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            <title>Tony Stark</title>
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            <title>Grand Theft Auto IV Limited Edition Xbox 360 to be out soon</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s464.photobucket.com/albums/rr3/YasirS/?action=view&amp;current=grand-theft-auto-iv-limited-edition.jpg&quot; title=&quot;grand-theft-auto-iv-limited-edition.jpg&quot;&gt;&lt;img src=&quot;http://th464.photobucket.com/albums/rr3/YasirS/th_grand-theft-auto-iv-limited-edition.jpg&quot; alt=&quot;grand-theft-auto-iv-limited-edition.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Grand Theft Auto IV Limited Edition Xbox 360 to be out soon - grand-theft-auto-iv-limited-edition.jpg&lt;/p&gt;&lt;p&gt;Grand Theft Auto IV Limited Edition Xbox 360 to be out soongrand theft auto iv limited edition xbox 360The Grand Theft Auto IV release next month is just about the most anticipated gaming event of the year and Microsoft is all set to add to the joy by launching a special limited edition Grand Theft Auto IV Xbox 360 The celebratory do features an Xbox 360 Elites system on the inside with custom GTA box art on the sides as well as an awesomely faceplate Cool accessories include a wireless controller with keyboard headset and a remote apart from other goodies which are neatly housed in a separate briefcase And since there are only going to be 500 of these out in the market we suggest you bribe the neighborhood stores clerk to secure you a copygrand theft auto iv limited edition xbox 360 1Source: SlashgearPosted by CafeCafe at 4:39 PM  LoadingDiggIt Delicious Blinklist Yahoo Furl Technorati Simpy Spurl Reddit0 comments:Post a CommentLinks to this postCreate a LinkNewer Post Older Post HomeSubscribe to: Post Comments (Atom)Related PostsWWII - War of SupremacySubscribe readersAlexa Certified Site Stats for gamesuyblogspotcomRecommended     - Cine     - El Comentario     - El Derecho al Derecho     - Entretenimiento Online     - Point and Click Games     - Soluciones de Juegos     CVG     Destructoid     Gamerscore Blog     Games Industry     GameLife     Juegos de Escape     PlayStationBlog     PS3 Fanboy     Runescape Haven     VideoGames Blogger     Wii Fanboy     WoW Insider     Xbox 360 FanboyRelated Sites     webkinz     Metal Gear Solid 4     PSP Game DownloadsPrevious Games      2008 (1994)          o  September (4)                + Eskkapee 2 Walkthrough                + Escape from My Room Walkthrough                + Heart Escape 2 Walkthrough                + P Sensor Walkthrough          o  August (54)                + Automaton Part 2 - Mr Crumpet                + Mini Escape 3 Walkthrough                + Escape from the Compartment of the Truck Walkthrou                + Escape from Mr Y&apos;s Room Walkthrough                + Pumomo Walkthrough                + Bubble Tanks 2                + Back to School 40 Off ALL Games                + Nezumi 2 Walkthrough                + Alice&apos;s Escape from Wonderland Walkthrough                + RagDoll Cannon 2                + Grape Room Escape Walkthrough                + RagDoll Cannon                + The Barbarian Returns in Diablo III                + Lost Memory Walkthrough                + The Basic Escape Game Walkthrough                + Room Bath Walkthrough                + The Ballad of Ketinetto - part 2 Walkthrough                + Square Rooms Nightmare Walkthrough                + Storage Escape Walkthrough                + Escape Bathroom Walkthrough                + Enter the Safe Room Walkthrough                + Watermelon Room Escape Walkthrough                + Batman Arkham Asylum for PC PlayStation 3 and Xbo                + Escape 02 Walkthrough                + Free Falling Walkthrough                + The new Lara Croft unveiled                + Naughty Office                + Escape the Room 2 Walkthrough                + Stone Age Sam Walkthrough                + Mario pushes Olympic gold medalist to victory                + Shimaka Raderu Walkthrough                + Meat Mansion Walkthrough                + T2B Escape2 Walkthrough                + D&apos;s Treasure Hunt 1 - Ghost Walkthrough                + Escape30 for PC Walkthrough                + Eskkapee Walkthrough                + Going to Sleep Walkthrough                + Ponpon House 2 Odekake Walkthrough                + Kutuya Walkthrough                + Bon Dance Walkthrough                + Escape the Museum - Locked Doors Walkthrough                + Dream Escape Walkthrough                + Seven Bears Walkthrough                + Naughty Hospital Walkthrough                + The GH Plot Walkthrough                + The Alpha Room Walkthrough          o  July (68)          o  June (60)          o  May (78)          o  April (102)          o  March (432)          o  February (569)          o  January (627)      2007 (940)          o  December (509)          o  November (70)          o  October (65)          o  September (130)          o  August (166)Recent ReadersPowered By BlogCatalogRecent ReadersYouJoin My CommunityskylarkingshielacatalanThe AriesallurepusaSueProfNonabintang4Miko UnanjodogzNaga LJuliaPrimusMariucaRemBeatZiWalkMoneyNingrhyanTonyjoanjoyceView Reader CommunityJoin this Community(provided by MyBlogLog)Online Games in your mailGame Solutions     1 Way     1423 Escape     3D Assassin     6 Differences     A Couple of Milky Way     Abducted     Addle Valley     Adult Room     Alfie&apos;s North Pole Adventure     Alice&apos;s Escape from Wonderland     Ambivalence     Anode and Cathode The House     Another Christmas Escape     Another Escape     Aquarius Gate     Arcade Escape     Arrival in Hell     Atibons Rival     Automaton Introduction     Aya Escape     B Sensor     Banana Skin     Bank Robbery     Bathroom Escape     Beatle Room Escape     Bedroom Escape     Ben&apos;s Sister Room Escape     Bloons Tower Defense     Blue Chamber     Bon Dance     Bon Voyage     Bowja The Ninja     Bubble Room     ButtonHunt 2     Capricorn Escape     Cat Love     Cave Escape     CDX     Cemet&apos;ry Gates Chapters 34     Cinderella     Cold Room Escape     Collaboration Escape     Colour Adventure     Cop Baby     Corpus Aegrus     Counseling Room Escape     Covert Front 1     Covert Front Episode 2     Cow Room Escape     Cowabanga     Crain&apos;s Room     Crane and Spider     Crimson Planet     D&apos;s Look for Hamsters     D&apos;s Room Escape 1     D&apos;s Treasure Hunt 1 - Ghost     Dassyutu 12 Training Room     Dassyutu 15     Dawn Dash Escape     DayMare Town     DayMare Town 2     Derrick Das Adventure     Detective Max Incident Book File 5     Divercity     Doctor Ku 2 The Kitchen     Doctor Ku-The Cellar     Doll     Dona&apos;s Room     DooDoo Dog     Dr Dokkoy     Dr Metoro     Dream Escape     Easy Escape Game     Eki3     El Laberinto Esferico     El Legado     El Legado 2     Enter the Appartment     Enter the Safe Room     Erik&apos;s Escape The Room 2     Erik&apos;s Escape The Room Part 4     Escapando 2     Escape 01     Escape 02     Escape 30 for PC     Escape Artist     Escape Bathroom     Escape Blue Bathroom     Escape Day     Escape from Dream Room 2     Escape from Mr Y&apos;s Room     Escape From Ninja House     Escape From Octlien     Escape From Original Room     Escape From Rhetundo Island     Escape from the Ball&apos;s Room     Escape from the Balloon Room     Escape from the Box Room     Escape from the Compartment of the Truck     Escape from the Fishing Pond     Escape from the Forest of the Fairy     Escape from the House of Candy     Escape from the House of Candy 2     Escape from the Room with the Device     Escape from the Same Rooms     Escape from the Underground Room     Escape Game     Escape Green Room     Escape Khaki Room     Escape Logic     Escape of Blue Door     Escape of Gray Door     Escape of Green Door     Escape of Kitten Narsa     Escape of Little Red Riding-Hood     Escape Orange Room     Escape the Bomb     Escape the Car     Escape the Cars     Escape the Future     Escape the Phone Booth     Escape the Plane     Escape the Room     Escape the Room 2     Escape the Room 3     Escape to Obion Episode 2     Escape to the Ground     Escape Tomato     Escape Turquoise Room     Escapers 04R     Escaping From Her Room     Escaping Game 2 Of Minimum     Eskkapee     Esklavos Chapter 10     Esklavos Chapter 11     Esklavos chapter 16     Esklavos Chapter 6     Esklavos Chapter 7     Esklavos Chapter 8     Evolta the Game     Evolver     Excavator Story     Find Your Way Out     Fireworks of the Summer     First Room     Fish Room Escape     Five Beast Pagoda     Flash Quest     Flooded Room     Free Falling     Free The Bird     Friend&apos;s House 3     Geek Quest Volume 3     Gem Craft Chapter 1     Get Out 2 Poker Night     GH Prison Escape     Gigolo Assassin     Glove Escape     Go Live     Go Live 2     Going to Sleep     Good Night Mr Snoozleberg 3     GOP     Gow     Grape Room Escape     GrowKnight Game     Guest House     Haluz 2     Hapland     Hewitt     Heyaka Raderu     Hopping Ham&apos;s Thriller     Horse Room     Hoshi Saga 2     Hot and Cold     I Sensor     Impossible     Jack French 2     Japanese Room Escape Game 2     Jobpico     Joe&apos;s Virtual MySpace 11     Jojo Escape     Junior&apos;s Game     Just Another Escape     K-Sensor     Karame Escape     Kutuya     Lets Go to the Beach     Little Ogee - Save the World     Living Room Escape     Locked Forever 5     Locked Forever 6     Locked In     Lost Memory     Meat Mansion     Melting Mindz     Mental     Merry X&apos;mas     Mezzo Winter Edition     Mini Escape     Mini Escape 3     Minigame Killer Queen     Mission Stage 1-2-3     Mission Stage 2     Mission Stage 3     Mobai Room 2     Motas     Murder Escape     MuseLock     Music Bounce     MWU     Mystery House The Horror Mansion     Mystery Mansion 101     Mystery Mansion 102     N&apos;Joy 10th Planet     Naughty Cafeteria     Naughty Classroom     Naughty Gym Class     Naughty Hospital     Naughty Supermarket     Nekonote Escape 02     Nekonote Escape 03     Neolla 2     Nezumi     Nezumi 2     Nigepico 12     Nightmares Episode 1     Nightmares Episode 2     Nightmares Episode 3     Nightmares Episode 4     Nightmares of Leia Ray     Noella     Not An Escape Game     O Quarto     One Room of a Cottage     Ostrov Escape The Island     Otakara Game     Paint Escape     Pegasus Room Escape     Pillage the Village     Pino Grow     Pirate Cat Adventure     PlanetDefender     Plastic Smile     Plasticine Room     Pocket Escape     Poco2 Escape 3     Polleke&apos;s Room Escape 2     Ponpon House 2 Odekake     Pricilla Gone Missing     Princess Natasha No Vacancy     Prism Core     Professor XYZ Episode 5     Protector     Protector: Reclaiming the Throne     Pumomo     Punikin Escape     Puzzled 2     Rabit Room Escape     Railway to Heaven     Rapunzel Escape     Restaurant Escape     Return to the THK58     Revenge for Sonia     Rhino Room Escape     River IQ Test Game     Rodin Gate     Room Bath     Room Escape 2     Room Fake     Room Room     Room W  R     Royal Pain     Ruins of Pantheon     Rulumomo Garden 3     Salt Sack Escape Game     Samorost 1     Samorost 2     Save Pooky Game     Second Room     Secret Path of the Forest     Seven Bears     Seven Lucky Gods     Shadow Of The Killer     SHIFT 2     Shimaka Raderu     Silversphere     Snake Room Escape     Sniper Escape     Some Game With a Long Name I Forgot Already     Something Amiss Chapter 1     Sphere Core     Spoerg Olivia Adventure Spillet     Square Rooms Nightmare     SSSG Super Sneaky Spy Guy: 10 Rooms     Stanza Cinese     Steppenwolf     Steve Stevenson Leaves Town     Stone Age Sam     Stone Room Escape     Storage Escape     Strange Room     Strawberry Tomato     Stuck Inside     Stuck Inside 2     Submachine 2     Submachine 3     Submachine 4     Submachine FLF     Submachine Zero     Super Sneaky Spy Guy - Illusions     Switch     T2B Escape2     Teddy Beans     Terminal House     The Alpha Room     The apartment     The Ballad of Ketinetto     The Ballad of Ketinetto part 2     The Basic Escape Game     The Common Room     The Enrichment Center     The Escape Game 2     The Fog Fall     The GH Plot     The Gramophone Escape     The Horror Mansion - Escape from the 213th Gestroom     The Horror Mansion - Escape from the Japanese Room     The Invisible Beard of Contemplation 2     The Journey     The Kitchen Escape     The Legend Room     The Mothership     The Mystery House - The Second Stage     The Never Ending Level Game     The Other Side Of The Door     The Scarlet Room     The Several Journeys of Reemus     The Visitor     Thickly     Three Cats Christmas     Three Cats Laboratory Escape 2     Tidy Room Escape     Tipping Point     Tipping Point chapter 3     Titei     TLFMER 4     Tofu Turkey     Tork     Totem Destroyer     Trapped Part 1     Trapped Part 2     Travel Sick     Treasure Search of Silver     Truelove 2     Tucoga&apos;s Room     Tucoga&apos;s Room 2     Twelve Dragon&apos;s Room - Twelve Signs 3     Twinkle     Twoon Exit with apa     Ukrainian Room     Unlock     Voice     Wanpa Quest Another 2     Warashi Parlor     Warbears Adventures     WarBears Mission 1     WarBears Mission 2     WarBears Mission 3     Watermelon Room Escape     We Are From The Future     White Chamber     Wildboar Room Escape     Wizard Taro EP3     You are Lucky     You Have To Burn The Rope     Yu A&apos;s Room     Yuria&apos;s Hotel     Yuria&apos;s Room 2     Yuria&apos;s Room 3     Zashiki WarashiThe Grand Theft Auto IV release next month is just about the most anticipated gaming event of the year and Microsoft is all set to add to the joy by launching a special limited edition Grand Theft Auto IV Xbox 360 The celebratory do features an Xbox 360 Elites system on the inside with custom GTA box art on the sides as well as an awesomely faceplate Cool accessories include a wireless controller with keyboard headset and a remote apart from other goodies which are neatly housed in a separate briefcase And since there are only going to be 500 of these out in the market we suggest you bribe the neighborhood stores clerk to secure you a copy&lt;/p&gt;</description>
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                <media:title>Grand Theft Auto IV Limited Edition Xbox 360 to be out soon</media:title>
                <media:description>Grand Theft Auto IV Limited Edition Xbox 360 to be out soongrand theft auto iv limited edition xbox 360The Grand Theft Auto IV release next month is just about the most anticipated gaming event of the year and Microsoft is all set to add to the joy by launching a special limited edition Grand Theft Auto IV Xbox 360 The celebratory do features an Xbox 360 Elites system on the inside with custom GTA box art on the sides as well as an awesomely faceplate Cool accessories include a wireless controller with keyboard headset and a remote apart from other goodies which are neatly housed in a separate briefcase And since there are only going to be 500 of these out in the market we suggest you bribe the neighborhood stores clerk to secure you a copygrand theft auto iv limited edition xbox 360 1Source: SlashgearPosted by CafeCafe at 4:39 PM  LoadingDiggIt Delicious Blinklist Yahoo Furl Technorati Simpy Spurl Reddit0 comments:Post a CommentLinks to this postCreate a LinkNewer Post Older Post HomeSubscribe to: Post Comments (Atom)Related PostsWWII - War of SupremacySubscribe readersAlexa Certified Site Stats for gamesuyblogspotcomRecommended     - Cine     - El Comentario     - El Derecho al Derecho     - Entretenimiento Online     - Point and Click Games     - Soluciones de Juegos     CVG     Destructoid     Gamerscore Blog     Games Industry     GameLife     Juegos de Escape     PlayStationBlog     PS3 Fanboy     Runescape Haven     VideoGames Blogger     Wii Fanboy     WoW Insider     Xbox 360 FanboyRelated Sites     webkinz     Metal Gear Solid 4     PSP Game DownloadsPrevious Games      2008 (1994)          o  September (4)                + Eskkapee 2 Walkthrough                + Escape from My Room Walkthrough                + Heart Escape 2 Walkthrough                + P Sensor Walkthrough          o  August (54)                + Automaton Part 2 - Mr Crumpet                + Mini Escape 3 Walkthrough                + Escape from the Compartment of the Truck Walkthrou                + Escape from Mr Y&apos;s Room Walkthrough                + Pumomo Walkthrough                + Bubble Tanks 2                + Back to School 40 Off ALL Games                + Nezumi 2 Walkthrough                + Alice&apos;s Escape from Wonderland Walkthrough                + RagDoll Cannon 2                + Grape Room Escape Walkthrough                + RagDoll Cannon                + The Barbarian Returns in Diablo III                + Lost Memory Walkthrough                + The Basic Escape Game Walkthrough                + Room Bath Walkthrough                + The Ballad of Ketinetto - part 2 Walkthrough                + Square Rooms Nightmare Walkthrough                + Storage Escape Walkthrough                + Escape Bathroom Walkthrough                + Enter the Safe Room Walkthrough                + Watermelon Room Escape Walkthrough                + Batman Arkham Asylum for PC PlayStation 3 and Xbo                + Escape 02 Walkthrough                + Free Falling Walkthrough                + The new Lara Croft unveiled                + Naughty Office                + Escape the Room 2 Walkthrough                + Stone Age Sam Walkthrough                + Mario pushes Olympic gold medalist to victory                + Shimaka Raderu Walkthrough                + Meat Mansion Walkthrough                + T2B Escape2 Walkthrough                + D&apos;s Treasure Hunt 1 - Ghost Walkthrough                + Escape30 for PC Walkthrough                + Eskkapee Walkthrough                + Going to Sleep Walkthrough                + Ponpon House 2 Odekake Walkthrough                + Kutuya Walkthrough                + Bon Dance Walkthrough                + Escape the Museum - Locked Doors Walkthrough                + Dream Escape Walkthrough                + Seven Bears Walkthrough                + Naughty Hospital Walkthrough                + The GH Plot Walkthrough                + The Alpha Room Walkthrough          o  July (68)          o  June (60)          o  May (78)          o  April (102)          o  March (432)          o  February (569)          o  January (627)      2007 (940)          o  December (509)          o  November (70)          o  October (65)          o  September (130)          o  August (166)Recent ReadersPowered By BlogCatalogRecent ReadersYouJoin My CommunityskylarkingshielacatalanThe AriesallurepusaSueProfNonabintang4Miko UnanjodogzNaga LJuliaPrimusMariucaRemBeatZiWalkMoneyNingrhyanTonyjoanjoyceView Reader CommunityJoin this Community(provided by MyBlogLog)Online Games in your mailGame Solutions     1 Way     1423 Escape     3D Assassin     6 Differences     A Couple of Milky Way     Abducted     Addle Valley     Adult Room     Alfie&apos;s North Pole Adventure     Alice&apos;s Escape from Wonderland     Ambivalence     Anode and Cathode The House     Another Christmas Escape     Another Escape     Aquarius Gate     Arcade Escape     Arrival in Hell     Atibons Rival     Automaton Introduction     Aya Escape     B Sensor     Banana Skin     Bank Robbery     Bathroom Escape     Beatle Room Escape     Bedroom Escape     Ben&apos;s Sister Room Escape     Bloons Tower Defense     Blue Chamber     Bon Dance     Bon Voyage     Bowja The Ninja     Bubble Room     ButtonHunt 2     Capricorn Escape     Cat Love     Cave Escape     CDX     Cemet&apos;ry Gates Chapters 34     Cinderella     Cold Room Escape     Collaboration Escape     Colour Adventure     Cop Baby     Corpus Aegrus     Counseling Room Escape     Covert Front 1     Covert Front Episode 2     Cow Room Escape     Cowabanga     Crain&apos;s Room     Crane and Spider     Crimson Planet     D&apos;s Look for Hamsters     D&apos;s Room Escape 1     D&apos;s Treasure Hunt 1 - Ghost     Dassyutu 12 Training Room     Dassyutu 15     Dawn Dash Escape     DayMare Town     DayMare Town 2     Derrick Das Adventure     Detective Max Incident Book File 5     Divercity     Doctor Ku 2 The Kitchen     Doctor Ku-The Cellar     Doll     Dona&apos;s Room     DooDoo Dog     Dr Dokkoy     Dr Metoro     Dream Escape     Easy Escape Game     Eki3     El Laberinto Esferico     El Legado     El Legado 2     Enter the Appartment     Enter the Safe Room     Erik&apos;s Escape The Room 2     Erik&apos;s Escape The Room Part 4     Escapando 2     Escape 01     Escape 02     Escape 30 for PC     Escape Artist     Escape Bathroom     Escape Blue Bathroom     Escape Day     Escape from Dream Room 2     Escape from Mr Y&apos;s Room     Escape From Ninja House     Escape From Octlien     Escape From Original Room     Escape From Rhetundo Island     Escape from the Ball&apos;s Room     Escape from the Balloon Room     Escape from the Box Room     Escape from the Compartment of the Truck     Escape from the Fishing Pond     Escape from the Forest of the Fairy     Escape from the House of Candy     Escape from the House of Candy 2     Escape from the Room with the Device     Escape from the Same Rooms     Escape from the Underground Room     Escape Game     Escape Green Room     Escape Khaki Room     Escape Logic     Escape of Blue Door     Escape of Gray Door     Escape of Green Door     Escape of Kitten Narsa     Escape of Little Red Riding-Hood     Escape Orange Room     Escape the Bomb     Escape the Car     Escape the Cars     Escape the Future     Escape the Phone Booth     Escape the Plane     Escape the Room     Escape the Room 2     Escape the Room 3     Escape to Obion Episode 2     Escape to the Ground     Escape Tomato     Escape Turquoise Room     Escapers 04R     Escaping From Her Room     Escaping Game 2 Of Minimum     Eskkapee     Esklavos Chapter 10     Esklavos Chapter 11     Esklavos chapter 16     Esklavos Chapter 6     Esklavos Chapter 7     Esklavos Chapter 8     Evolta the Game     Evolver     Excavator Story     Find Your Way Out     Fireworks of the Summer     First Room     Fish Room Escape     Five Beast Pagoda     Flash Quest     Flooded Room     Free Falling     Free The Bird     Friend&apos;s House 3     Geek Quest Volume 3     Gem Craft Chapter 1     Get Out 2 Poker Night     GH Prison Escape     Gigolo Assassin     Glove Escape     Go Live     Go Live 2     Going to Sleep     Good Night Mr Snoozleberg 3     GOP     Gow     Grape Room Escape     GrowKnight Game     Guest House     Haluz 2     Hapland     Hewitt     Heyaka Raderu     Hopping Ham&apos;s Thriller     Horse Room     Hoshi Saga 2     Hot and Cold     I Sensor     Impossible     Jack French 2     Japanese Room Escape Game 2     Jobpico     Joe&apos;s Virtual MySpace 11     Jojo Escape     Junior&apos;s Game     Just Another Escape     K-Sensor     Karame Escape     Kutuya     Lets Go to the Beach     Little Ogee - Save the World     Living Room Escape     Locked Forever 5     Locked Forever 6     Locked In     Lost Memory     Meat Mansion     Melting Mindz     Mental     Merry X&apos;mas     Mezzo Winter Edition     Mini Escape     Mini Escape 3     Minigame Killer Queen     Mission Stage 1-2-3     Mission Stage 2     Mission Stage 3     Mobai Room 2     Motas     Murder Escape     MuseLock     Music Bounce     MWU     Mystery House The Horror Mansion     Mystery Mansion 101     Mystery Mansion 102     N&apos;Joy 10th Planet     Naughty Cafeteria     Naughty Classroom     Naughty Gym Class     Naughty Hospital     Naughty Supermarket     Nekonote Escape 02     Nekonote Escape 03     Neolla 2     Nezumi     Nezumi 2     Nigepico 12     Nightmares Episode 1     Nightmares Episode 2     Nightmares Episode 3     Nightmares Episode 4     Nightmares of Leia Ray     Noella     Not An Escape Game     O Quarto     One Room of a Cottage     Ostrov Escape The Island     Otakara Game     Paint Escape     Pegasus Room Escape     Pillage the Village     Pino Grow     Pirate Cat Adventure     PlanetDefender     Plastic Smile     Plasticine Room     Pocket Escape     Poco2 Escape 3     Polleke&apos;s Room Escape 2     Ponpon House 2 Odekake     Pricilla Gone Missing     Princess Natasha No Vacancy     Prism Core     Professor XYZ Episode 5     Protector     Protector: Reclaiming the Throne     Pumomo     Punikin Escape     Puzzled 2     Rabit Room Escape     Railway to Heaven     Rapunzel Escape     Restaurant Escape     Return to the THK58     Revenge for Sonia     Rhino Room Escape     River IQ Test Game     Rodin Gate     Room Bath     Room Escape 2     Room Fake     Room Room     Room W  R     Royal Pain     Ruins of Pantheon     Rulumomo Garden 3     Salt Sack Escape Game     Samorost 1     Samorost 2     Save Pooky Game     Second Room     Secret Path of the Forest     Seven Bears     Seven Lucky Gods     Shadow Of The Killer     SHIFT 2     Shimaka Raderu     Silversphere     Snake Room Escape     Sniper Escape     Some Game With a Long Name I Forgot Already     Something Amiss Chapter 1     Sphere Core     Spoerg Olivia Adventure Spillet     Square Rooms Nightmare     SSSG Super Sneaky Spy Guy: 10 Rooms     Stanza Cinese     Steppenwolf     Steve Stevenson Leaves Town     Stone Age Sam     Stone Room Escape     Storage Escape     Strange Room     Strawberry Tomato     Stuck Inside     Stuck Inside 2     Submachine 2     Submachine 3     Submachine 4     Submachine FLF     Submachine Zero     Super Sneaky Spy Guy - Illusions     Switch     T2B Escape2     Teddy Beans     Terminal House     The Alpha Room     The apartment     The Ballad of Ketinetto     The Ballad of Ketinetto part 2     The Basic Escape Game     The Common Room     The Enrichment Center     The Escape Game 2     The Fog Fall     The GH Plot     The Gramophone Escape     The Horror Mansion - Escape from the 213th Gestroom     The Horror Mansion - Escape from the Japanese Room     The Invisible Beard of Contemplation 2     The Journey     The Kitchen Escape     The Legend Room     The Mothership     The Mystery House - The Second Stage     The Never Ending Level Game     The Other Side Of The Door     The Scarlet Room     The Several Journeys of Reemus     The Visitor     Thickly     Three Cats Christmas     Three Cats Laboratory Escape 2     Tidy Room Escape     Tipping Point     Tipping Point chapter 3     Titei     TLFMER 4     Tofu Turkey     Tork     Totem Destroyer     Trapped Part 1     Trapped Part 2     Travel Sick     Treasure Search of Silver     Truelove 2     Tucoga&apos;s Room     Tucoga&apos;s Room 2     Twelve Dragon&apos;s Room - Twelve Signs 3     Twinkle     Twoon Exit with apa     Ukrainian Room     Unlock     Voice     Wanpa Quest Another 2     Warashi Parlor     Warbears Adventures     WarBears Mission 1     WarBears Mission 2     WarBears Mission 3     Watermelon Room Escape     We Are From The Future     White Chamber     Wildboar Room Escape     Wizard Taro EP3     You are Lucky     You Have To Burn The Rope     Yu A&apos;s Room     Yuria&apos;s Hotel     Yuria&apos;s Room 2     Yuria&apos;s Room 3     Zashiki WarashiThe Grand Theft Auto IV release next month is just about the most anticipated gaming event of the year and Microsoft is all set to add to the joy by launching a special limited edition Grand Theft Auto IV Xbox 360 The celebratory do features an Xbox 360 Elites system on the inside with custom GTA box art on the sides as well as an awesomely faceplate Cool accessories include a wireless controller with keyboard headset and a remote apart from other goodies which are neatly housed in a separate briefcase And since there are only going to be 500 of these out in the market we suggest you bribe the neighborhood stores clerk to secure you a copy</media:description>
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            <pubDate>Fri, 2 Nov 2012 08:32:00 MDT</pubDate>
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        <item>
            <title>David Bowie quotChanges Onequot Vinyl LP</title>
            <link>http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=ROCK-LP-DavidBowieChangesOne.jpg</link>
            <dc:creator>foxmusic</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=ROCK-LP-DavidBowieChangesOne.jpg&quot; title=&quot;ROCK-LP-DavidBowieChangesOne.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_ROCK-LP-DavidBowieChangesOne.jpg&quot; alt=&quot;ROCK-LP-DavidBowieChangesOne.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;David Bowie quotChanges Onequot Vinyl LP - ROCK-LP-DavidBowieChangesOne.jpg&lt;/p&gt;&lt;p&gt;The clich about David Bowie says he&apos;s a musical chameleon adapting himself according to fashion and trends While such a criticism is too glib there&apos;s no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the &apos;70s After spending several years in the late &apos;60s as a mod and as an all-around music-hall entertainer Bowie reinvented himself as a hippie singersongwriter Prior to his breakthrough in 1972 he recorded a proto-metal record and a poprock album eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona Ziggy made Bowie an international star yet he wasn&apos;t content to continue to churn out glitter rock By the mid-&apos;70s he developed an effete sophisticated version of Philly soul that he dubbed plastic soul which eventually morphed into the eerie avant-pop of 1976&apos;s Station to Station Shortly afterward he relocated to Berlin where he recorded three experimental electronic albums with Brian Eno At the dawn of the &apos;80s Bowie was still at the height of his powers yet following his blockbuster dance-pop album Let&apos;s Dance in 1983 he slowly sank into mediocrity before salvaging his career in the early &apos;90s Even when he was out of fashion in the &apos;80s and &apos;90s it was clear that Bowie was one of the most influential musicians in rock for better and for worse Each one of his phases in the &apos;70s sparked a number of subgenres including punk new wave goth rock the new romantics and electronica Few rockers ever had such lasting impactnnDavid Jones began performing music when he was 13 years old learning the saxophone while he was at Bromley Technical High School another pivotal event happened at the school when his left pupil became permanently dilated in a schoolyard fight Following his graduation at 16 he worked as a commercial artist while playing saxophone in a number of mod bands including the King Bees the Manish Boys (which also featured Jimmy Page as a session man) and Davey Jones  the Lower Third All three of those bands released singles which were generally ignored yet he continued performing changing his name to David Bowie in 1966 after the Monkees&apos; Davy Jones became an international star Over the course of 1966 he released three mod singles on Pye Records which were all ignored The following year he signed with Deram releasing the music hall Anthony Newley-styled David Bowie that year Upon completing the record he spent several weeks in a Scottish Buddhist monastery Once he left the monastery he studied with Lindsay Kemp&apos;s mime troupe forming his own mime company the Feathers in 1969 The Feathers were short-lived and he formed the experimental art group Beckenham Arts Lab in 1969nnBowie needed to finance the Arts Lab so he signed with Mercury Records that year and released Man of Words Man of Music a trippy singersongwriter album featuring Space Oddity The song was released as a single and became a major hit in the UK convincing Bowie to concentrate on music Hooking up with his old friend Marc Bolan he began miming at some of Bolan&apos;s T Rex concerts eventually touring with Bolan bassistproducer Tony Visconti guitarist Mick Ronson and drummer Cambridge as Hype The band quickly fell apart yet Bowie and Ronson remained close working on the material that formed Bowie&apos;s next album The Man Who Sold the World as well as recruiting Michael Woody Woodmansey as their drummer Produced by Tony Visconti who also played bass The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention Bowie followed the album in late 1971 with the poprock Hunky Dory an album that featured Ronson and keyboardist Rick WakemannnFollowing the release of Hunky Dory Bowie began to develop his most famous incarnation Ziggy Stardust: an androgynous bisexual rock star from another planet Before he unveiled Ziggy Bowie claimed in a January 1972 interview with the Melody Maker that he was gay helping to stir interest in his forthcoming album Taking cues from Bolan&apos;s stylish glam rock Bowie dyed his hair orange and began wearing women&apos;s clothing He began calling himself Ziggy Stardust and his backing band -- Ronson Woodmansey and bassist Trevor Bolder -- were the Spiders from Mars The Rise  Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972 The album and its lavish theatrical concerts became a sensation throughout England and it helped him become the only glam rocker to carve out a niche in America Ziggy Stardust became a word-of-mouth hit in the US and the re-released Space Oddity -- which was now also the title of the re-released Man of Words Man of Music -- reached the American Top 20 Bowie quickly followed Ziggy with Aladdin Sane later in 1973 Not only did he record a new album that year but he also produced Lou Reed&apos;s Transformer the Stooges&apos; Raw Power and Mott the Hoople&apos;s comeback All the Young Dudes for which he also wrote the title tracknnGiven the amount of work Bowie packed into 1972 and 1973 it wasn&apos;t surprising that his relentless schedule began to catch up with him After recording the all-covers Pin-Ups with the Spiders from Mars he unexpectedly announced the band&apos;s breakup as well as his retirement from live performances during the group&apos;s final show that year He retreated from the spotlight to work on a musical adaptation of George Orwell&apos;s 1984 but once he was denied the rights to the novel he transformed the work into Diamond Dogs The album was released to generally poor reviews in 1974 yet it generated the hit single Rebel Rebel and he supported the album with an elaborate and expensive American tour As the tour progressed Bowie became fascinated with soul music eventually redesigning the entire show to reflect his new plastic soul Hiring guitarist Carlos Alomar as the band&apos;s leader Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated stylish fashions The change took fans by surprise as did the double-album David Live which featured material recorded on the 1974 tournnYoung Americans released in 1975 was the culmination of Bowie&apos;s soul obsession and it became his first major crossover hit peaking in the American Top Ten and generating his first US number one hit in Fame a song he co-wrote with John Lennon and Alomar Bowie relocated to Los Angeles where he earned his first movie role in Nicolas Roeg&apos;s The Man Who Fell to Earth (1976) While in LA he recorded Station to Station which took the plastic soul of Young Americans into darker avant-garde-tinged directions yet was also a huge hit generating the Top Ten single Golden Years The album inaugurated Bowie&apos;s persona of the elegant Thin White Duke and it reflected Bowie&apos;s growing cocaine-fueled paranoia Soon he decided Los Angeles was too boring and returned to England shortly after arriving back in London he gave the awaiting crowd a Nazi salute a signal of his growing drug-addled detachment from reality The incident caused enormous controversy and Bowie left the country to settle in Berlin where he lived and worked with Brian EnonnOnce in Berlin Bowie sobered up and began painting as well as studying art He also developed a fascination with German electronic music which Eno helped him fulfill on their first album together Low Released early in 1977 Low was a startling mixture of electronics pop and avant-garde technique While it was greeted with mixed reviews at the time it proved to be one of the most influential albums of the late &apos;70s as did its follow-up Heroes which followed that year Not only did Bowie record two solo albums in 1977 but he also helmed Iggy Pop&apos;s comeback records The Idiot and Lust for Life and toured anonymously as Pop&apos;s keyboardist He resumed his acting career in 1977 appearing in Just A Gigolo with Marlene Dietrich and Kim Novak as well as narrating Eugene Ormandy&apos;s version of Peter and the Wolf Bowie returned to the stage in 1978 launching an international tour that was captured on the double-album Stage During 1979 Bowie and Eno recorded Lodger in New York Switzerland and Berlin releasing the album at the end of the year Lodger was supported with several innovative videos as was 1980&apos;s Scary Monsters and these videos -- DJ Fashion Ashes to Ashes -- became staples on early MTVnnScary Monsters was Bowie&apos;s last album for RCA and it wrapped up his most innovative productive period Later in 1980 he performed the title role in stage production of The Elephant Man including several shows on Broadway Over the next two years he took an extended break from recording appearing in Christine F (1982) and the vampire movie The Hunger (1982) returning to the studio only for his 1981 collaboration with Queen Under Pressure and the theme for Paul Schrader&apos;s remake of Cat People In 1983 he signed an expensive contract with EMI Records and released Let&apos;s Dance Bowie had recruited Chic guitarist Nile Rodgers to produce the album giving the record a sleek funky foundation and hired the unknown Stevie Ray Vaughan as lead guitarist Let&apos;s Dance became his most successful record thanks to stylish innovative videos for Let&apos;s Dance and China Girl which turned both songs into Top Ten hits Bowie supported the record with the sold-out arena tour Serious MoonlightnnGreeted with massive success for the first time Bowie wasn&apos;t quite sure how to react and he eventually decided to replicate Let&apos;s Dance with 1984&apos;s Tonight While the album sold well producing the Top Ten hit Blue Jean it received poor reviews and ultimately was a commercial disappointment He stalled in 1985 recording a duet of Martha  the Vandellas&apos; Dancing in the Street with Mick Jagger for Live Aid He also spent more time jet-setting appearing at celebrity events across the globe and appeared in several movies -- Into the Night (1985) Absolute Beginners (1986) Labyrinth (1986) -- that turned out to be bombs Bowie returned to recording in 1987 with the widely panned Never Let Me Down supporting the album with the Glass Spider tour which also received poor reviews In 1989 he remastered his RCA catalog with Rykodisc for CD release kicking off the series with the three-disc box Sound + Vision Bowie supported the discs with an accompanying tour of the same name claming that he was retiring all of his older characters from performance following the tour Sound + Vision was successful and Ziggy Stardust re-charted amidst the hooplannSound + Vision may have been a success but Bowie&apos;s next project was perhaps his most unsuccessful Picking up on the abrasive dissonant rock of Sonic Youth and the Pixies Bowie formed his own guitar rock combo Tin Machine with guitarist Reeves Gabrels bassist Hunt Sales and his drummer brother Tony who had previously worked on Iggy Pop&apos;s Lust for Life with Bowie Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour which was only moderately successful Despite the poor reviews Tin Machine released a second album the appropriately titled Tin Machine II in 1991 and it was completely ignorednnBowie returned to a solo career in 1993 with the sophisticated soulful Black Tie White Noise recording the album with Nile Rodgers and his now-permanent collaborator Reeves Gabrels The album was released on Savage a subsidiary of RCA and received positive reviews but his new label went bankrupt shortly after its release and the album disappeared Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career as was the largely instrumental 1994 soundtrack The Buddha of Suburbia In 1995 he reunited with Brian Eno for the wildly hyped industrial rock-tinged Outside Several critics hailed the album as a comeback and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger alternative audience but his gambit failed audiences left before Bowie&apos;s performance and Outside disappeared He quickly returned to the studio in 1996 recording Earthling an album heavily influenced by techno and drum&apos;n&apos;bass Upon its early 1997 release Earthling received generally positive reviews yet the album failed to gain an audience and many techno purists criticized Bowie for allegedly exploiting their subculture hours followed in 1999 For 2002 Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews He continued on with Visconti for Reality in 2003&lt;/p&gt;</description>
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                <media:title>David Bowie quotChanges Onequot Vinyl LP</media:title>
                <media:description>The clich about David Bowie says he&apos;s a musical chameleon adapting himself according to fashion and trends While such a criticism is too glib there&apos;s no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the &apos;70s After spending several years in the late &apos;60s as a mod and as an all-around music-hall entertainer Bowie reinvented himself as a hippie singersongwriter Prior to his breakthrough in 1972 he recorded a proto-metal record and a poprock album eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona Ziggy made Bowie an international star yet he wasn&apos;t content to continue to churn out glitter rock By the mid-&apos;70s he developed an effete sophisticated version of Philly soul that he dubbed plastic soul which eventually morphed into the eerie avant-pop of 1976&apos;s Station to Station Shortly afterward he relocated to Berlin where he recorded three experimental electronic albums with Brian Eno At the dawn of the &apos;80s Bowie was still at the height of his powers yet following his blockbuster dance-pop album Let&apos;s Dance in 1983 he slowly sank into mediocrity before salvaging his career in the early &apos;90s Even when he was out of fashion in the &apos;80s and &apos;90s it was clear that Bowie was one of the most influential musicians in rock for better and for worse Each one of his phases in the &apos;70s sparked a number of subgenres including punk new wave goth rock the new romantics and electronica Few rockers ever had such lasting impactnnDavid Jones began performing music when he was 13 years old learning the saxophone while he was at Bromley Technical High School another pivotal event happened at the school when his left pupil became permanently dilated in a schoolyard fight Following his graduation at 16 he worked as a commercial artist while playing saxophone in a number of mod bands including the King Bees the Manish Boys (which also featured Jimmy Page as a session man) and Davey Jones  the Lower Third All three of those bands released singles which were generally ignored yet he continued performing changing his name to David Bowie in 1966 after the Monkees&apos; Davy Jones became an international star Over the course of 1966 he released three mod singles on Pye Records which were all ignored The following year he signed with Deram releasing the music hall Anthony Newley-styled David Bowie that year Upon completing the record he spent several weeks in a Scottish Buddhist monastery Once he left the monastery he studied with Lindsay Kemp&apos;s mime troupe forming his own mime company the Feathers in 1969 The Feathers were short-lived and he formed the experimental art group Beckenham Arts Lab in 1969nnBowie needed to finance the Arts Lab so he signed with Mercury Records that year and released Man of Words Man of Music a trippy singersongwriter album featuring Space Oddity The song was released as a single and became a major hit in the UK convincing Bowie to concentrate on music Hooking up with his old friend Marc Bolan he began miming at some of Bolan&apos;s T Rex concerts eventually touring with Bolan bassistproducer Tony Visconti guitarist Mick Ronson and drummer Cambridge as Hype The band quickly fell apart yet Bowie and Ronson remained close working on the material that formed Bowie&apos;s next album The Man Who Sold the World as well as recruiting Michael Woody Woodmansey as their drummer Produced by Tony Visconti who also played bass The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention Bowie followed the album in late 1971 with the poprock Hunky Dory an album that featured Ronson and keyboardist Rick WakemannnFollowing the release of Hunky Dory Bowie began to develop his most famous incarnation Ziggy Stardust: an androgynous bisexual rock star from another planet Before he unveiled Ziggy Bowie claimed in a January 1972 interview with the Melody Maker that he was gay helping to stir interest in his forthcoming album Taking cues from Bolan&apos;s stylish glam rock Bowie dyed his hair orange and began wearing women&apos;s clothing He began calling himself Ziggy Stardust and his backing band -- Ronson Woodmansey and bassist Trevor Bolder -- were the Spiders from Mars The Rise  Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972 The album and its lavish theatrical concerts became a sensation throughout England and it helped him become the only glam rocker to carve out a niche in America Ziggy Stardust became a word-of-mouth hit in the US and the re-released Space Oddity -- which was now also the title of the re-released Man of Words Man of Music -- reached the American Top 20 Bowie quickly followed Ziggy with Aladdin Sane later in 1973 Not only did he record a new album that year but he also produced Lou Reed&apos;s Transformer the Stooges&apos; Raw Power and Mott the Hoople&apos;s comeback All the Young Dudes for which he also wrote the title tracknnGiven the amount of work Bowie packed into 1972 and 1973 it wasn&apos;t surprising that his relentless schedule began to catch up with him After recording the all-covers Pin-Ups with the Spiders from Mars he unexpectedly announced the band&apos;s breakup as well as his retirement from live performances during the group&apos;s final show that year He retreated from the spotlight to work on a musical adaptation of George Orwell&apos;s 1984 but once he was denied the rights to the novel he transformed the work into Diamond Dogs The album was released to generally poor reviews in 1974 yet it generated the hit single Rebel Rebel and he supported the album with an elaborate and expensive American tour As the tour progressed Bowie became fascinated with soul music eventually redesigning the entire show to reflect his new plastic soul Hiring guitarist Carlos Alomar as the band&apos;s leader Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated stylish fashions The change took fans by surprise as did the double-album David Live which featured material recorded on the 1974 tournnYoung Americans released in 1975 was the culmination of Bowie&apos;s soul obsession and it became his first major crossover hit peaking in the American Top Ten and generating his first US number one hit in Fame a song he co-wrote with John Lennon and Alomar Bowie relocated to Los Angeles where he earned his first movie role in Nicolas Roeg&apos;s The Man Who Fell to Earth (1976) While in LA he recorded Station to Station which took the plastic soul of Young Americans into darker avant-garde-tinged directions yet was also a huge hit generating the Top Ten single Golden Years The album inaugurated Bowie&apos;s persona of the elegant Thin White Duke and it reflected Bowie&apos;s growing cocaine-fueled paranoia Soon he decided Los Angeles was too boring and returned to England shortly after arriving back in London he gave the awaiting crowd a Nazi salute a signal of his growing drug-addled detachment from reality The incident caused enormous controversy and Bowie left the country to settle in Berlin where he lived and worked with Brian EnonnOnce in Berlin Bowie sobered up and began painting as well as studying art He also developed a fascination with German electronic music which Eno helped him fulfill on their first album together Low Released early in 1977 Low was a startling mixture of electronics pop and avant-garde technique While it was greeted with mixed reviews at the time it proved to be one of the most influential albums of the late &apos;70s as did its follow-up Heroes which followed that year Not only did Bowie record two solo albums in 1977 but he also helmed Iggy Pop&apos;s comeback records The Idiot and Lust for Life and toured anonymously as Pop&apos;s keyboardist He resumed his acting career in 1977 appearing in Just A Gigolo with Marlene Dietrich and Kim Novak as well as narrating Eugene Ormandy&apos;s version of Peter and the Wolf Bowie returned to the stage in 1978 launching an international tour that was captured on the double-album Stage During 1979 Bowie and Eno recorded Lodger in New York Switzerland and Berlin releasing the album at the end of the year Lodger was supported with several innovative videos as was 1980&apos;s Scary Monsters and these videos -- DJ Fashion Ashes to Ashes -- became staples on early MTVnnScary Monsters was Bowie&apos;s last album for RCA and it wrapped up his most innovative productive period Later in 1980 he performed the title role in stage production of The Elephant Man including several shows on Broadway Over the next two years he took an extended break from recording appearing in Christine F (1982) and the vampire movie The Hunger (1982) returning to the studio only for his 1981 collaboration with Queen Under Pressure and the theme for Paul Schrader&apos;s remake of Cat People In 1983 he signed an expensive contract with EMI Records and released Let&apos;s Dance Bowie had recruited Chic guitarist Nile Rodgers to produce the album giving the record a sleek funky foundation and hired the unknown Stevie Ray Vaughan as lead guitarist Let&apos;s Dance became his most successful record thanks to stylish innovative videos for Let&apos;s Dance and China Girl which turned both songs into Top Ten hits Bowie supported the record with the sold-out arena tour Serious MoonlightnnGreeted with massive success for the first time Bowie wasn&apos;t quite sure how to react and he eventually decided to replicate Let&apos;s Dance with 1984&apos;s Tonight While the album sold well producing the Top Ten hit Blue Jean it received poor reviews and ultimately was a commercial disappointment He stalled in 1985 recording a duet of Martha  the Vandellas&apos; Dancing in the Street with Mick Jagger for Live Aid He also spent more time jet-setting appearing at celebrity events across the globe and appeared in several movies -- Into the Night (1985) Absolute Beginners (1986) Labyrinth (1986) -- that turned out to be bombs Bowie returned to recording in 1987 with the widely panned Never Let Me Down supporting the album with the Glass Spider tour which also received poor reviews In 1989 he remastered his RCA catalog with Rykodisc for CD release kicking off the series with the three-disc box Sound + Vision Bowie supported the discs with an accompanying tour of the same name claming that he was retiring all of his older characters from performance following the tour Sound + Vision was successful and Ziggy Stardust re-charted amidst the hooplannSound + Vision may have been a success but Bowie&apos;s next project was perhaps his most unsuccessful Picking up on the abrasive dissonant rock of Sonic Youth and the Pixies Bowie formed his own guitar rock combo Tin Machine with guitarist Reeves Gabrels bassist Hunt Sales and his drummer brother Tony who had previously worked on Iggy Pop&apos;s Lust for Life with Bowie Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour which was only moderately successful Despite the poor reviews Tin Machine released a second album the appropriately titled Tin Machine II in 1991 and it was completely ignorednnBowie returned to a solo career in 1993 with the sophisticated soulful Black Tie White Noise recording the album with Nile Rodgers and his now-permanent collaborator Reeves Gabrels The album was released on Savage a subsidiary of RCA and received positive reviews but his new label went bankrupt shortly after its release and the album disappeared Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career as was the largely instrumental 1994 soundtrack The Buddha of Suburbia In 1995 he reunited with Brian Eno for the wildly hyped industrial rock-tinged Outside Several critics hailed the album as a comeback and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger alternative audience but his gambit failed audiences left before Bowie&apos;s performance and Outside disappeared He quickly returned to the studio in 1996 recording Earthling an album heavily influenced by techno and drum&apos;n&apos;bass Upon its early 1997 release Earthling received generally positive reviews yet the album failed to gain an audience and many techno purists criticized Bowie for allegedly exploiting their subculture hours followed in 1999 For 2002 Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews He continued on with Visconti for Reality in 2003</media:description>
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            <pubDate>Mon, 11 May 2009 01:21:00 MDT</pubDate>
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            <title>Tony Montana</title>
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            <dc:creator>ramiroramirez1</dc:creator>
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            <pubDate>Mon, 11 May 2009 11:44:00 MDT</pubDate>
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            <dc:creator>illestad</dc:creator>
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            <pubDate>Mon, 25 Jun 2012 12:04:00 MDT</pubDate>
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        <item>
            <title>Tony Ramos</title>
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            <dc:creator>giolovesyou</dc:creator>
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            <pubDate>Fri, 27 Nov 2009 09:47:00 MST</pubDate>
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            <title>Mindset</title>
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            <pubDate>Fri, 8 Jun 2012 14:29:00 MDT</pubDate>
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            <title>Tony -618</title>
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            <pubDate>Sun, 17 Jun 2012 08:24:00 MDT</pubDate>
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            <title>Tony Dow</title>
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            <pubDate>Sun, 10 May 2009 16:55:00 MDT</pubDate>
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            <title>Tony Tony Chopper</title>
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            <pubDate>Wed, 13 May 2009 07:33:00 MDT</pubDate>
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            <title>Tony Taka</title>
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            <pubDate>Mon, 11 May 2009 23:18:00 MDT</pubDate>
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            <title>AbbyTony hug</title>
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            <pubDate>Fri, 8 Jun 2012 07:43:00 MDT</pubDate>
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            <title>Tony Montana</title>
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            <pubDate>Sat, 9 May 2009 10:48:00 MDT</pubDate>
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            <title>Tony Montana</title>
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            <dc:creator>Teresa4351</dc:creator>
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            <pubDate>Sun, 10 May 2009 20:52:00 MDT</pubDate>
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            <title>flowers-roses-white-flowers</title>
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            <pubDate>Sun, 10 Jun 2012 14:55:00 MDT</pubDate>
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            <title>Spongebob and Patrick Wallpaper</title>
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            <dc:creator>punkdalek</dc:creator>
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            <pubDate>Sat, 17 Oct 2009 03:49:00 MDT</pubDate>
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            <title>Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=JAZZ-LpMilesDavisKindOfBlue.jpg&quot; title=&quot;JAZZ-LpMilesDavisKindOfBlue.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_JAZZ-LpMilesDavisKindOfBlue.jpg&quot; alt=&quot;JAZZ-LpMilesDavisKindOfBlue.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP - JAZZ-LpMilesDavisKindOfBlue.jpg&lt;/p&gt;&lt;p&gt;Kind of Blue isn&apos;t merely an artistic highlight for Miles Davis it&apos;s an album that towers above its peers a record generally considered as the definitive jazz album a universally acknowledged standard of excellence Why does Kind of Blue posses such a mystique Perhaps because this music never flaunts its genius It lures listeners in with the slow luxurious bassline and gentle piano chords of So What From that moment on the record never really changes pace -- each tune has a similar relaxed feel as the music flows easily Yet Kind of Blue is more than easy listening It&apos;s the pinnacle of modal jazz -- tonality and solos build from the overall key not chord changes giving the music a subtly shifting quality All of this doesn&apos;t quite explain why seasoned jazz fans return to this record even after they&apos;ve memorized every nuance They return because this is an exceptional band -- Miles Coltrane Bill Evans Cannonball Adderley Paul Chambers Jimmy Cobb -- one of the greatest in history playing at the peak of its power As Evans said in the original liner notes for the record the band did not play through any of these pieces prior to recording Davis laid out the themes before the tape rolled and then the band improvised The end results were wondrous and still crackle with vitality Kind of Blue works on many different levels It can be played as background music yet it amply rewards close listening It is advanced music that is extraordinarily enjoyable It may be a stretch to say that if you don&apos;t like Kind of Blue you don&apos;t like jazz -- but it&apos;s hard to imagine it as anything other than a cornerstone of any jazz collectionnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday  Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis  Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm  Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles  Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means&lt;/p&gt;</description>
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                <media:title>Miles Davis quotKind of Bluequot Six Eye Columbia Records - White Lettering on Black Background - Vinyl LP</media:title>
                <media:description>Kind of Blue isn&apos;t merely an artistic highlight for Miles Davis it&apos;s an album that towers above its peers a record generally considered as the definitive jazz album a universally acknowledged standard of excellence Why does Kind of Blue posses such a mystique Perhaps because this music never flaunts its genius It lures listeners in with the slow luxurious bassline and gentle piano chords of So What From that moment on the record never really changes pace -- each tune has a similar relaxed feel as the music flows easily Yet Kind of Blue is more than easy listening It&apos;s the pinnacle of modal jazz -- tonality and solos build from the overall key not chord changes giving the music a subtly shifting quality All of this doesn&apos;t quite explain why seasoned jazz fans return to this record even after they&apos;ve memorized every nuance They return because this is an exceptional band -- Miles Coltrane Bill Evans Cannonball Adderley Paul Chambers Jimmy Cobb -- one of the greatest in history playing at the peak of its power As Evans said in the original liner notes for the record the band did not play through any of these pieces prior to recording Davis laid out the themes before the tape rolled and then the band improvised The end results were wondrous and still crackle with vitality Kind of Blue works on many different levels It can be played as background music yet it amply rewards close listening It is advanced music that is extraordinarily enjoyable It may be a stretch to say that if you don&apos;t like Kind of Blue you don&apos;t like jazz -- but it&apos;s hard to imagine it as anything other than a cornerstone of any jazz collectionnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday  Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis  Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm  Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles  Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means</media:description>
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            <dc:creator>TheUltimateGuardian</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1075.photobucket.com/albums/w425/TheUltimateGuardian/?action=view&amp;current=big_mariah_carey_by_sgt2-d3f8jzd.jpg&quot; title=&quot;big_mariah_carey_by_sgt2-d3f8jzd.jpg&quot;&gt;&lt;img src=&quot;http://th1075.photobucket.com/albums/w425/TheUltimateGuardian/th_big_mariah_carey_by_sgt2-d3f8jzd.jpg&quot; alt=&quot;big_mariah_carey_by_sgt2-d3f8jzd.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Fat Mariah Carey - big_mariah_carey_by_sgt2-d3f8jzd.jpg&lt;/p&gt;&lt;p&gt;She&apos;s looks super sexy like this way people would like her allot more if she was like this nice big hips booty and curves and face everything inbetween this is why i love fat girls because ther&apos;e great inspired by Tony the Tiger&lt;/p&gt;</description>
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                <media:description>She&apos;s looks super sexy like this way people would like her allot more if she was like this nice big hips booty and curves and face everything inbetween this is why i love fat girls because ther&apos;e great inspired by Tony the Tiger</media:description>
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            <pubDate>Sun, 10 Jun 2012 22:41:00 MDT</pubDate>
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            <title>Popeye and The Beaver</title>
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            <pubDate>Fri, 15 Feb 2013 12:38:00 MST</pubDate>
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        <item>
            <title>My interview with Emily Lam and Perry Wasserman</title>
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            <dc:creator>NonprofitRadio</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/?action=view&amp;current=emily_perry_tony.jpg&quot; title=&quot;emily_perry_tony.jpg&quot;&gt;&lt;img src=&quot;http://th1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/th_emily_perry_tony.jpg&quot; alt=&quot;emily_perry_tony.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;My interview with Emily Lam and Perry Wasserman - emily_perry_tony.jpg&lt;/p&gt;&lt;p&gt;Emily Lam  Perry Wasserman: Tax Policy  The Future Of Philanthropic Planning&lt;/p&gt;</description>
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            <pubDate>Tue, 8 Feb 2011 01:54:00 MST</pubDate>
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        <item>
            <title>My interview with Reynolds Cafferata</title>
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            <dc:creator>NonprofitRadio</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/?action=view&amp;current=S0872797.jpg&quot; title=&quot;S0872797.jpg&quot;&gt;&lt;img src=&quot;http://th1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/th_S0872797.jpg&quot; alt=&quot;S0872797.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;My interview with Reynolds Cafferata - S0872797.jpg&lt;/p&gt;&lt;p&gt;Reynolds Cafferata: Creating Effective Legal Structures for Multigenerational Philanthropy&lt;/p&gt;</description>
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            <pubDate>Tue, 8 Feb 2011 01:37:00 MST</pubDate>
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        <item>
            <title>My interview with Anne Melvin</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/?action=view&amp;current=S0103070.jpg&quot; title=&quot;S0103070.jpg&quot;&gt;&lt;img src=&quot;http://th1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/th_S0103070.jpg&quot; alt=&quot;S0103070.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;My interview with Anne Melvin - S0103070.jpg&lt;/p&gt;&lt;p&gt;Anne Melvin: Motivating Your Donor Base: The Science (and Art) of Planned Giving Marketing&lt;/p&gt;</description>
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            <pubDate>Tue, 8 Feb 2011 01:38:00 MST</pubDate>
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            <title>Aviva Shiff Boedecker at the interview table</title>
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                <media:description>Aviva Shiff Boedecker</media:description>
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            <pubDate>Tue, 8 Feb 2011 01:56:00 MST</pubDate>
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        <item>
            <title>Where is Tony Martignetti</title>
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            <dc:creator>NonprofitRadio</dc:creator>
            <description>&lt;p&gt;&lt;a href=&quot;http://s1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/?action=view&amp;current=coventry.jpg&quot; title=&quot;coventry.jpg&quot;&gt;&lt;img src=&quot;http://th1212.photobucket.com/albums/cc448/NonprofitRadio/2010%20National%20Conference%20on%20Philanthropic%20Planning/th_coventry.jpg&quot; alt=&quot;coventry.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Where is Tony Martignetti - coventry.jpg&lt;/p&gt;&lt;p&gt;Gotta start with self help That&apos;s my writing&lt;/p&gt;</description>
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            <pubDate>Tue, 8 Feb 2011 01:55:00 MST</pubDate>
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        <item>
            <title>My first remote podcast</title>
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            <dc:creator>NonprofitRadio</dc:creator>
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            <pubDate>Tue, 8 Feb 2011 01:57:00 MST</pubDate>
        </item>
        <item>
            <title>My interview with Robert Sharpe</title>
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            <dc:creator>NonprofitRadio</dc:creator>
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            <pubDate>Tue, 8 Feb 2011 01:33:00 MST</pubDate>
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        <item>
            <title>Interviewing Robert Sharpe along with Raymund Flandez</title>
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            <pubDate>Tue, 8 Feb 2011 01:44:00 MST</pubDate>
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            <title>Setting up</title>
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                <media:title>Setting up</media:title>
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            <pubDate>Tue, 8 Feb 2011 01:52:00 MST</pubDate>
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            <title>Tony Martignetti Nonprofit Radio is ready to go</title>
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            <pubDate>Tue, 8 Feb 2011 01:50:00 MST</pubDate>
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            <title>Kathryn Miree at the interview table</title>
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            <pubDate>Tue, 8 Feb 2011 01:46:00 MST</pubDate>
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        <item>
            <title>Setting up</title>
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            <pubDate>Tue, 8 Feb 2011 01:53:00 MST</pubDate>
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            <title>tony spilotro aka (nicky santoro)</title>
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            <pubDate>Sun, 10 May 2009 16:34:00 MDT</pubDate>
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            <title>Tony Tony Chopper</title>
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            <pubDate>Wed, 13 Jun 2012 21:54:00 MDT</pubDate>
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            <title>Iron Man helmet assembly</title>
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            <pubDate>Thu, 25 Nov 2010 15:25:00 MST</pubDate>
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            <title>The ballad of gay Tony</title>
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            <pubDate>Wed, 13 Feb 2013 14:52:00 MST</pubDate>
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            <title>Tony Montana</title>
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            <pubDate>Mon, 8 Feb 2010 14:59:00 MST</pubDate>
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            <title>The Walking Dead</title>
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            <pubDate>Sat, 30 Jul 2011 23:05:00 MDT</pubDate>
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        <item>
            <title>Tony</title>
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            <pubDate>Sat, 25 Aug 2012 07:16:00 MDT</pubDate>
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            <title>Phra Tony Jaa Blessing a Music Rehersal Studio in Surin (June 4th 2010)-05</title>
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            <pubDate>Sun, 6 Jun 2010 21:39:00 MDT</pubDate>
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            <title>tony jaa is awsome</title>
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            <pubDate>Sun, 17 Jan 2010 19:08:00 MST</pubDate>
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            <title>Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove</title>
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            <description>&lt;p&gt;&lt;a href=&quot;http://s242.photobucket.com/albums/ff59/foxmusic/?action=view&amp;current=JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; title=&quot;JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot;&gt;&lt;img src=&quot;http://th242.photobucket.com/albums/ff59/foxmusic/th_JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; alt=&quot;JAZZ-LpMilesDavisCollectorsItem-1.jpg&quot; /&gt;&lt;/a&gt;&lt;br&gt;Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove - JAZZ-LpMilesDavisCollectorsItem-1.jpg&lt;/p&gt;&lt;p&gt;This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There&apos;s No You It&apos;s classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means&lt;/p&gt;</description>
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                <media:title>Miles Davis quotCollectors&apos; Itemsquot Prestige Records LP 7044 - Jazz Vinyl Record Album - Deep Groove</media:title>
                <media:description>This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker other meetings with Rollins in 1951 and 1956 and a moody 1955 date with bassist Charles Mingus trombone vibes and drums (a young Elvin Jones) Highlights include No Line Vierd Blues In Your Own Sweet Way Nature Boy and There&apos;s No You It&apos;s classic if often overlooked music from a variety of immortal jazzmen nnThroughout a professional career lasting 50 years Miles Davis played the trumpet in a lyrical introspective and melodic style often employing a stemless Harmon mute to make his sound more personal and intimate But if his approach to his instrument was constant his approach to jazz was dazzlingly protean To examine his career is to examine the history of jazz from the mid-&apos;40s to the early &apos;90s since he was in the thick of almost every important innovation and stylistic development in the music during that period and he often led the way in those changes both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions It can even be argued that jazz stopped evolving when Davis wasn&apos;t there to push it forwardnnDavis was the son of a dental surgeon Dr Miles Dewey Davis Jr and a music teacher Cleota Mae (Henry) Davis and thus grew up in the black middle class of east St Louis after the family moved there shortly after his birth He became interested in music during his childhood and by the age of 12 began taking trumpet lessons While still in high school he started to get jobs playing in local bars and at 16 was playing gigs out of town on weekends At 17 he joined Eddie Randle&apos;s Blue Devils a territory band based in St Louis He enjoyed a personal apotheosis in 1944 just after graduating from high school when he saw and was allowed to sit in with Billy Eckstine&apos;s big band who was playing in St Louis The band featured trumpeter Dizzy Gillespie and saxophonist Charlie Parker the architects of the emerging bebop style of jazz which was characterized by fast inventive soloing and dynamic rhythm variations It is striking that Davis fell so completely under Gillespie and Parker&apos;s spell since his own slower and less flashy style never really compared to theirs But bebop was the new sound of the day and the young trumpeter was bound to follow it He did so by leaving the Midwest to attend the Institute of Musical Art in New York City (renamed Juilliard) in September 1944 Shortly after his arrival in Manhattan he was playing in clubs with Parker and by 1945 he had abandoned his academic studies for a full-time career as a jazz musician initially joining Benny Carter&apos;s band and making his first recordings as a sideman He played with Eckstine in 1946-1947 and was a member of Parker&apos;s group in 1947-1948 making his recording debut as a leader on a 1947 session that featured Parker pianist John Lewis bassist Nelson Boyd and drummer Max Roach This was an isolated date however and Davis spent most of his time playing and recording behind Parker But in the summer of 1948 he organized a nine-piece band with an unusual horn section In addition to himself it featured an alto saxophone a baritone saxophone a trombone a French horn and a tuba This nonet employing arrangements by Gil Evans and others played for two weeks at the Royal Roost in New York in September Earning a contract with Capitol Records the band went into the studio in January 1949 for the first of three sessions which produced 12 tracks that attracted little attention at first The band&apos;s relaxed sound however affected the musicians who played it among them Kai Winding Lee Konitz Gerry Mulligan John Lewis JJ Johnson and Kenny Clarke and it had a profound influence on the development of the cool jazz style on the West Coast In February 1957 Capitol finally issued the tracks together on an LP called Birth of the Cool Davis meanwhile had moved on to co-leading a band with pianist Tadd Dameron in 1949 and the group took him out of the country for an appearance at the Paris Jazz Festival in May But the trumpeter&apos;s progress was impeded by an addiction to heroin that plagued him in the early &apos;50s His performances and recordings became more haphazard but in January 1951 he began a long series of recordings for the Prestige label that became his main recording outlet for the next several years He managed to kick his habit by the middle of the decade and he made a strong impression playing &apos;Round Midnight at the Newport Jazz Festival in July 1955 a performance that led the major label Columbia Records to sign him The prestigious contract allowed him to put together a permanent band and he organized a quintet featuring saxophonist John Coltrane pianist Red Garland bassist Paul Chambers and drummer Philly Joe Jones who began recording his Columbia debut &apos;Round About Midnight in October As it happened however he had a remaining five albums on his Prestige contract and over the next year he was forced to alternate his Columbia sessions with sessions for Prestige to fulfill this previous commitment The latter resulted in the Prestige albums The New Miles Davis Quintet Cookin&apos; Workin&apos; Relaxin&apos; and Steamin&apos; making Davis&apos; first quintet one of his better-documented outfits In May 1957 just three months after Capitol released the Birth of the Cool LP Davis again teamed with arranger Gil Evans for his second Columbia LP Miles Ahead Playing flgelhorn Davis fronted a big band on music that extended the Birth of the Cool concept and even had classical overtones Released in 1958 the album was later inducted into the Grammy Hall of Fame intended to honor recordings made before the Grammy Awards were instituted in 1959 In December 1957 Davis returned to Paris where he improvised the background music for the film L&apos;Ascenseur pour l&apos;Echafaud (Escalator to the Gallows) Jazz Track an album containing this music earned him a 1960 Grammy nomination for Best Jazz Performance Solo or Small Group He added saxophonist Cannonball Adderley to his group creating the Miles Davis Sextet who recorded the album Milestones in April 1958 Shortly after this recording Red Garland was replaced on piano by Bill Evans and Jimmy Cobb took over for Philly Joe Jones on drums In July Davis again collaborated with Gil Evans and an orchestra on an album of music from Porgy and Bess Back in the sextet Davis began to experiment with modal playing basing his improvisations on scales rather than chord changes This led to his next band recording Kind of Blue in March and April 1959 an album that became a landmark in modern jazz and the most popular disc of Davis&apos; career eventually selling over two million copies a phenomenal success for a jazz record In sessions held in November 1959 and March 1960 Davis again followed his pattern of alternating band releases and collaborations with Gil Evans recording Sketches of Spain containing traditional Spanish music and original compositions in that style The album earned Davis and Evans Grammy nominations in 1960 for Best Jazz Performance Large Group and Best Jazz Composition More Than 5 minutes they won in the latter categorynnBy the time Davis returned to the studio to make his next band album in March 1961 Adderley had departed Wynton Kelly had replaced Bill Evans at the piano and John Coltrane had left to begin his successful solo career being replaced by saxophonist Hank Mobley (following the brief tenure of Sonny Stitt) Nevertheless Coltrane guested on a couple of tracks of the album called Someday My Prince Will Come The record made the pop charts in March 1962 but it was preceded into the bestseller lists by the Davis quintet&apos;s next recording the two-LP set Miles Davis in Person (Friday amp Saturday Nights at the Blackhawk San Francisco) recorded in April The following month Davis recorded another live show as he and his band were joined by an orchestra led by Gil Evans at Carnegie Hall in May The resulting Miles Davis at Carnegie Hall was his third LP to reach the pop charts and it earned Davis and Evans a 1962 Grammy nomination for Best Jazz Performance by a Large Group Instrumental Davis and Evans teamed up again in 1962 for what became their final collaboration Quiet Nights The album was not issued until 1964 when it reached the charts and earned a Grammy nomination for Best Instrumental Jazz Performance by a Large Group or Soloist with Large Group In 1996 Columbia Records released a six-CD box set Miles Davis amp Gil Evans: The Complete Columbia Studio Recordings that won the Grammy for Best Historical Album Quiet Nights was preceded into the marketplace by Davis&apos; next band effort Seven Steps to Heaven recorded in the spring of 1963 with an entirely new lineup consisting of saxophonist George Coleman pianist Victor Feldman bassist Ron Carter and drummer Frank Butler During the sessions Feldman was replaced by Herbie Hancock and Butler by Tony Williams The album found Davis making a transition to his next great group of which Carter Hancock and Williams would be members It was another pop chart entry that earned 1963 Grammy nominations for both Best Instrumental Jazz Performance by a Soloist or Small Group and Best Instrumental Jazz Performance by a Large Group The quintet followed with two live albums Miles Davis in Europe recorded in July 1963 which made the pop charts and earned a 1964 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group and My Funny Valentine recorded in February 1964 and released in 1965 when it reached the pop charts By September 1964 the final member of the classic Miles Davis Quintet of the 1960s was in place with the addition of saxophonist Wayne Shorter to the team of Davis Carter Hancock and Williams While continuing to play standards in concert this unit embarked on a series of albums of original compositions contributed by the band members starting in January 1965 with ESP followed by Miles Smiles (1967 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group 7 or Fewer) Sorcerer Nefertiti Miles in the Sky (1968 Grammy nomination for Best Instrumental Jazz Performance by a Small Group or Soloist with Small Group) and Filles de Kilimanjaro By the time of Miles in the Sky the group had begun to turn to electric instruments presaging Davis&apos; next stylistic turn By the final sessions for Filles de Kilimanjaro in September 1968 Hancock had been replaced by Chick Corea and Carter by Dave Holland But Hancock along with pianist Joe Zawinul and guitarist John McLaughlin participated on Davis&apos; next album In a Silent Way (1969) which returned the trumpeter to the pop charts for the first time in four years and earned him another small-group jazz performance Grammy nomination With his next album Bitches Brew Davis turned more overtly to a jazz-rock style Though certainly not conventional rock music Davis&apos; electrified sound attracted a young non-jazz audience while putting off traditional jazz fans Bitches Brew released in March 1970 reached the pop Top 40 and became Davis&apos; first album to be certified gold It also earned a Grammy nomination for Best Instrumental Arrangement and won the Grammy for large-group jazz performance He followed it with such similar efforts as Miles Davis at Fillmore East (1971 Grammy nomination for Best Jazz Performance by a Group) A Tribute to Jack Johnson Live-Evil On the Corner and In Concert all of which reached the pop charts Meanwhile Davis&apos; former sidemen became his disciples in a series of fusion groups: Corea formed Return to Forever Shorter and Zawinul led Weather Report and McLaughlin and former Davis drummer Billy Cobham organized the Mahavishnu Orchestra Starting in October 1972 when he broke his ankles in a car accident Davis became less active in the early &apos;70s and in 1975 he gave up recording entirely due to illness undergoing surgery for hip replacement later in the year Five years passed before he returned to action by recording The Man With the Horn in 1980 and going back to touring in 1981 By now he was an elder statesman of jazz and his innovations had been incorporated into the music at least by those who supported his eclectic approach He was also a celebrity whose appeal extended far beyond the basic jazz audience He performed on the worldwide jazz festival circuit and recorded a series of albums that made the pop charts including We Want Miles (1982 Grammy Award for Best Jazz Instrumental Performance by a Soloist) Star People Decoy and You&apos;re Under Arrest In 1986 after 30 years with Columbia he switched to Warner Bros Records and released Tutu which won him his fourth Grammy for Best Jazz Instrumental Performance Aura an album he had recorded in 1984 was released by Columbia in 1989 and brought him his fifth Grammy for Best Jazz Instrumental Performance by a Soloist (on a Jazz Recording) Davis surprised jazz fans when on July 8 1991 he joined an orchestra led by Quincy Jones at the Montreux Jazz Festival to perform some of the arrangements written for him in the late &apos;50s by Gil Evans he had never previously looked back at an aspect of his career He died of pneumonia respiratory failure and a stroke within months Doo-Bop his last studio album appeared in 1992 It was a collaboration with rapper Easy Mo Bee and it won a Grammy for Best Rhythm amp Blues Instrumental Performance with the track Fantasy nominated for Best Jazz Instrumental Solo Released in 1993 Miles amp Quincy Live at Montreux won Davis his seventh Grammy for Best Large Jazz Ensemble PerformancennMiles Davis took an all-inclusive constantly restless approach to jazz that had begun to fall out of favor by the time of his death even as it earned him controversy during his lifetime It was hard to recognize the bebop acolyte of Charlie Parker in the flamboyantly dressed leader with the hair extensions who seemed to keep one foot on a wah-wah pedal and one hand on an electric keyboard in his later years But he did much to popularize jazz reversing the trend away from commercial appeal that bebop began And whatever the fripperies and explorations he retained an ability to play moving solos that endeared him to audiences and demonstrated his affinity with tradition At a time when jazz is inclining toward academia and repertory orchestras rather than moving forward he is a reminder of the music&apos;s essential quality of boundless invention using all available means</media:description>
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            <pubDate>Sun, 4 Oct 2009 12:39:00 MDT</pubDate>
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            <pubDate>Sun, 4 Oct 2009 12:59:00 MDT</pubDate>
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            <pubDate>Sun, 16 Sep 2012 07:37:00 MDT</pubDate>
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            <pubDate>Fri, 18 May 2012 14:46:00 MDT</pubDate>
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            <pubDate>Sun, 4 Oct 2009 12:39:00 MDT</pubDate>
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            <pubDate>Sat, 16 Jan 2010 21:37:00 MST</pubDate>
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            <pubDate>Sun, 24 Jun 2012 12:19:00 MDT</pubDate>
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            <pubDate>Thu, 21 Jun 2012 12:28:00 MDT</pubDate>
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            <title>Tony and wifewith me and Tedwe kept meeeting up by accident good people</title>
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            <pubDate>Fri, 26 Oct 2012 22:26:00 MDT</pubDate>
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        <item>
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            <pubDate>Sun, 17 Jun 2012 02:44:00 MDT</pubDate>
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            <pubDate>Fri, 15 Jun 2012 01:24:00 MDT</pubDate>
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            <pubDate>Mon, 10 Aug 2009 17:04:00 MDT</pubDate>
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        <item>
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            <pubDate>Sat, 9 May 2009 23:12:00 MDT</pubDate>
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