sane later in 1973 Not only did he record a new album that year but he also produced Lou Reed's Transformer the Stooges' Raw Power and Mott the Hoople's comeback All the Young Dudes for which he also wrote the title tracknnGiven the amount of work Bowie packed into 1972 and 1973 it wasn't surprising that his relentless schedule began to catch up with him After recording the all-covers Pin-Ups with the Spiders from Mars he unexpectedly announced the band's breakup as well as his retirement from live performances during the group's final show that year He retreated from the spotlight to work on a musical adaptation of George Orwell's 1984 but once he was denied the rights to the novel he transformed the work into Diamond Dogs The album was released to generally poor reviews in 1974 yet it generated the hit single Rebel Rebel and he supported the album with an elaborate and expensive American tour As the tour progressed Bowie became fascinated with soul music eventually redesigning the entire show to reflect his new plastic soul Hiring guitarist Carlos Alomar as the band's leader Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated stylish fashions The change took fans by surprise as did the double-album David Live which featured material recorded on the 1974 tournnYoung Americans released in 1975 was the culmination of Bowie's soul obsession and it became his first major crossover hit peaking in the American Top Ten and generating his first US number one hit in Fame a song he co-wrote with John Lennon and Alomar Bowie relocated to Los Angeles where he earned his first movie role in Nicolas Roeg's The Man Who Fell to Earth (1976) While in LA he recorded Station to Station which took the plastic soul of Young Americans into darker avant-garde-tinged directions yet was also a huge hit generating the Top Ten single Golden Years The album inaugurated Bowie's persona of the elegant Thin White Duke and it reflected Bowie's growing cocaine-fueled paranoia Soon he decided Los Angeles was too boring and returned to England shortly after arriving back in London he gave the awaiting crowd a Nazi salute a signal of his growing drug-addled detachment from reality The incident caused enormous controversy and Bowie left the country to settle in Berlin where he lived and worked with Brian EnonnOnce in Berlin Bowie sobered up and began painting as well as studying art He also developed a fascination with German electronic music which Eno helped him fulfill on their first album together Low Released early in 1977 Low was a startling mixture of electronics pop and avant-garde technique While it was greeted with mixed reviews at the time it proved to be one of the most influential albums of the late '70s as did its follow-up Heroes which followed that year Not only did Bowie record two solo albums in 1977 but he also helmed Iggy Pop's comeback records The Idiot and Lust for Life and toured anonymously as Pop's keyboardist He resumed his acting career in 1977 appearing in Just A Gigolo with Marlene Dietrich and Kim Novak as well as narrating Eugene Ormandy's version of Peter and the Wolf Bowie returned to the stage in 1978 launching an international tour that was captured on the double-album Stage During 1979 Bowie and Eno recorded Lodger in New York Switzerland and Berlin releasing the album at the end of the year Lodger was supported with several innovative videos as was 1980's Scary Monsters and these videos -- DJ Fashion Ashes to Ashes -- became staples on early MTVnnScary Monsters was Bowie's last album for RCA and it wrapped up his most innovative productive period Later in 1980 he performed the title role in stage production of The Elephant Man including several shows on Broadway Over the next two years he took an extended break from recording appearing in Christine F (1982) and the vampire movie The Hunger (1982) returning to the studio only for his 1981 collaboration with Queen Under Pressure and the theme for Paul Schrader's remake of Cat People In 1983 he signed an expensive contract with EMI Records and released Let's Dance Bowie had recruited Chic guitarist Nile Rodgers to produce the album giving the record a sleek funky foundation and hired the unknown Stevie Ray Vaughan as lead guitarist Let's Dance became his most successful record thanks to stylish innovative videos for Let's Dance and China Girl which turned both songs into Top Ten hits Bowie supported the record with the sold-out arena tour Serious MoonlightnnGreeted with massive success for the first time Bowie wasn't quite sure how to react and he eventually decided to replicate Let's Dance with 1984's Tonight While the album sold well producing the Top Ten hit Blue Jean it received poor reviews and ultimately was a commercial disappointment He stalled in 1985 recording a duet of Martha the Vandellas' Dancing in the Street with Mick Jagger for Live Aid He also spent more time jet-setting appearing at celebrity events across the globe and appeared in several movies -- Into the Night (1985) Absolute Beginners (1986) Labyrinth (1986) -- that turned out to be bombs Bowie returned to recording in 1987 with the widely panned Never Let Me Down supporting the album with the Glass Spider tour which also received poor reviews In 1989 he remastered his RCA catalog with Rykodisc for CD release kicking off the series with the three-disc box Sound + Vision Bowie supported the discs with an accompanying tour of the same name claming that he was retiring all of his older characters from performance following the tour Sound + Vision was successful and Ziggy Stardust re-charted amidst the hooplannSound + Vision may have been a success but Bowie's next project was perhaps his most unsuccessful Picking up on the abrasive dissonant rock of Sonic Youth and the Pixies Bowie formed his own guitar rock combo Tin Machine with guitarist Reeves Gabrels bassist Hunt Sales and his drummer brother Tony who had previously worked on Iggy Pop's Lust for Life with Bowie Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour which was only moderately successful Despite the poor reviews Tin Machine released a second album the appropriately titled Tin Machine II in 1991 and it was completely ignorednnBowie returned to a solo career in 1993 with the sophisticated soulful Black Tie White Noise recording the album with Nile Rodgers and his now-permanent collaborator Reeves Gabrels The album was released on Savage a subsidiary of RCA and received positive reviews but his new label went bankrupt shortly after its release and the album disappeared Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career as was the largely instrumental 1994 soundtrack The Buddha of Suburbia In 1995 he reunited with Brian Eno for the wildly hyped industrial rock-tinged Outside Several critics hailed the album as a comeback and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger alternative audience but his gambit failed audiences left before Bowie's performance and Outside disappeared He quickly returned to the studio in 1996 recording Earthling an album heavily influenced by techno and drum'n'bass Upon its early 1997 release Earthling received generally positive reviews yet the album failed to gain an audience and many techno purists criticized Bowie for allegedly exploiting their subculture hours followed in 1999 For 2002 Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews He continued on with Visconti for Reality in 2003</p> http://i242.photobucket.com/albums/ff59/foxmusic/ROCK-LP-DavidBowieChangesOne.jpg David Bowie quotChanges Onequot Vinyl LP The clich about David Bowie says he's a musical chameleon adapting himself according to fashion and trends While such a criticism is too glib there's no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the '70s After spending several years in the late '60s as a mod and as an all-around music-hall entertainer Bowie reinvented himself as a hippie singersongwriter Prior to his breakthrough in 1972 he recorded a proto-metal record and a poprock album eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona Ziggy made Bowie an international star yet he wasn't content to continue to churn out glitter rock By the mid-'70s he developed an effete sophisticated version of Philly soul that he dubbed plastic soul which eventually morphed into the eerie avant-pop of 1976's Station to Station Shortly afterward he relocated to Berlin where he recorded three experimental electronic albums with Brian Eno At the dawn of the '80s Bowie was still at the height of his powers yet following his blockbuster dance-pop album Let's Dance in 1983 he slowly sank into mediocrity before salvaging his career in the early '90s Even when he was out of fashion in the '80s and '90s it was clear that Bowie was one of the most influential musicians in rock for better and for worse Each one of his phases in the '70s sparked a number of subgenres including punk new wave goth rock the new romantics and electronica Few rockers ever had such lasting impactnnDavid Jones began performing music when he was 13 years old learning the saxophone while he was at Bromley Technical High School another pivotal event happened at the school when his left pupil became permanently dilated in a schoolyard fight Following his graduation at 16 he worked as a commercial artist while playing saxophone in a number of mod bands including the King Bees the Manish Boys (which also featured Jimmy Page as a session man) and Davey Jones the Lower Third All three of those bands released singles which were generally ignored yet he continued performing changing his name to David Bowie in 1966 after the Monkees' Davy Jones became an international star Over the course of 1966 he released three mod singles on Pye Records which were all ignored The following year he signed with Deram releasing the music hall Anthony Newley-styled David Bowie that year Upon completing the record he spent several weeks in a Scottish Buddhist monastery Once he left the monastery he studied with Lindsay Kemp's mime troupe forming his own mime company the Feathers in 1969 The Feathers were short-lived and he formed the experimental art group Beckenham Arts Lab in 1969nnBowie needed to finance the Arts Lab so he signed with Mercury Records that year and released Man of Words Man of Music a trippy singersongwriter album featuring Space Oddity The song was released as a single and became a major hit in the UK convincing Bowie to concentrate on music Hooking up with his old friend Marc Bolan he began miming at some of Bolan's T Rex concerts eventually touring with Bolan bassistproducer Tony Visconti guitarist Mick Ronson and drummer Cambridge as Hype The band quickly fell apart yet Bowie and Ronson remained close working on the material that formed Bowie's next album The Man Who Sold the World as well as recruiting Michael Woody Woodmansey as their drummer Produced by Tony Visconti who also played bass The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention Bowie followed the album in late 1971 with the poprock Hunky Dory an album that featured Ronson and keyboardist Rick WakemannnFollowing the release of Hunky Dory Bowie began to develop his most famous incarnation Ziggy Stardust: an androgynous bisexual rock star from another planet Before he unveiled Ziggy Bowie claimed in a January 1972 interview with the Melody Maker that he was gay helping to stir interest in his forthcoming album Taking cues from Bolan's stylish glam rock Bowie dyed his hair orange and began wearing women's clothing He began calling himself Ziggy Stardust and his backing band -- Ronson Woodmansey and bassist Trevor Bolder -- were the Spiders from Mars The Rise Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972 The album and its lavish theatrical concerts became a sensation throughout England and it helped him become the only glam rocker to carve out a niche in America Ziggy Stardust became a word-of-mouth hit in the US and the re-released Space Oddity -- which was now also the title of the re-released Man of Words Man of Music -- reached the American Top 20 Bowie quickly followed Ziggy with Aladdin Sane later in 1973 Not only did he record a new album that year but he also produced Lou Reed's Transformer the Stooges' Raw Power and Mott the Hoople's comeback All the Young Dudes for which he also wrote the title tracknnGiven the amount of work Bowie packed into 1972 and 1973 it wasn't surprising that his relentless schedule began to catch up with him After recording the all-covers Pin-Ups with the Spiders from Mars he unexpectedly announced the band's breakup as well as his retirement from live performances during the group's final show that year He retreated from the spotlight to work on a musical adaptation of George Orwell's 1984 but once he was denied the rights to the novel he transformed the work into Diamond Dogs The album was released to generally poor reviews in 1974 yet it generated the hit single Rebel Rebel and he supported the album with an elaborate and expensive American tour As the tour progressed Bowie became fascinated with soul music eventually redesigning the entire show to reflect his new plastic soul Hiring guitarist Carlos Alomar as the band's leader Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated stylish fashions The change took fans by surprise as did the double-album David Live which featured material recorded on the 1974 tournnYoung Americans released in 1975 was the culmination of Bowie's soul obsession and it became his first major crossover hit peaking in the American Top Ten and generating his first US number one hit in Fame a song he co-wrote with John Lennon and Alomar Bowie relocated to Los Angeles where he earned his first movie role in Nicolas Roeg's The Man Who Fell to Earth (1976) While in LA he recorded Station to Station which took the plastic soul of Young Americans into darker avant-garde-tinged directions yet was also a huge hit generating the Top Ten single Golden Years The album inaugurated Bowie's persona of the elegant Thin White Duke and it reflected Bowie's growing cocaine-fueled paranoia Soon he decided Los Angeles was too boring and returned to England shortly after arriving back in London he gave the awaiting crowd a Nazi salute a signal of his growing drug-addled detachment from reality The incident caused enormous controversy and Bowie left the country to settle in Berlin where he lived and worked with Brian EnonnOnce in Berlin Bowie sobered up and began painting as well as studying art He also developed a fascination with German electronic music which Eno helped him fulfill on their first album together Low Released early in 1977 Low was a startling mixture of electronics pop and avant-garde technique While it was greeted with mixed reviews at the time it proved to be one of the most influential albums of the late '70s as did its follow-up Heroes which followed that year Not only did Bowie record two solo albums in 1977 but he also helmed Iggy Pop's comeback records The Idiot and Lust for Life and toured anonymously as Pop's keyboardist He resumed his acting career in 1977 appearing in Just A Gigolo with Marlene Dietrich and Kim Novak as well as narrating Eugene Ormandy's version of Peter and the Wolf Bowie returned to the stage in 1978 launching an international tour that was captured on the double-album Stage During 1979 Bowie and Eno recorded Lodger in New York Switzerland and Berlin releasing the album at the end of the year Lodger was supported with several innovative videos as was 1980's Scary Monsters and these videos -- DJ Fashion Ashes to Ashes -- became staples on early MTVnnScary Monsters was Bowie's last album for RCA and it wrapped up his most innovative productive period Later in 1980 he performed the title role in stage production of The Elephant Man including several shows on Broadway Over the next two years he took an extended break from recording appearing in Christine F (1982) and the vampire movie The Hunger (1982) returning to the studio only for his 1981 collaboration with Queen Under Pressure and the theme for Paul Schrader's remake of Cat People In 1983 he signed an expensive contract with EMI Records and released Let's Dance Bowie had recruited Chic guitarist Nile Rodgers to produce the album giving the record a sleek funky foundation and hired the unknown Stevie Ray Vaughan as lead guitarist Let's Dance became his most successful record thanks to stylish innovative videos for Let's Dance and China Girl which turned both songs into Top Ten hits Bowie supported the record with the sold-out arena tour Serious MoonlightnnGreeted with massive success for the first time Bowie wasn't quite sure how to react and he eventually decided to replicate Let's Dance with 1984's Tonight While the album sold well producing the Top Ten hit Blue Jean it received poor reviews and ultimately was a commercial disappointment He stalled in 1985 recording a duet of Martha the Vandellas' Dancing in the Street with Mick Jagger for Live Aid He also spent more time jet-setting appearing at celebrity events across the globe and appeared in several movies -- Into the Night (1985) Absolute Beginners (1986) Labyrinth (1986) -- that turned out to be bombs Bowie returned to recording in 1987 with the widely panned Never Let Me Down supporting the album with the Glass Spider tour which also received poor reviews In 1989 he remastered his RCA catalog with Rykodisc for CD release kicking off the series with the three-disc box Sound + Vision Bowie supported the discs with an accompanying tour of the same name claming that he was retiring all of his older characters from performance following the tour Sound + Vision was successful and Ziggy Stardust re-charted amidst the hooplannSound + Vision may have been a success but Bowie's next project was perhaps his most unsuccessful Picking up on the abrasive dissonant rock of Sonic Youth and the Pixies Bowie formed his own guitar rock combo Tin Machine with guitarist Reeves Gabrels bassist Hunt Sales and his drummer brother Tony who had previously worked on Iggy Pop's Lust for Life with Bowie Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour which was only moderately successful Despite the poor reviews Tin Machine released a second album the appropriately titled Tin Machine II in 1991 and it was completely ignorednnBowie returned to a solo career in 1993 with the sophisticated soulful Black Tie White Noise recording the album with Nile Rodgers and his now-permanent collaborator Reeves Gabrels The album was released on Savage a subsidiary of RCA and received positive reviews but his new label went bankrupt shortly after its release and the album disappeared Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career as was the largely instrumental 1994 soundtrack The Buddha of Suburbia In 1995 he reunited with Brian Eno for the wildly hyped industrial rock-tinged Outside Several critics hailed the album as a comeback and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger alternative audience but his gambit failed audiences left before Bowie's performance and Outside disappeared He quickly returned to the studio in 1996 recording Earthling an album heavily influenced by techno and drum'n'bass Upon its early 1997 release Earthling received generally positive reviews yet the album failed to gain an audience and many techno purists criticized Bowie for allegedly exploiting their subculture hours followed in 1999 For 2002 Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews He continued on with Visconti for Reality in 2003 Mon, 11 May 2009 01:21:00 MDT http://s55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/?action=view&current=e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg hrstumpde <p><a href="http://s55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/?action=view&current=e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg" title="e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg"><img src="http://th55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/th_e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg" alt="e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg" /></a><br>Bono amp The Edge - e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg</p> http://i55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/e237571e-3efa-4a8f-8ef4-b876a48e7758.jpg Bono amp The Edge Mon, 13 Sep 2010 08:57:00 MDT http://s55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/?action=view&current=spider-man-musical.jpg hrstumpde <p><a href="http://s55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/?action=view&current=spider-man-musical.jpg" title="spider-man-musical.jpg"><img src="http://th55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/th_spider-man-musical.jpg" alt="spider-man-musical.jpg" /></a><br>Spider-Man - spider-man-musical.jpg</p> http://i55.photobucket.com/albums/g144/hrstumpde/Soundtrack/2010%20Posts/2010%20September/Spider%20Man/spider-man-musical.jpg Spider-Man Mon, 13 Sep 2010 08:57:00 MDT http://s41.photobucket.com/albums/e251/ytkm/Gunime/?action=view&current=HMV75043.jpg ytkm <p><a href="http://s41.photobucket.com/albums/e251/ytkm/Gunime/?action=view&current=HMV75043.jpg" title="HMV75043.jpg"><img src="http://th41.photobucket.com/albums/e251/ytkm/Gunime/th_HMV75043.jpg" alt="HMV75043.jpg" /></a><br>Spi-Dog Musical Robot - Red - HMV75043.jpg</p><p>Anyone call for a rockin' web-slingin' pooch Spider-Man and the I-Dog combine to form Spi-Dog With a built-in speaker a distinct array of moods and a personality that changes with the music you feed it Spi-Dog is your faithful music companion A dual connector cable plugs into your music player so you can play tunes through the 4 12-inch tall red robo-pooch Compatible with most portable and non-portable music players this Spider-Man-themed doggie includes a dual connector cable and requires 2x AA batteries not included n n n n nListen to music through your headphones while he rocks out by moving his head and ears Or simply place him near a speaker and watch him move and groove to the beat Flashing LED lights change color with the type of music Evolving light patterns respond to your touch or the amount of music you feed Spi-Dog thereby expressing moods that range from loneliness to pure pup ecstasy</p> http://i41.photobucket.com/albums/e251/ytkm/Gunime/HMV75043.jpg Spi-Dog Musical Robot - Red Anyone call for a rockin' web-slingin' pooch Spider-Man and the I-Dog combine to form Spi-Dog With a built-in speaker a distinct array of moods and a personality that changes with the music you feed it Spi-Dog is your faithful music companion A dual connector cable plugs into your music player so you can play tunes through the 4 12-inch tall red robo-pooch Compatible with most portable and non-portable music players this Spider-Man-themed doggie includes a dual connector cable and requires 2x AA batteries not included n n n n nListen to music through your headphones while he rocks out by moving his head and ears Or simply place him near a speaker and watch him move and groove to the beat Flashing LED lights change color with the type of music Evolving light patterns respond to your touch or the amount of music you feed Spi-Dog thereby expressing moods that range from loneliness to pure pup ecstasy Sun, 10 May 2009 11:30:00 MDT http://s830.photobucket.com/albums/zz222/colourfuldesigns/?action=view&current=Famous-Brands-Banner-1.png colourfuldesigns <p><a href="http://s830.photobucket.com/albums/zz222/colourfuldesigns/?action=view&current=Famous-Brands-Banner-1.png" title="Famous-Brands-Banner-1.png"><img src="http://th830.photobucket.com/albums/zz222/colourfuldesigns/th_Famous-Brands-Banner-1.png" alt="Famous-Brands-Banner-1.png" /></a><br>World Famous Brands - Famous-Brands-Banner-1.png</p><p>We are proud to refer you to Top World Famous Brands from Zazzle's great selection of licensed merchandise Included in our selection is Barbie Disney Star Wars Harry Potter Puss n' Boots Harry Potter Hallmark Dora the Explorer Transformers The Muppets and Disney's Cars n nZazzle also has a great selection of licensed comic book brands including Batman Superman Green Lantern Spider-Man The Incredible Hulk and Wolverine</p> http://i830.photobucket.com/albums/zz222/colourfuldesigns/Famous-Brands-Banner-1.png World Famous Brands We are proud to refer you to Top World Famous Brands from Zazzle's great selection of licensed merchandise Included in our selection is Barbie Disney Star Wars Harry Potter Puss n' Boots Harry Potter Hallmark Dora the Explorer Transformers The Muppets and Disney's Cars n nZazzle also has a great selection of licensed comic book brands including Batman Superman Green Lantern Spider-Man The Incredible Hulk and Wolverine Thu, 17 Nov 2011 16:44:00 MST